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Day5 – 4 sessions

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okmin chökyi yingkyi phodrang né düsum sangyé kün gyi ngowo nyi rangsem chöku ngönsum tönzé pa tsawai lamai shapla sölwa dep
All right, an invitation to settle the mind for a moment with the body alert but relaxed.

And then bringing to mind our motivation in the Mahāyāna,
we aspire to achieve awakening for the sake of all beings out of great compassion.
All right, let's begin.
So uh, since uh, we didn't really get a chance to um, we had a somewhat shorter question period at the end of the day yesterday. If there are any questions now...
any questions now?
Yes, Ron?
I'll have a little coffee so I can answer.

Student: Um, I remember you had one slide that,
if I recall correctly, said emptiness is the same as interdependence. yaḥ pratītyasamutpādaḥ śūnyatāṃ tāṃ pracakṣmahe Does that answer your question? Now I get it. Yeah, now, oh, I didn't just say that before. It's so obvious. It's so obvious. Prajakshmahe means we say. And so it's Nāgārjuna he's like speaking in the plural, sometimes that's a sign of humility so it could be that in Sanskrit but he may also mean like people who are thinking like me. We say that, that which is... yaḥ pratītyasamutpādaḥ śūnyatāṃ tāṃ pracakṣmahe that which is pratītyasamutpādaḥ that is emptiness. So we're saying that, what do we mean by emptiness? It's that which is dependently originated or interdependent. So it doesn't really mean that they're the same and actually, you know, this is where a certain kind of perspectivalism can come in, meaning it depends on the context or how you're looking, so to speak, or what you're bringing to bear on whatever. So on the one hand, if we have our flower or our vase, from the ultimate perspective, from the perspective of the noble one in meditative equipoise on the ultimate, it's emptiness. From the perspective of deluded sentient beings, it's a flower in a vase. But that is what's going on there at the level of sentient beings is they think that's essentially real, but really it's interdependent. So what it means for something to be empty, so sentient beings' ordinary experience, so remember the metaphor of the um, of the mirror, right? So when you're looking at a mirror, we know behaviorally that you don't think it's really your face. It's again not like the rubber hand illusion. And because if we hit it or something, you don't go, ow. So even though you don't maybe consciously think, oh, that's not really my face in the mirror, maybe don't get to that level of analyzing things, it doesn't, we're not really feeling like it's our face, because we don't behave that way. But uh, if you actually touch your face or whatever, or somebody starts to go towards slapping your face, like you, this feels real. This sensation of face feels real. So in that sense, that's not like your, like the mirror. That's real. To the ar.., to the noble one, this is like the mirror. It's not, It doesn't present itself as real. It just presents itself as an appearance, an interdependent appearance. So the difference, you can say, in terms of the conventional reality between a noble one, a Mahāyāna noble one, someone who's realized the Mādhyamika view, and an ordinary person, is that they think when they see this, first of all, they think, like in some sense, this is ultimate. The way it looks is the way it really is, like there's some essentially real thing here. But for the Ārya, it doesn't, the Ārya knows, the noble one knows, that, that this is empty, ultimately this is empty. There's not something essentially real there, ultimately. And conventionally what's appearing doesn't appear as ultimately real or essentially real. It appears as an interdependent appearance. Okay, so it's like two different perspectives. So when you are participating in the, in the uh, perspective of ordinary sentient beings, then you're dealing with appearances in saṃsāra, and that's, but from the standpoint of the uh, the noble one, and of course the Buddha, those are just interdependent appearances. Right? And the difference between a Buddha and a noble one is that the noble ones are still having their own appearances, but the Buddha is really just having other beings' appearances, as Khenpo was explaining. Does that make sense? Yeah, thank you. So in other words, you're like two sides of the same coin. And what makes them not exactly equal? Because uh, But they are in a sense like, so this is exactly the same, another way to say this is, you know,
to quote the Heart sūtra in Sanskrit and Tibetan.
Form is emptiness, so form means visual objects in this context. Form is empty, emp... Form is emptiness, emptiness is form. It's not like they're different entities. It's kind of two different ways of seeing the same thing. Right? But when you're seeing this, so and how do you see it, what's the difference there is that without analysis, and this is a key term that Khenpo also mentioned, when we don't analyze it, like what's really there, then without analysis, we, we uh, you know, there's just this appearance. And as long as you leave it unanalyzed, you don't ask what's really there, then you're dealing with an interdependent appearance. So that's the mode of the conventional. But when you analyze, you look for what's really there, then what, all that remains then is, or not even remains, what you end up with is emptiness. There isn't an interdependent appearance anymore, there's emptiness. And even saying there is, as we know, is a problem. It's not like emptiness is a thing that's there. Okay? So, you know, it's, but it's not like the emptiness is something other than this, or this is other than the appearance, or that the appearance is something other than emptiness. Form is emptiness, emptiness is form. Form is not other than emptiness, emptiness is not other than form.
Yes?

There was also a slide saying that emptiness is non-referring to anything.
Correct. But can't you, is it not more the thing that emptiness refers to everything? It's not, emptiness is not a subject as itself, no thing, but it's a quality of everything. I don't think I would be, so, okay, so...
If you're talking about something being a quality of something,
then there needs to be like a subject, an entity of which the quality is predicated, right? So you want to say that emptiness is a predicate of this. Does this exist such that emptiness could be a predicate of it?
Yeah, it's actually worse than a circle.
Because from the perspective in which emptiness applies, which is the ultimate, this does not exist.
It also doesn't not exist. It's not an absolute nothing, it's not an absolute something.
There's nothing of which emptiness could be predicated. So there are going to be philosophers, especially in Tibet, who really don't like that. They kind of want emptiness to be a predicate that you can apply to things. And there's a way in which we can do that. Remember we said there's a version of emptiness which is like a conceptual version. It's not the actual version of emptiness, but it's like a concep, it's a concept that we work with, that we use to get to the actual experience of emptiness. So it's like the arguments, you could say the conclusions of the arguments, right? So when we go through an argument and say that, you know, this vase is not ultimately real, because it's a causal product, but causality doesn't ultimately make sense. Or because it is a whole constituted by parts and that doesn't actually make sense. Or because it's an object that's being, the way we know it is as an object for a subject, but we can't make sense of the relationship between objects and subjects. In a very simple way of saying it is, it's not ultimately real because it's interdependent. We can't specify its identity in and of itself, independent of anything else. Whenever we say, what is it really, we end up talking about something else. Its causes, its parts, the subjectivities that are knowing it, or whatever. Okay? So that's an argument, and you could say, oh, you come to a conclusion, like a logical conclusion, a rational conclusion, which is a conceptual cognition. And in that case, you can sort of speak of emptiness as sort of, you know, the concept that is that conclusion. Uh, but that's not, that's just a, a way of talking about a sort of bridge from a conceptual to a non-conceptual experience. But another way of talking about that is, you go through that argument, and rather than coming to a conceptual conclusion, what you come to is...
Like your head explodes, you know that, what the...
You don't come to a concept, you come to an experience. That the argument induces a state in you. Right? So philosophers kind of prefer not to think that, you know, the goal of arguments is to induce states. They like arguments to, you know, have definitive meaning that they can then prove or disprove and so on. So you'll find a lot of people, in contemporary people who study Mādhyamika, often don't like to think about that as like what the arguments are doing is rather than proving something, they're inducing a state. But I think especially for certain contemplative traditions, it makes much more sense to think of what Nāgārjuna is doing is inducing a state in you. He's not trying to prove something. And he even says that, I don't have a thesis to prove. Right? We did that already. na me pratijñā asti I'm not proving anything. I'm disabusing you of your crazy ideas, he says to us.
Okay?
So then in that case, emptiness I don't think can refer to everything, because it doesn't refer to anything. It's not a property of things, because there's nothing of which it could be a property.
And you'll find competing interpretations that don't like that.
They'll talk about the basis of emptiness and then emptiness as, what the, you know, what is instantiated or in some sense qualifying that basis, the dong shi གདོང་གཞི in Tibetan. But that really, I don't think that works well with the kind, with this style of interpretation we're trying to head toward. Where non-dual, non-duality is key. Okay? Yeah, but in the end, emptiness is also the quality. To be empty is the quality of emptiness. There isn't any emptiness of which emptiness could be a quality.
Isn't it? Right? I know, it's so frustrating.
Damn it! There is a way in which, so one of the things that Sarah McClintock, my co-author on the Nāgārjuna, on the Ratnāvalī translation, wrote this article about, based on a philosopher we're going to talk about, Śāntarakṣita, that she's worked quite a lot on. um, the uh, you know like you, One way to say, oh the Buddha is omniscient is what he knows is emptiness. And emptiness characterizes everything. So by knowing emptiness you know everything. But it's a trick. Because there isn't everything to be known. Right? And that's why also then when you talk about omniscience, since she wrote a book about omniscience where you can read about this, they often talk about two styles, types of omniscience. Yathā bhutanyana and Yāvat bhutanyana. Ji tar kempa, ་ཇི་ལྟ་བ་མཁྱེན་པ and Jinye kempa, ཇི་སྙེད་པ་མཁྱེན་པ in Tibetan. So there's omniscience meaning knowing things as they truly are, which means knowing, whatever knowing is, nondualistically, in our interpretation, nondualistically knowing emptiness, which is not an object that's being known. That's knowing the ultimate. How many emptiness’s are there?
And then there's knowing things as numerous as they are.
Like meaning the conventional appearances from the standpoint of deluded sentient beings. So that's our more common way of thinking about omniscience, right? Like in theistic context. But there, again, it's really not... It's not like... And another characteristic of this style of interpretation is that there are some styles of interpretation that basically the idea of the conventional reality is kind of... Everything sort of is the same. The only thing that's different is you take out essences. But everything else, like, you know, sort of scientifically, so to speak, is the same. In other words, it's just one conventional reality that we're all in. But on this interpretation, there isn't one conventional reality at all. There are multiple, basically infinite, conventional realities. Because there are many different kinds of sentient beings who are, have different kinds of shared realities in different universes. You know? So our physics is a product of a particular kind of embodiment and, you know, a particular kind of even cultural history and so on. It doesn't mean it doesn't work. It works. But that's just one account. Whereas there are some interpretations of the... Mādhyamika interpretations of the conventional, which would take something as like the laws of physics and say, yeah, that's all completely true. You know, there's just that. Just don't essentialize it. But yeah, it's all like that. So even the idea of knowing everything, as numerous as they are, becomes really complicated because, well, which reality are you talking about? Whose reality? It's never a singular reality, right? It's multiple beings with shared, you know, that are multiply sharing worl, sharing and creating worlds together.
Because as we will see, this has to do with the certain
update to, you know, to Mādhyamika, so to speak, that happens. Historically, that's very important for the Mādhyamika that goes to Tibet. Sorry, I'm like going on and on and on and on.
Okay?

Yes.
So what you said earlier about the philosophers, trying to argue and reach certain conclusions instead of states, it provoked me to, you know, think about phenomenology and how they, what their methods are. Yes. And, you know, and their methods were to induce a certain state. Right. A phenomenological attitude or in some cases Heidegger induced boredom in his students to, you know, reach certain existential depths. But my question is actually more related to the overlap that we already talked about a little bit between the methods such as phenomenological reduction epoché and eidetic variation. And so do you have, it may be a little bit too technical question for now, but I don't know if you can talk a little bit about it and explain your view on the overlap and how can the methods from the phenomenological tradition maybe achieve similar states or lead to similar states and to what extent?
We'll be talking about that later.

So let's ask that question then. Is that okay?
I think it's a very good point to say that, you know, phenomenologists were not really interested in apodictic conclusions from, you know, rational argumentation. That, that's, that is not to say they didn't use rationality. But unfortunately that has been, there are very few interpreters of, if any actually, interpreters of Nāgārjuna in any, certainly in any recent time who are really trying to take a phenomenological approach. I'm trying to think. There must be some people. But the dominant approaches have tended to be more analytic philosophy
where, you know, argumentation, like the idea that Nāgārjuna
is like not trying to come to some kind of an argument is really problematic to the point that you have interpreters of Nāgārjuna who say that he's engaged in a style of logic that actually accepts contradiction. Instead of seeing his use of contradiction as a way of getting us out of the need to come to a conclusion, they see him adopting that style of logic. So that's kind of, I think that's a big mistake, frankly. But that's, like if you're very analytic in your approach, that's where you can end up. Maybe just a quick follow-up, and we can also talk about it later, but just to throw it out there, I think, would it be also important to separate here the intentions behind the Buddhist philosophers and phenomenological philosophers, such as that Buddhist is necessarily like strongly ethically motivated, whereas phenomenological philosophers, of course, we all are, but. I think you could see definitely some ethical... I'm not sure I would make that strong a distinction there, but certainly there's ideas about soteriology, about liberation, that are not applying to the phenomenologists in quite the same way. Although I do think Husserl, for example, was very concerned with certain objectivist developments in Western science, and that he saw that as really potentially very dangerous.
But I'm no scholar of Husserl by any means.
But I think certainly there are differences, but we're going to talk about one major difference later. That really brings a lot of stuff into question. Okay, we can do an online question and then maybe we... Not that I have the answers, but, you know, I'll say something. We have several, we have two, and I tell you both and you tell me which one you want to answer. A general question, are there teachings about forgetfulness rather than ignorance in Buddhist traditions? First question, and the second one is, what is actually the traditional view and what is your personal view on how Nāgārjuna came to his view? Through philosophical reasoning or through some kind of realization he already started with? Okay, maybe I do the second one first. There are various kind of accounts of Nāgārjuna's life and one of them is that he encountered the perfection of wisdom sūtras by traveling to the land of the Nāgas where they'd been hidden and then recovering them from there and I guess the idea is like that I can't quite remember though why he did that, but then it's the sūtras that, oh, you know that are are propounding emptiness, sometimes with reasoning but sometimes often in other ways. So that's, I think you could say that it was almost through the word of the Buddha traditionally that Nāgārjuna is engaging with the philosophy of emptiness. There maybe, I'm sure there are other tales, there are some very long accounts in Chinese of Nāgārjuna's life, some of which have been translated I think by Etienne Le Mote, if I remember correctly. Uh, I think, um, I'm not too sure. But uh, so but there is a concept in general in our Chakdzok tradition, Mahāmudrā Dzogchen tradition, you know, of the combination of the Chokling Tersar and the Baro Kagyu, but actually not just that tradition, like in general in Mahāmudrā Dzogchen, like in Tsele Natsok Rangdröl mentions this. And I don't know who first talks about this, but it's the idea that you can come to the view through meditation or you can come to meditation through the view. And of these, the, coming to the view through meditation is considered to be very difficult and rare, like you just meditate kind of somehow figure things out, you come, you uncover the view. Because in that context also the view you would be uncovering would be not the conceptual view, it would be the non-conceptual actual view. So that would be very difficult without anyone giving you any kind of conceptual guidance, you just sort of somehow figure it out, so to speak. That sounds, that's hard. Whereas as opposed to that you come to the meditation, the experience, through learning the view, through like the conceptual view basically, like what we're doing, and that's much more common. Now which qualifies Nāgārjuna? I don't know. They do say he was at least a first stage bodhisattva. Now in the first stage which means he was a noble one, he was an Ārya who had attained the path of seeing, had a direct experience of the ultimate. So that's like, at least that much is certainly, you know, commonly accepted.
Uh, there's the whole thing of the five paths and the ten stages, and the list,
more lists, but we won't go into those details right now. Let's just say, you know, Nāgārjuna was not just doing concepts. That's, I think, the tradition definitely agrees with that. And this, what was the other one again?
Uh, not really, no.
No, because forgetfulness would mean you sort of know something, but you just aren't paying attention, so you forget it. And this context is, ignorance is an obscuration. It's not like, uh, oh, you know, like if I forget my phone, I kind of know where my phone is, and then I've just forgotten it. But this is where there's something that's actually preventing me, I don't know what, you know, like I have more than forgetfulness, I have something that's actually blocking me from seeing something. Right? So, and it's delicate because, you know, I can see there's a reason to ask that question, which is, there is a sense in which already within our experience is, in a sense, the kind of non-dual awareness, primordial wakefulness, that is the, that is, you know, Buddha mind, so to speak. But it's not exactly that we're forgetting that, it's more like there's something that's sort of blocking that from becoming fully manifest in our experience. And that's what ignorance is. There is a notion of forgetfulness, which is in the context of mindfulness, which plays a very important role as well in all of this, where mindfulness is basically, it's called mindfulness, the literal word in Sanskrit is smṛti, or in Pali it's sati, in Tibetan it's dran pa དྲན་པ , and that literally means memory. But, you know, that's really a metaphor, because memory here means it's the opposite of forgetting, saṃpramoṣa, which is, and forgetting means being distracted. So when you're being not mindful, your mind is being pulled in various directions by whatever, things are capturing your attention. So you can be mindful without being focused on an object, you can have non-dual or objectless mindfulness, which is a very important part of the, of the practice in Mahāmudrā, what they call the ma yeng tsam gyi drenpa མ་ཡེངས་ཙམ་གྱི་དྲན་པ, the mindfulness of mere non-distraction, because mindfulness's function, even technical function in the Abhidharma is to prevent distraction. It's not, doesn't, it's not talking about being focused on an object, there are other mental functions which do the object focus part, it's just what prevents you from getting pulled away. So you can be not focused on an object and just not pulled away. Right? So that's where forgetting is very important. Forgetting is kind of getting lost, as Mingyur Rinpoche says, like you're not lost. You're just not lost. So ma ying mi gom མ་ཡིང མི་གོམ is a common way of talking about Mahāmudrā, Dzogchen, non-dual style meditation is not undistracted, not meditating. And that doesn't mean you're like, you know, just asleep. It means that your mind is not being pulled away by other objects. You can have content, but your mind is not caught, the attention is not caught by that, whether it's thoughts or sensations. You're not trying to close down your mind, but you're not caught on the one hand, and on the other hand, you're not trying to do meditation in the sense of focus on something. Right? So the mental function that is responsible for focus in the Abhidharma, so, so mindfulness, smṛti or sati or dren pa, is a uh, is one of these dharmas, actually. Remember the elements that make up the mind-body system? It's one of those in that system. And those ideas continue to be used by the Mahāyāna philosophers, like by Mādhyamikas. They continue to use those methods. They just say, you know, it's not ultimately real, but this is still a good way of talking about how the mind's working, certain aspects of it at least. And so mindfulness, the technical definition of mindfulness, in the Tibetan world, this is called sem སེམས semjung སེམས་བྱུང , mind and mental functions. You can see it in the second volume of the series called Science and Philosophy in the Indian Buddhist Classics, Volume 2, The Mind, which I co-translated and wrote some essays for. I think I mentioned that before. And so mindfulness is what prevents distraction, and what actually accounts for attention, one of the key mental functions for attention is called manasikāra, which basically means attention. A very low level, kind of primitive level of attention. And which is said to occur, according to the Abhidharma, in every moment of cognition. But in the Mahāmudrā tradition, as it develops, you know, the style of philosophy in India that we're going to talk some about, as it develops, they say, Oh, you know what our practice is? You guys do mindfulness, and you focus with your manasikāra, with your attention on objects. Well, we do amanasikāra, non-attention. So the philosopher Advayavajra, also known as Maitrīpa, is very important for Mahāmudrā tradition. Right? He says, what our meditation is, being inattentive. Ha, Ha, Ha. You know, it's like, it's clearly sort of a joke. But it's also not just a joke. It's also meaning we're not focusing on something. We're not being dualistic. But we're not distracted.
Right? So undistracted non meditation, which is very easy to say.

Not so easy to do.
But yes, or maybe it's so easy.
Yeah, anyway. Okay.

All righty then. So maybe we move along now.

Okay.
Um, I guess I was just struggling a bit with the uh, uh, Nāgārjuna's arguments on the emptiness of time. Yeah, good, good. Illusionaryness of time. Like, isn't it problematic that it's based on uh, a type of logical reasoning that already sort of negates time? Like, if we already, already excludes time. Like, if you go back to the relation between cause and effect. Yes. Like, that relation is not simply one as in, for instance, the relation between X equals two. It's more like the sort of the nature of the relation is that the cause ceases to exist. Yes. So that it can have an effect. Because it's by being impermanent, by changing, Yeah. um, that it can have an effect.
So they're definitely the same on the one hand, but they're not
the same in the sense that they can coexist at the same time. And in the same sense, is it also not the case that past, present and future are definitely the same on one level, but also the nature of the relation is that present can only exist when past ceases to exist and future can only become present when present... no, yea... Right, so in other words, he's kind of loaded the deck. He's cheating because he's deliberately chosen something where the things you're trying to define in terms of each other, we understand to be like, they can't exist at the same time. Let's do a different one then, okay? So how many objects are here? Let's count this as one. Is that okay? I'll take the flower out of here. How many containers are here? Three. Okay, everyone is in agreement. Three. Do they all exist at the same time?
No, this one is actually fluttering in an account quantum reality, which is good.
No, I'm kidding. Of course, they exist at the same time. It's a macro level object. Can't play with quantum stuff with macro, okay? Unless it's sci-fi. All right, okay? So there's three. One, two, three. We're going to make a set of these. One, two, three. They belong in that set of a three-fold set, okay? Is there threeness? So there's a threeness characterizing this set, right? Correct? The number three. The quantity three. Is the three the same as this? Uh, no. It's not?
Well, yes and no.

So the threeness is also the same as this, yes and no, isn't it?
And that's not in the set. It's a part-whole relation. Exactly. And we already know where that goes, don't we? Very simple. I think number is a really good one here. And they do, the Mādhyamika's worked with numbers too, because that was also considered to be a kind of abstract. So the idea is what we're doing is we're creating an abstract entity that is meant to be instantiated in particular actual things, concrete things. And that's going to be that same kind of distributed entity. It's a one in many. And the minute we do that, the claim is, you know, that we're going to run into this, we're going to run into a contradiction or an excluded middle. We're going to have to either say that the threeness, the entity, well you can call it the set, is different than the members, than the things that are qualified by the number, or it's the same. And neither of those work. What we can do, like, you know, the philosopher Bradley, who did myriological stuff, you know, where we can say, oh, well, things like wholes or sets kind of exist in a different way than concrete things. And then, you know, the real question is, well, how do you know that?
Like, can I just make up abstract things?
Like, every three, with every three, there's also a gumagitika that exists, the gumagitika exists abstractly with every number three. And you say to me, how do I know that? And I say, well, because without the gumagitika, three can't exist. And I say, how do I know that? It's just, you know, obvious. What do you mean?
So like our abstractions, like numbers, like we say, oh, three.
You say, well, and I say, where's the threeness? Can you, can you point, point to the threeness?
Anybody want to extend the threeness? Point.
Please point to the threeness.
People on camera couldn't see you go like this.

Usually my undergraduates go like this.
I'm pointing to the threeness. That's a good one, though. That's really good. But of course, each of these is pointing to an individual, right? You can't point to the threeness. It's an abstraction. It doesn't exist in our perception. It exists in our conceptuality.
It exists in the map. It's not the territory.
That doesn't mean it's like there's something wrong. Like if I say there's four there, you know, it's not like a Mādhyamika engineer would think, oh, well, three, four, it's all abstractions. you know, like... Don't fly in a Mādhyamika airplane because... It's not like that. No, it's saying that, yes, of course, you can still, there are conceptual maps that are good, that work, conceptual maps that aren't good. And there's a version of Buddhist philosophy that becomes combined with Mādhyamika that we'll talk about a little bit that is you know, really inquiring into, okay, how do we figure out what works and what doesn't work? But the Mādhyamika position is that what definitely doesn't work is when you think the map is the reality, when you take the abstraction that is derived from experience and then you make that real, even to the point where that becomes more real than the concrete thing.
Okay?
So, for example, here's a very interesting thing. Uh, how... Okay.
Do you see this?
You see it, right? Okay. How do you know this is here?
And there's an object in my hand. How do you know that?

Came along and told you, whispered in your ear, he has an object.

Can you see it? What's going on when you see it? Give me some model.
I see an object. I know it as a small vase. Yeah, but give me a model of the process. Just any, some reasonably good model. A visual perception. Physical or experiential, right? Yeah, both, yeah. Both? You can do whatever you want. Okay. The photons bounce off the vase...
trigger my... Yeah, right, right.
So there's a causal process. Great. Okay. What is required for that to happen? What if this never changed? Right, changes. It has to change. So there has to be... Like this has to come into... This has to, like, photons have to bounce off of it. Or there are all kinds of interactions that are happening in order for you to see it, right? What would happen if three changed the number three? What does it mean for something to change? It means it becomes something other than what it was a moment ago. So three would become four if it changed, right? So does... So now I say, this is four. That doesn't work, does it? Right? So what does that mean about things like three? They're unchanging. Which means, can you see them? Can you perceive them? No. Can they do anything causal? No. So why do we think they're real?
Who knows?
Because it works. Exactly. Exactly. Because it works. And again, if our conceptual system, if the philosopher mouse were like, you know, how many saber-toothed tigers are coming toward me right now? Not much of a meal for a saber-toothed tiger, but maybe, you know, maybe it's a really big mouse. There were really big mice, apparently, prehistorically, seriously. There's just some recent research on that. So it's a big, you know, were-mouse, huge like... But it's a philosopher one. And, you know, like three saber-toothed tigers are coming toward it and it goes, well, in my perceptual experience, there is all of this coming and I can construct the number three as the...
Right, you know, the conceptual map needs to be, is like built into the system is,
in a sense for survival, is like the world model is real, because that keeps us alive. And it can get updated, right? But some things get like, invariable. And they don't need to be, they don't need updating anymore. Until you do, until what? Until you start to really analyze. Then things that seem like really invariable, you get down, down, down, and it's like, oh, that's not really what we thought. Like, oh, this is not really quite solid in the way we thought it was.
Right?
But there are things like solidity and so on which seem just, oh, that's, you know, the way things are in our experience and we don't update those things. And so we think, because they're so stable, we think they're real, because they work, they are real. Right? And because our system has developed, evolved in a way, we're like, yeah, like your model of the world is reality. So that you behave, you know, like you just, when you need to jump out of the way, you jump out of the way, or whatever it is. Right? So if you're a, if you're a mouse, you know, to survive in saṃsāra, that's good. If you're a human, that kind of is not, again, it's not so adaptive anymore.
Especially if you're a human who can build, you know, nuclear weapons and believe in
the reality of, let's say, I don't know, a country more than the concrete touch of a hand. Then you've got a real problem.
Well, I'm just blabbing again.
Alrighty. Yes. You want to ask one more? One more. One quick, if it's quick, because we really should. So is it correct to say that on the ultimate level there is no causality? Yes, correct. Causality is apparent. Right? But from the apparent standpoint, we're not denying causality. It's just that another way to say it is, you know, this is somewhat like Hume, I suppose, is that causality is a model. Right? A way of us understanding what's happening in experience and abstraction from experience. That really works well, by the way. And a Buddha would be able to perceive non-causality? You don't... No, you can't see non-causality. Can you see the non-causality in my hand?
I can sell you some later if you want, you know.
I've got a whole bag of non-causality in my room. And, you know... Okay.
Yeah.
Remember the, remember uh, you know the story from Candrakīrti? Guy goes into a bar. Remember that story? You don't want to be the guy who says, I'll have a glass of nothing.
Okay then. On we go.
So, these are... I just wanted to do a quick historical thing Nāgārjuna and then we have his main. These are all rough dates, you know, we don't really know exact dates until we get... until the end where we have figures who went to Tibet. And even those dates, actually, there's debate about. I think both of them, but especially Kamalaśīla. But anyway, Nāgārjuna, then Āryadeva, who is said to be his disciple, then Bhulapālita, a very important interpreter who emphasizes the use of prasaṅga. At least that's traditionally said to be the case. Emphasizes the use of just absurd consequences. Bhāviveka, who's said to introduce more positive reasoning, meaning not just absurd consequences, but like we can actually use affirmative reasoning. Candrakīrti, who critiques Bhāviveka for doing that. Uh, then we have three figures. Jñānagarbha, Śāntarakṣita and Kamalaśīla, who are known as the three Eastern Mādhyamika's by the Tibetans, the uma shar sum, because they were from Bengal, I think. And uh, they are, two of them, Śāntarakṣita and Kamalaśīla, actually go to Tibet. And they are very important for the development of Mādhyamika in Tibet. Later, Candrakīrti's works are translated a couple centuries or more later. Yeah, more than a couple centuries later. And they, and people, for various reasons, kind of become very fond of Candrakīrti, because he solves, in some ways, gives them the tools to do certain things that Śāntarakṣita and Kamalaśīla's approach to Mādhyamika didn't enable them to do. But ironically, you have to sort of pick and choose. So basically, some of what, one stream of interpretation in Tibet likes Candrakīrti, because he is very critical of the Yogācāra philosophy that we're going to talk about. And another stream of Candrakīrti, totally different stream, that the two of these two streams kind of disagree with each other and some fundamental things. Another stream of interpretation likes Candrakīrti, because he rejects the use of certain kinds of epistemological tools. So some people like Candrakīrti for his rejection of Yogācāra idealism, we can call it, maybe, Yogācāra philosophy. It's not really idealism, but... And some people like him for the rejection of epistemology, formal epistemology. But the people who like him because he rejects Yogācāra also really like formal epistemology. And the people who really like Yogācāra, the people who reject formal epistemology like Yogācāra. You get that?
So this is, you know, not traditionally those two sides will say,
well, we're our interpretation of Candrakīrti is correct. Academically, and also me personally, I think both sides are sort of ignoring the part of Candrakīrti they don't like.
Right?
Okay, so when you hear Candrakīrti being cited, you should be, you know, just be aware that he's being used in certain ways, but that doesn't necessarily mean that it all works out entirely in terms of his philosophy. To Western, there's been Western, in this area, I think Western academics has done a good job of really pointing out something that's important to know, even, you know, within a traditional context. Okay, what are the key questions of Yogacara, Yogācāra that we, you know, talked about at the end of last time? Yogācāra is going to be this new style of philosophy that emerges, again, based on sūtras that are said to have been taught by the Buddha long before that. And these are sūtras that are said to be in the third turning of the wheel. So there are three turnings of the wheel of Dharma, of the Dharmachakra. There is the, you know, that's this gesture that you saw in one of the icons that was on a slide, you know, the icon where, I say, we went from just an empty throne to an actual figure. So that icon is showing the Buddha turning the wheel of Dharma when he turns, there's the first turning in Sarnath where he teaches the Nobles four truths. So that's like early Buddhism. Then we have the second turning is the perfection of wisdom and that's Nāgārjuna in terms of philosophy and all those other figures you just saw. And then the third turning involves especially Yogācāra, okay, and that's going to be not perfection of wisdom sūtras but a whole bunch of other sūtras. Some of them are often referred to as the Vaipulya Sūtras, the extensive sūtras, right, and there are sūtras, very important sūtras like the Saṃdhinirmocana Sūtra, the Laṅkāvatāra Sūtra, which the Mādhyamika's also cite sometimes, okay. So this then emerges after Nāgārjuna and it's going to have a series of questions that even though some of these early figures where Yogācāra is developing in philosophy, not just in the sūtra literature, they don't actually directly seem to talk about Nāgārjuna but it seems pretty clear that they're grappling with some of the issues that Nāgārjuna has raised. And one of them is, what is prapañca? Remember, prapañca is kind of that thing that's even deeper than conceptuality, Right? So we have the one level of saying, well, our problem is that we have bad maps or we're taking our maps too seriously. But prapañca's saying is that, well, actually there's something that's even prior to our map making, that's a problem, the reality habit itself. And so that's one question, like, what is this reality habit, if you like? What is known in the experience of emptiness as ultimate reality? Like, you know, what is it like? I mean, how do we, can we describe it? Is it even knowing? And how does one, you know, like what is known, what are you knowing and how are you knowing it? So both of those questions together you could think of as kind of what's the phenomenology, for example. What's the experience of knowing the ultimate? And does it mean that there's like, you're knowing nothing? Obviously that's not going to work for Nāgārjuna. But does that mean if it's not nothing, does that mean there's something there, something left, something that's kind of not negated by emptiness? Okay, so the major thinkers, just real quick, Asaṅga, Vasubandhu are the two original thinkers and then Dignāga and Dharmakīrti, the epistemologists. Uh, who, uh, you know, work with these ideas. What starts even with the Mādhyamika Bhāviveka, but actually really picks up with Dharmakīrti in particular, is the idea of doing levels of analysis. So this becomes very important in the kind of Buddhism that goes to Tibet. Like we're going to kind of progress from one thing to the next to the next. I'll say more about that. One level of analysis, to the next level of analysis, to the next level of analysis. To kind of lead you through, from, starting with your ordinary experience to a realization of the ultimate. Another important commentator is Sthiramati. Another one that I think is important but is not often just talked about is Vinītadeva. So these are all again in the Sanskrit, right? Tradition, they're all prior to or just prior to or maybe somewhat coinciding with the introduction of Buddhism to Tibet. Especially when we think of Buddhism as the founding of the Samye Monastery in Tibet where philosophical Buddhism starts to occur in the 8th century. Okay. So one of the texts that is very important here is a text that was said to have been transmitted to Asaṅga by the future Buddha Maitreya. In a kind of celestial encounter. And then his half brother Vasubandhu wrote a commentary on this text. Their mother, it's said, was a nun who gave up her robes because she was so worried about what was going on with the dharma and then she produced, she gave birth to and raised the two greatest philosophers, arguably, certainly two of the greatest philosophers. Of these, I will say that the Tibetans especially talk about the six ornaments, six philosophers who are the ornaments. Four of them are here. Right? Asaṅga, Vasubandhu, Dignāga, Dharmakīrti and then in the, sorry, in the Mādhyamika list, Nāgārjuna and Candrakīrti. So it's interesting that four of them actually are not Mādhyamika philosophers. Okay, so what's in this text? It says, abhūta-parikalpo ’sti dvayaṃ tatra na vidyate śūnyatā vidyate tatra tasyām api sa vidyate I think I remember that right. And that means the conceptual construction of the unreal exists. Duality does not exist in it. But emptiness exists in it. It also exists in terms of that, namely emptiness. Completely obvious, right? Okay, let's talk about something first before we go further. And then we'll take a break, which is duality. There are basically two kinds of duality. There is ontological duality and epistemological or phenomenological duality. Okay? Ontological duality comes up a lot in Nāgārjuna. Uh, because what Nāgārjuna can, remember Nāgārjuna works with a dyadic analysis, an analysis of things that are paired to each other. And sometimes, often those analyses, so some of those analyses are things, about things that are paired in some way that doesn't make them contradictories. Like, remember desire and the desirous person or the desirous mind? Those aren't contradictories, right? If there's one, you need the other. Right? But some of his dyadic analyses are about what we call logically contradictories. A contradictory is something that... So hot and cold are not contradictories. Because there are things that are neither hot nor cold. They don't have temperature. Right? Like the number two.
It's kind of lukewarm.
Right? So we think of the number two as an object of knowledge we can think of it, but we don't attribute temperature to it. So uh, uh, hot and cold are called contraries. Right? Which means that they can't be instantiated together in the same thing simultaneously. But not everything has to instantiate them. Those qualities. Existence and non-existence are contradictories. Every knowable thing is either existent or non-existent. The number two either exists or doesn't exist. And you can parameterize that. You could say the number two either ultimately exists or ultimately doesn't exist. So everything has to be one or the other of those. It can't be both, can't be neither. That's a contradictory. Okay? So that's, when we talk about duality in Nāgārjuna, that's the kind of ontological duality that he undermines. So in that verse of praise that I say at the beginning, which is by Nāgārjuna,
it says, you're not real, you're not unreal,
you're not discontinuous, meaning you just last a moment and stop. You're not eternal, meaning you're continuous over time. You're not permanent, you're not impermanent. To you, the non-dual, I bow. Right? So advaya is this word in Sanskrit for non-duality or the non-dual. And each of those pairs are ontological dualities. Existence, they're contradictory. Existence, non-existence, permanent, impermanent, continuous, discontinuous. Right? They all, at least in the way Nāgārjuna would think about these things, they have to apply to everything that we could possibly know. Everything we possibly know either is unchanging or changing. So either existed or non-existent. Okay? So that's one form of duality. That's a very important form of duality. But that is not the kind of duality when we say non-dual awareness, non-dual primordial awareness, it is not about that. Okay? The non-dual, the non-duality that applies in that context is uh, it's phenomenological or epistemological non-duality. In other words, it's a non-duality about the way that cognition occurs. And one way to think about that kind of cog, that, that way, that notion of duality is just, it's very simply, if we take our favorite vase here, and you're looking at the vase, right? One question is, everyone sees it, right? Where is the vase? Thank you. Wait, do you have like a weird eye disease that makes you... Can you point to the vase, right? Like, you guys can do that, right? I'm not trying to trick you.
Right?
It's like over here, right? Okay? And you have, as you're looking at the vase, you have a sense like this, of like a sense of somebody's looking at it. Right? So that's a sense of subjectivity looking at an object. Like there's an in here and an out there. In here, out there, right? Does this look like it's like in here with the one who's looking at it? No. Right, everyone on board with that? That's the kind of duality we're talking about. There's like world and self. Object and subject. Okay? So when you hear non-duality in the context of Mahāmudrā, Dzogchen, it's not talking about ontological duality. It's about this duality in experience. Okay? That's really very important to understand. So we're, we're, as you can see in this verse, this philosophy is going to say that, that duality doesn't actually exist. It seems to exist. But it does not actually exist. It is not ultimately real. We're going to come back to that, but first we're going to take a break. Until, you guys probably need more than five minutes, right? So until 11:20. Okay.
sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né
kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok Okay. Thank you.
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okmin chökyi yingkyi phodrang né düsum sangyé kün gyi ngowo nyi rangsem chöku ngönsum tönzé pa tsawai lamai shapla sölwa dep
All right, an invitation to settle the mind for a moment with the body alert but relaxed.

And then bringing to mind our motivation in the Mahāyāna,
we aspire to achieve awakening for the sake of all beings out of great compassion.
All right, let's begin.
So uh, since uh, we didn't really get a chance to um, we had a somewhat shorter question period at the end of the day yesterday. If there are any questions now...
any questions now?
Yes, Ron?
I'll have a little coffee so I can answer.

Student: Um, I remember you had one slide that,
if I recall correctly, said emptiness is the same as interdependence. yaḥ pratītyasamutpādaḥ śūnyatāṃ tāṃ pracakṣmahe Does that answer your question? Now I get it. Yeah, now, oh, I didn't just say that before. It's so obvious. It's so obvious. Prajakshmahe means we say. And so it's Nāgārjuna he's like speaking in the plural, sometimes that's a sign of humility so it could be that in Sanskrit but he may also mean like people who are thinking like me. We say that, that which is... yaḥ pratītyasamutpādaḥ śūnyatāṃ tāṃ pracakṣmahe that which is pratītyasamutpādaḥ that is emptiness. So we're saying that, what do we mean by emptiness? It's that which is dependently originated or interdependent. So it doesn't really mean that they're the same and actually, you know, this is where a certain kind of perspectivalism can come in, meaning it depends on the context or how you're looking, so to speak, or what you're bringing to bear on whatever. So on the one hand, if we have our flower or our vase, from the ultimate perspective, from the perspective of the noble one in meditative equipoise on the ultimate, it's emptiness. From the perspective of deluded sentient beings, it's a flower in a vase. But that is what's going on there at the level of sentient beings is they think that's essentially real, but really it's interdependent. So what it means for something to be empty, so sentient beings' ordinary experience, so remember the metaphor of the um, of the mirror, right? So when you're looking at a mirror, we know behaviorally that you don't think it's really your face. It's again not like the rubber hand illusion. And because if we hit it or something, you don't go, ow. So even though you don't maybe consciously think, oh, that's not really my face in the mirror, maybe don't get to that level of analyzing things, it doesn't, we're not really feeling like it's our face, because we don't behave that way. But uh, if you actually touch your face or whatever, or somebody starts to go towards slapping your face, like you, this feels real. This sensation of face feels real. So in that sense, that's not like your, like the mirror. That's real. To the ar.., to the noble one, this is like the mirror. It's not, It doesn't present itself as real. It just presents itself as an appearance, an interdependent appearance. So the difference, you can say, in terms of the conventional reality between a noble one, a Mahāyāna noble one, someone who's realized the Mādhyamika view, and an ordinary person, is that they think when they see this, first of all, they think, like in some sense, this is ultimate. The way it looks is the way it really is, like there's some essentially real thing here. But for the Ārya, it doesn't, the Ārya knows, the noble one knows, that, that this is empty, ultimately this is empty. There's not something essentially real there, ultimately. And conventionally what's appearing doesn't appear as ultimately real or essentially real. It appears as an interdependent appearance. Okay, so it's like two different perspectives. So when you are participating in the, in the uh, perspective of ordinary sentient beings, then you're dealing with appearances in saṃsāra, and that's, but from the standpoint of the uh, the noble one, and of course the Buddha, those are just interdependent appearances. Right? And the difference between a Buddha and a noble one is that the noble ones are still having their own appearances, but the Buddha is really just having other beings' appearances, as Khenpo was explaining. Does that make sense? Yeah, thank you. So in other words, you're like two sides of the same coin. And what makes them not exactly equal? Because uh, But they are in a sense like, so this is exactly the same, another way to say this is, you know,
to quote the Heart sūtra in Sanskrit and Tibetan.
Form is emptiness, so form means visual objects in this context. Form is empty, emp... Form is emptiness, emptiness is form. It's not like they're different entities. It's kind of two different ways of seeing the same thing. Right? But when you're seeing this, so and how do you see it, what's the difference there is that without analysis, and this is a key term that Khenpo also mentioned, when we don't analyze it, like what's really there, then without analysis, we, we uh, you know, there's just this appearance. And as long as you leave it unanalyzed, you don't ask what's really there, then you're dealing with an interdependent appearance. So that's the mode of the conventional. But when you analyze, you look for what's really there, then what, all that remains then is, or not even remains, what you end up with is emptiness. There isn't an interdependent appearance anymore, there's emptiness. And even saying there is, as we know, is a problem. It's not like emptiness is a thing that's there. Okay? So, you know, it's, but it's not like the emptiness is something other than this, or this is other than the appearance, or that the appearance is something other than emptiness. Form is emptiness, emptiness is form. Form is not other than emptiness, emptiness is not other than form.
Yes?

There was also a slide saying that emptiness is non-referring to anything.
Correct. But can't you, is it not more the thing that emptiness refers to everything? It's not, emptiness is not a subject as itself, no thing, but it's a quality of everything. I don't think I would be, so, okay, so...
If you're talking about something being a quality of something,
then there needs to be like a subject, an entity of which the quality is predicated, right? So you want to say that emptiness is a predicate of this. Does this exist such that emptiness could be a predicate of it?
Yeah, it's actually worse than a circle.
Because from the perspective in which emptiness applies, which is the ultimate, this does not exist.
It also doesn't not exist. It's not an absolute nothing, it's not an absolute something.
There's nothing of which emptiness could be predicated. So there are going to be philosophers, especially in Tibet, who really don't like that. They kind of want emptiness to be a predicate that you can apply to things. And there's a way in which we can do that. Remember we said there's a version of emptiness which is like a conceptual version. It's not the actual version of emptiness, but it's like a concep, it's a concept that we work with, that we use to get to the actual experience of emptiness. So it's like the arguments, you could say the conclusions of the arguments, right? So when we go through an argument and say that, you know, this vase is not ultimately real, because it's a causal product, but causality doesn't ultimately make sense. Or because it is a whole constituted by parts and that doesn't actually make sense. Or because it's an object that's being, the way we know it is as an object for a subject, but we can't make sense of the relationship between objects and subjects. In a very simple way of saying it is, it's not ultimately real because it's interdependent. We can't specify its identity in and of itself, independent of anything else. Whenever we say, what is it really, we end up talking about something else. Its causes, its parts, the subjectivities that are knowing it, or whatever. Okay? So that's an argument, and you could say, oh, you come to a conclusion, like a logical conclusion, a rational conclusion, which is a conceptual cognition. And in that case, you can sort of speak of emptiness as sort of, you know, the concept that is that conclusion. Uh, but that's not, that's just a, a way of talking about a sort of bridge from a conceptual to a non-conceptual experience. But another way of talking about that is, you go through that argument, and rather than coming to a conceptual conclusion, what you come to is...
Like your head explodes, you know that, what the...
You don't come to a concept, you come to an experience. That the argument induces a state in you. Right? So philosophers kind of prefer not to think that, you know, the goal of arguments is to induce states. They like arguments to, you know, have definitive meaning that they can then prove or disprove and so on. So you'll find a lot of people, in contemporary people who study Mādhyamika, often don't like to think about that as like what the arguments are doing is rather than proving something, they're inducing a state. But I think especially for certain contemplative traditions, it makes much more sense to think of what Nāgārjuna is doing is inducing a state in you. He's not trying to prove something. And he even says that, I don't have a thesis to prove. Right? We did that already. na me pratijñā asti I'm not proving anything. I'm disabusing you of your crazy ideas, he says to us.
Okay?
So then in that case, emptiness I don't think can refer to everything, because it doesn't refer to anything. It's not a property of things, because there's nothing of which it could be a property.
And you'll find competing interpretations that don't like that.
They'll talk about the basis of emptiness and then emptiness as, what the, you know, what is instantiated or in some sense qualifying that basis, the dong shi གདོང་གཞི in Tibetan. But that really, I don't think that works well with the kind, with this style of interpretation we're trying to head toward. Where non-dual, non-duality is key. Okay? Yeah, but in the end, emptiness is also the quality. To be empty is the quality of emptiness. There isn't any emptiness of which emptiness could be a quality.
Isn't it? Right? I know, it's so frustrating.
Damn it! There is a way in which, so one of the things that Sarah McClintock, my co-author on the Nāgārjuna, on the Ratnāvalī translation, wrote this article about, based on a philosopher we're going to talk about, Śāntarakṣita, that she's worked quite a lot on. um, the uh, you know like you, One way to say, oh the Buddha is omniscient is what he knows is emptiness. And emptiness characterizes everything. So by knowing emptiness you know everything. But it's a trick. Because there isn't everything to be known. Right? And that's why also then when you talk about omniscience, since she wrote a book about omniscience where you can read about this, they often talk about two styles, types of omniscience. Yathā bhutanyana and Yāvat bhutanyana. Ji tar kempa, ་ཇི་ལྟ་བ་མཁྱེན་པ and Jinye kempa, ཇི་སྙེད་པ་མཁྱེན་པ in Tibetan. So there's omniscience meaning knowing things as they truly are, which means knowing, whatever knowing is, nondualistically, in our interpretation, nondualistically knowing emptiness, which is not an object that's being known. That's knowing the ultimate. How many emptiness’s are there?
And then there's knowing things as numerous as they are.
Like meaning the conventional appearances from the standpoint of deluded sentient beings. So that's our more common way of thinking about omniscience, right? Like in theistic context. But there, again, it's really not... It's not like... And another characteristic of this style of interpretation is that there are some styles of interpretation that basically the idea of the conventional reality is kind of... Everything sort of is the same. The only thing that's different is you take out essences. But everything else, like, you know, sort of scientifically, so to speak, is the same. In other words, it's just one conventional reality that we're all in. But on this interpretation, there isn't one conventional reality at all. There are multiple, basically infinite, conventional realities. Because there are many different kinds of sentient beings who are, have different kinds of shared realities in different universes. You know? So our physics is a product of a particular kind of embodiment and, you know, a particular kind of even cultural history and so on. It doesn't mean it doesn't work. It works. But that's just one account. Whereas there are some interpretations of the... Mādhyamika interpretations of the conventional, which would take something as like the laws of physics and say, yeah, that's all completely true. You know, there's just that. Just don't essentialize it. But yeah, it's all like that. So even the idea of knowing everything, as numerous as they are, becomes really complicated because, well, which reality are you talking about? Whose reality? It's never a singular reality, right? It's multiple beings with shared, you know, that are multiply sharing worl, sharing and creating worlds together.
Because as we will see, this has to do with the certain
update to, you know, to Mādhyamika, so to speak, that happens. Historically, that's very important for the Mādhyamika that goes to Tibet. Sorry, I'm like going on and on and on and on.
Okay?

Yes.
So what you said earlier about the philosophers, trying to argue and reach certain conclusions instead of states, it provoked me to, you know, think about phenomenology and how they, what their methods are. Yes. And, you know, and their methods were to induce a certain state. Right. A phenomenological attitude or in some cases Heidegger induced boredom in his students to, you know, reach certain existential depths. But my question is actually more related to the overlap that we already talked about a little bit between the methods such as phenomenological reduction epoché and eidetic variation. And so do you have, it may be a little bit too technical question for now, but I don't know if you can talk a little bit about it and explain your view on the overlap and how can the methods from the phenomenological tradition maybe achieve similar states or lead to similar states and to what extent?
We'll be talking about that later.

So let's ask that question then. Is that okay?
I think it's a very good point to say that, you know, phenomenologists were not really interested in apodictic conclusions from, you know, rational argumentation. That, that's, that is not to say they didn't use rationality. But unfortunately that has been, there are very few interpreters of, if any actually, interpreters of Nāgārjuna in any, certainly in any recent time who are really trying to take a phenomenological approach. I'm trying to think. There must be some people. But the dominant approaches have tended to be more analytic philosophy
where, you know, argumentation, like the idea that Nāgārjuna
is like not trying to come to some kind of an argument is really problematic to the point that you have interpreters of Nāgārjuna who say that he's engaged in a style of logic that actually accepts contradiction. Instead of seeing his use of contradiction as a way of getting us out of the need to come to a conclusion, they see him adopting that style of logic. So that's kind of, I think that's a big mistake, frankly. But that's, like if you're very analytic in your approach, that's where you can end up. Maybe just a quick follow-up, and we can also talk about it later, but just to throw it out there, I think, would it be also important to separate here the intentions behind the Buddhist philosophers and phenomenological philosophers, such as that Buddhist is necessarily like strongly ethically motivated, whereas phenomenological philosophers, of course, we all are, but. I think you could see definitely some ethical... I'm not sure I would make that strong a distinction there, but certainly there's ideas about soteriology, about liberation, that are not applying to the phenomenologists in quite the same way. Although I do think Husserl, for example, was very concerned with certain objectivist developments in Western science, and that he saw that as really potentially very dangerous.
But I'm no scholar of Husserl by any means.
But I think certainly there are differences, but we're going to talk about one major difference later. That really brings a lot of stuff into question. Okay, we can do an online question and then maybe we... Not that I have the answers, but, you know, I'll say something. We have several, we have two, and I tell you both and you tell me which one you want to answer. A general question, are there teachings about forgetfulness rather than ignorance in Buddhist traditions? First question, and the second one is, what is actually the traditional view and what is your personal view on how Nāgārjuna came to his view? Through philosophical reasoning or through some kind of realization he already started with? Okay, maybe I do the second one first. There are various kind of accounts of Nāgārjuna's life and one of them is that he encountered the perfection of wisdom sūtras by traveling to the land of the Nāgas where they'd been hidden and then recovering them from there and I guess the idea is like that I can't quite remember though why he did that, but then it's the sūtras that, oh, you know that are are propounding emptiness, sometimes with reasoning but sometimes often in other ways. So that's, I think you could say that it was almost through the word of the Buddha traditionally that Nāgārjuna is engaging with the philosophy of emptiness. There maybe, I'm sure there are other tales, there are some very long accounts in Chinese of Nāgārjuna's life, some of which have been translated I think by Etienne Le Mote, if I remember correctly. Uh, I think, um, I'm not too sure. But uh, so but there is a concept in general in our Chakdzok tradition, Mahāmudrā Dzogchen tradition, you know, of the combination of the Chokling Tersar and the Baro Kagyu, but actually not just that tradition, like in general in Mahāmudrā Dzogchen, like in Tsele Natsok Rangdröl mentions this. And I don't know who first talks about this, but it's the idea that you can come to the view through meditation or you can come to meditation through the view. And of these, the, coming to the view through meditation is considered to be very difficult and rare, like you just meditate kind of somehow figure things out, you come, you uncover the view. Because in that context also the view you would be uncovering would be not the conceptual view, it would be the non-conceptual actual view. So that would be very difficult without anyone giving you any kind of conceptual guidance, you just sort of somehow figure it out, so to speak. That sounds, that's hard. Whereas as opposed to that you come to the meditation, the experience, through learning the view, through like the conceptual view basically, like what we're doing, and that's much more common. Now which qualifies Nāgārjuna? I don't know. They do say he was at least a first stage bodhisattva. Now in the first stage which means he was a noble one, he was an Ārya who had attained the path of seeing, had a direct experience of the ultimate. So that's like, at least that much is certainly, you know, commonly accepted.
Uh, there's the whole thing of the five paths and the ten stages, and the list,
more lists, but we won't go into those details right now. Let's just say, you know, Nāgārjuna was not just doing concepts. That's, I think, the tradition definitely agrees with that. And this, what was the other one again?
Uh, not really, no.
No, because forgetfulness would mean you sort of know something, but you just aren't paying attention, so you forget it. And this context is, ignorance is an obscuration. It's not like, uh, oh, you know, like if I forget my phone, I kind of know where my phone is, and then I've just forgotten it. But this is where there's something that's actually preventing me, I don't know what, you know, like I have more than forgetfulness, I have something that's actually blocking me from seeing something. Right? So, and it's delicate because, you know, I can see there's a reason to ask that question, which is, there is a sense in which already within our experience is, in a sense, the kind of non-dual awareness, primordial wakefulness, that is the, that is, you know, Buddha mind, so to speak. But it's not exactly that we're forgetting that, it's more like there's something that's sort of blocking that from becoming fully manifest in our experience. And that's what ignorance is. There is a notion of forgetfulness, which is in the context of mindfulness, which plays a very important role as well in all of this, where mindfulness is basically, it's called mindfulness, the literal word in Sanskrit is smṛti, or in Pali it's sati, in Tibetan it's dran pa དྲན་པ , and that literally means memory. But, you know, that's really a metaphor, because memory here means it's the opposite of forgetting, saṃpramoṣa, which is, and forgetting means being distracted. So when you're being not mindful, your mind is being pulled in various directions by whatever, things are capturing your attention. So you can be mindful without being focused on an object, you can have non-dual or objectless mindfulness, which is a very important part of the, of the practice in Mahāmudrā, what they call the ma yeng tsam gyi drenpa མ་ཡེངས་ཙམ་གྱི་དྲན་པ, the mindfulness of mere non-distraction, because mindfulness's function, even technical function in the Abhidharma is to prevent distraction. It's not, doesn't, it's not talking about being focused on an object, there are other mental functions which do the object focus part, it's just what prevents you from getting pulled away. So you can be not focused on an object and just not pulled away. Right? So that's where forgetting is very important. Forgetting is kind of getting lost, as Mingyur Rinpoche says, like you're not lost. You're just not lost. So ma ying mi gom མ་ཡིང མི་གོམ is a common way of talking about Mahāmudrā, Dzogchen, non-dual style meditation is not undistracted, not meditating. And that doesn't mean you're like, you know, just asleep. It means that your mind is not being pulled away by other objects. You can have content, but your mind is not caught, the attention is not caught by that, whether it's thoughts or sensations. You're not trying to close down your mind, but you're not caught on the one hand, and on the other hand, you're not trying to do meditation in the sense of focus on something. Right? So the mental function that is responsible for focus in the Abhidharma, so, so mindfulness, smṛti or sati or dren pa, is a uh, is one of these dharmas, actually. Remember the elements that make up the mind-body system? It's one of those in that system. And those ideas continue to be used by the Mahāyāna philosophers, like by Mādhyamikas. They continue to use those methods. They just say, you know, it's not ultimately real, but this is still a good way of talking about how the mind's working, certain aspects of it at least. And so mindfulness, the technical definition of mindfulness, in the Tibetan world, this is called sem སེམས semjung སེམས་བྱུང , mind and mental functions. You can see it in the second volume of the series called Science and Philosophy in the Indian Buddhist Classics, Volume 2, The Mind, which I co-translated and wrote some essays for. I think I mentioned that before. And so mindfulness is what prevents distraction, and what actually accounts for attention, one of the key mental functions for attention is called manasikāra, which basically means attention. A very low level, kind of primitive level of attention. And which is said to occur, according to the Abhidharma, in every moment of cognition. But in the Mahāmudrā tradition, as it develops, you know, the style of philosophy in India that we're going to talk some about, as it develops, they say, Oh, you know what our practice is? You guys do mindfulness, and you focus with your manasikāra, with your attention on objects. Well, we do amanasikāra, non-attention. So the philosopher Advayavajra, also known as Maitrīpa, is very important for Mahāmudrā tradition. Right? He says, what our meditation is, being inattentive. Ha, Ha, Ha. You know, it's like, it's clearly sort of a joke. But it's also not just a joke. It's also meaning we're not focusing on something. We're not being dualistic. But we're not distracted.
Right? So undistracted non meditation, which is very easy to say.

Not so easy to do.
But yes, or maybe it's so easy.
Yeah, anyway. Okay.

All righty then. So maybe we move along now.

Okay.
Um, I guess I was just struggling a bit with the uh, uh, Nāgārjuna's arguments on the emptiness of time. Yeah, good, good. Illusionaryness of time. Like, isn't it problematic that it's based on uh, a type of logical reasoning that already sort of negates time? Like, if we already, already excludes time. Like, if you go back to the relation between cause and effect. Yes. Like, that relation is not simply one as in, for instance, the relation between X equals two. It's more like the sort of the nature of the relation is that the cause ceases to exist. Yes. So that it can have an effect. Because it's by being impermanent, by changing, Yeah. um, that it can have an effect.
So they're definitely the same on the one hand, but they're not
the same in the sense that they can coexist at the same time. And in the same sense, is it also not the case that past, present and future are definitely the same on one level, but also the nature of the relation is that present can only exist when past ceases to exist and future can only become present when present... no, yea... Right, so in other words, he's kind of loaded the deck. He's cheating because he's deliberately chosen something where the things you're trying to define in terms of each other, we understand to be like, they can't exist at the same time. Let's do a different one then, okay? So how many objects are here? Let's count this as one. Is that okay? I'll take the flower out of here. How many containers are here? Three. Okay, everyone is in agreement. Three. Do they all exist at the same time?
No, this one is actually fluttering in an account quantum reality, which is good.
No, I'm kidding. Of course, they exist at the same time. It's a macro level object. Can't play with quantum stuff with macro, okay? Unless it's sci-fi. All right, okay? So there's three. One, two, three. We're going to make a set of these. One, two, three. They belong in that set of a three-fold set, okay? Is there threeness? So there's a threeness characterizing this set, right? Correct? The number three. The quantity three. Is the three the same as this? Uh, no. It's not?
Well, yes and no.

So the threeness is also the same as this, yes and no, isn't it?
And that's not in the set. It's a part-whole relation. Exactly. And we already know where that goes, don't we? Very simple. I think number is a really good one here. And they do, the Mādhyamika's worked with numbers too, because that was also considered to be a kind of abstract. So the idea is what we're doing is we're creating an abstract entity that is meant to be instantiated in particular actual things, concrete things. And that's going to be that same kind of distributed entity. It's a one in many. And the minute we do that, the claim is, you know, that we're going to run into this, we're going to run into a contradiction or an excluded middle. We're going to have to either say that the threeness, the entity, well you can call it the set, is different than the members, than the things that are qualified by the number, or it's the same. And neither of those work. What we can do, like, you know, the philosopher Bradley, who did myriological stuff, you know, where we can say, oh, well, things like wholes or sets kind of exist in a different way than concrete things. And then, you know, the real question is, well, how do you know that?
Like, can I just make up abstract things?
Like, every three, with every three, there's also a gumagitika that exists, the gumagitika exists abstractly with every number three. And you say to me, how do I know that? And I say, well, because without the gumagitika, three can't exist. And I say, how do I know that? It's just, you know, obvious. What do you mean?
So like our abstractions, like numbers, like we say, oh, three.
You say, well, and I say, where's the threeness? Can you, can you point, point to the threeness?
Anybody want to extend the threeness? Point.
Please point to the threeness.
People on camera couldn't see you go like this.

Usually my undergraduates go like this.
I'm pointing to the threeness. That's a good one, though. That's really good. But of course, each of these is pointing to an individual, right? You can't point to the threeness. It's an abstraction. It doesn't exist in our perception. It exists in our conceptuality.
It exists in the map. It's not the territory.
That doesn't mean it's like there's something wrong. Like if I say there's four there, you know, it's not like a Mādhyamika engineer would think, oh, well, three, four, it's all abstractions. you know, like... Don't fly in a Mādhyamika airplane because... It's not like that. No, it's saying that, yes, of course, you can still, there are conceptual maps that are good, that work, conceptual maps that aren't good. And there's a version of Buddhist philosophy that becomes combined with Mādhyamika that we'll talk about a little bit that is you know, really inquiring into, okay, how do we figure out what works and what doesn't work? But the Mādhyamika position is that what definitely doesn't work is when you think the map is the reality, when you take the abstraction that is derived from experience and then you make that real, even to the point where that becomes more real than the concrete thing.
Okay?
So, for example, here's a very interesting thing. Uh, how... Okay.
Do you see this?
You see it, right? Okay. How do you know this is here?
And there's an object in my hand. How do you know that?

Came along and told you, whispered in your ear, he has an object.

Can you see it? What's going on when you see it? Give me some model.
I see an object. I know it as a small vase. Yeah, but give me a model of the process. Just any, some reasonably good model. A visual perception. Physical or experiential, right? Yeah, both, yeah. Both? You can do whatever you want. Okay. The photons bounce off the vase...
trigger my... Yeah, right, right.
So there's a causal process. Great. Okay. What is required for that to happen? What if this never changed? Right, changes. It has to change. So there has to be... Like this has to come into... This has to, like, photons have to bounce off of it. Or there are all kinds of interactions that are happening in order for you to see it, right? What would happen if three changed the number three? What does it mean for something to change? It means it becomes something other than what it was a moment ago. So three would become four if it changed, right? So does... So now I say, this is four. That doesn't work, does it? Right? So what does that mean about things like three? They're unchanging. Which means, can you see them? Can you perceive them? No. Can they do anything causal? No. So why do we think they're real?
Who knows?
Because it works. Exactly. Exactly. Because it works. And again, if our conceptual system, if the philosopher mouse were like, you know, how many saber-toothed tigers are coming toward me right now? Not much of a meal for a saber-toothed tiger, but maybe, you know, maybe it's a really big mouse. There were really big mice, apparently, prehistorically, seriously. There's just some recent research on that. So it's a big, you know, were-mouse, huge like... But it's a philosopher one. And, you know, like three saber-toothed tigers are coming toward it and it goes, well, in my perceptual experience, there is all of this coming and I can construct the number three as the...
Right, you know, the conceptual map needs to be, is like built into the system is,
in a sense for survival, is like the world model is real, because that keeps us alive. And it can get updated, right? But some things get like, invariable. And they don't need to be, they don't need updating anymore. Until you do, until what? Until you start to really analyze. Then things that seem like really invariable, you get down, down, down, and it's like, oh, that's not really what we thought. Like, oh, this is not really quite solid in the way we thought it was.
Right?
But there are things like solidity and so on which seem just, oh, that's, you know, the way things are in our experience and we don't update those things. And so we think, because they're so stable, we think they're real, because they work, they are real. Right? And because our system has developed, evolved in a way, we're like, yeah, like your model of the world is reality. So that you behave, you know, like you just, when you need to jump out of the way, you jump out of the way, or whatever it is. Right? So if you're a, if you're a mouse, you know, to survive in saṃsāra, that's good. If you're a human, that kind of is not, again, it's not so adaptive anymore.
Especially if you're a human who can build, you know, nuclear weapons and believe in
the reality of, let's say, I don't know, a country more than the concrete touch of a hand. Then you've got a real problem.
Well, I'm just blabbing again.
Alrighty. Yes. You want to ask one more? One more. One quick, if it's quick, because we really should. So is it correct to say that on the ultimate level there is no causality? Yes, correct. Causality is apparent. Right? But from the apparent standpoint, we're not denying causality. It's just that another way to say it is, you know, this is somewhat like Hume, I suppose, is that causality is a model. Right? A way of us understanding what's happening in experience and abstraction from experience. That really works well, by the way. And a Buddha would be able to perceive non-causality? You don't... No, you can't see non-causality. Can you see the non-causality in my hand?
I can sell you some later if you want, you know.
I've got a whole bag of non-causality in my room. And, you know... Okay.
Yeah.
Remember the, remember uh, you know the story from Candrakīrti? Guy goes into a bar. Remember that story? You don't want to be the guy who says, I'll have a glass of nothing.
Okay then. On we go.
So, these are... I just wanted to do a quick historical thing Nāgārjuna and then we have his main. These are all rough dates, you know, we don't really know exact dates until we get... until the end where we have figures who went to Tibet. And even those dates, actually, there's debate about. I think both of them, but especially Kamalaśīla. But anyway, Nāgārjuna, then Āryadeva, who is said to be his disciple, then Bhulapālita, a very important interpreter who emphasizes the use of prasaṅga. At least that's traditionally said to be the case. Emphasizes the use of just absurd consequences. Bhāviveka, who's said to introduce more positive reasoning, meaning not just absurd consequences, but like we can actually use affirmative reasoning. Candrakīrti, who critiques Bhāviveka for doing that. Uh, then we have three figures. Jñānagarbha, Śāntarakṣita and Kamalaśīla, who are known as the three Eastern Mādhyamika's by the Tibetans, the uma shar sum, because they were from Bengal, I think. And uh, they are, two of them, Śāntarakṣita and Kamalaśīla, actually go to Tibet. And they are very important for the development of Mādhyamika in Tibet. Later, Candrakīrti's works are translated a couple centuries or more later. Yeah, more than a couple centuries later. And they, and people, for various reasons, kind of become very fond of Candrakīrti, because he solves, in some ways, gives them the tools to do certain things that Śāntarakṣita and Kamalaśīla's approach to Mādhyamika didn't enable them to do. But ironically, you have to sort of pick and choose. So basically, some of what, one stream of interpretation in Tibet likes Candrakīrti, because he is very critical of the Yogācāra philosophy that we're going to talk about. And another stream of Candrakīrti, totally different stream, that the two of these two streams kind of disagree with each other and some fundamental things. Another stream of interpretation likes Candrakīrti, because he rejects the use of certain kinds of epistemological tools. So some people like Candrakīrti for his rejection of Yogācāra idealism, we can call it, maybe, Yogācāra philosophy. It's not really idealism, but... And some people like him for the rejection of epistemology, formal epistemology. But the people who like him because he rejects Yogācāra also really like formal epistemology. And the people who really like Yogācāra, the people who reject formal epistemology like Yogācāra. You get that?
So this is, you know, not traditionally those two sides will say,
well, we're our interpretation of Candrakīrti is correct. Academically, and also me personally, I think both sides are sort of ignoring the part of Candrakīrti they don't like.
Right?
Okay, so when you hear Candrakīrti being cited, you should be, you know, just be aware that he's being used in certain ways, but that doesn't necessarily mean that it all works out entirely in terms of his philosophy. To Western, there's been Western, in this area, I think Western academics has done a good job of really pointing out something that's important to know, even, you know, within a traditional context. Okay, what are the key questions of Yogacara, Yogācāra that we, you know, talked about at the end of last time? Yogācāra is going to be this new style of philosophy that emerges, again, based on sūtras that are said to have been taught by the Buddha long before that. And these are sūtras that are said to be in the third turning of the wheel. So there are three turnings of the wheel of Dharma, of the Dharmachakra. There is the, you know, that's this gesture that you saw in one of the icons that was on a slide, you know, the icon where, I say, we went from just an empty throne to an actual figure. So that icon is showing the Buddha turning the wheel of Dharma when he turns, there's the first turning in Sarnath where he teaches the Nobles four truths. So that's like early Buddhism. Then we have the second turning is the perfection of wisdom and that's Nāgārjuna in terms of philosophy and all those other figures you just saw. And then the third turning involves especially Yogācāra, okay, and that's going to be not perfection of wisdom sūtras but a whole bunch of other sūtras. Some of them are often referred to as the Vaipulya Sūtras, the extensive sūtras, right, and there are sūtras, very important sūtras like the Saṃdhinirmocana Sūtra, the Laṅkāvatāra Sūtra, which the Mādhyamika's also cite sometimes, okay. So this then emerges after Nāgārjuna and it's going to have a series of questions that even though some of these early figures where Yogācāra is developing in philosophy, not just in the sūtra literature, they don't actually directly seem to talk about Nāgārjuna but it seems pretty clear that they're grappling with some of the issues that Nāgārjuna has raised. And one of them is, what is prapañca? Remember, prapañca is kind of that thing that's even deeper than conceptuality, Right? So we have the one level of saying, well, our problem is that we have bad maps or we're taking our maps too seriously. But prapañca's saying is that, well, actually there's something that's even prior to our map making, that's a problem, the reality habit itself. And so that's one question, like, what is this reality habit, if you like? What is known in the experience of emptiness as ultimate reality? Like, you know, what is it like? I mean, how do we, can we describe it? Is it even knowing? And how does one, you know, like what is known, what are you knowing and how are you knowing it? So both of those questions together you could think of as kind of what's the phenomenology, for example. What's the experience of knowing the ultimate? And does it mean that there's like, you're knowing nothing? Obviously that's not going to work for Nāgārjuna. But does that mean if it's not nothing, does that mean there's something there, something left, something that's kind of not negated by emptiness? Okay, so the major thinkers, just real quick, Asaṅga, Vasubandhu are the two original thinkers and then Dignāga and Dharmakīrti, the epistemologists. Uh, who, uh, you know, work with these ideas. What starts even with the Mādhyamika Bhāviveka, but actually really picks up with Dharmakīrti in particular, is the idea of doing levels of analysis. So this becomes very important in the kind of Buddhism that goes to Tibet. Like we're going to kind of progress from one thing to the next to the next. I'll say more about that. One level of analysis, to the next level of analysis, to the next level of analysis. To kind of lead you through, from, starting with your ordinary experience to a realization of the ultimate. Another important commentator is Sthiramati. Another one that I think is important but is not often just talked about is Vinītadeva. So these are all again in the Sanskrit, right? Tradition, they're all prior to or just prior to or maybe somewhat coinciding with the introduction of Buddhism to Tibet. Especially when we think of Buddhism as the founding of the Samye Monastery in Tibet where philosophical Buddhism starts to occur in the 8th century. Okay. So one of the texts that is very important here is a text that was said to have been transmitted to Asaṅga by the future Buddha Maitreya. In a kind of celestial encounter. And then his half brother Vasubandhu wrote a commentary on this text. Their mother, it's said, was a nun who gave up her robes because she was so worried about what was going on with the dharma and then she produced, she gave birth to and raised the two greatest philosophers, arguably, certainly two of the greatest philosophers. Of these, I will say that the Tibetans especially talk about the six ornaments, six philosophers who are the ornaments. Four of them are here. Right? Asaṅga, Vasubandhu, Dignāga, Dharmakīrti and then in the, sorry, in the Mādhyamika list, Nāgārjuna and Candrakīrti. So it's interesting that four of them actually are not Mādhyamika philosophers. Okay, so what's in this text? It says, abhūta-parikalpo ’sti dvayaṃ tatra na vidyate śūnyatā vidyate tatra tasyām api sa vidyate I think I remember that right. And that means the conceptual construction of the unreal exists. Duality does not exist in it. But emptiness exists in it. It also exists in terms of that, namely emptiness. Completely obvious, right? Okay, let's talk about something first before we go further. And then we'll take a break, which is duality. There are basically two kinds of duality. There is ontological duality and epistemological or phenomenological duality. Okay? Ontological duality comes up a lot in Nāgārjuna. Uh, because what Nāgārjuna can, remember Nāgārjuna works with a dyadic analysis, an analysis of things that are paired to each other. And sometimes, often those analyses, so some of those analyses are things, about things that are paired in some way that doesn't make them contradictories. Like, remember desire and the desirous person or the desirous mind? Those aren't contradictories, right? If there's one, you need the other. Right? But some of his dyadic analyses are about what we call logically contradictories. A contradictory is something that... So hot and cold are not contradictories. Because there are things that are neither hot nor cold. They don't have temperature. Right? Like the number two.
It's kind of lukewarm.
Right? So we think of the number two as an object of knowledge we can think of it, but we don't attribute temperature to it. So uh, uh, hot and cold are called contraries. Right? Which means that they can't be instantiated together in the same thing simultaneously. But not everything has to instantiate them. Those qualities. Existence and non-existence are contradictories. Every knowable thing is either existent or non-existent. The number two either exists or doesn't exist. And you can parameterize that. You could say the number two either ultimately exists or ultimately doesn't exist. So everything has to be one or the other of those. It can't be both, can't be neither. That's a contradictory. Okay? So that's, when we talk about duality in Nāgārjuna, that's the kind of ontological duality that he undermines. So in that verse of praise that I say at the beginning, which is by Nāgārjuna,
it says, you're not real, you're not unreal,
you're not discontinuous, meaning you just last a moment and stop. You're not eternal, meaning you're continuous over time. You're not permanent, you're not impermanent. To you, the non-dual, I bow. Right? So advaya is this word in Sanskrit for non-duality or the non-dual. And each of those pairs are ontological dualities. Existence, they're contradictory. Existence, non-existence, permanent, impermanent, continuous, discontinuous. Right? They all, at least in the way Nāgārjuna would think about these things, they have to apply to everything that we could possibly know. Everything we possibly know either is unchanging or changing. So either existed or non-existent. Okay? So that's one form of duality. That's a very important form of duality. But that is not the kind of duality when we say non-dual awareness, non-dual primordial awareness, it is not about that. Okay? The non-dual, the non-duality that applies in that context is uh, it's phenomenological or epistemological non-duality. In other words, it's a non-duality about the way that cognition occurs. And one way to think about that kind of cog, that, that way, that notion of duality is just, it's very simply, if we take our favorite vase here, and you're looking at the vase, right? One question is, everyone sees it, right? Where is the vase? Thank you. Wait, do you have like a weird eye disease that makes you... Can you point to the vase, right? Like, you guys can do that, right? I'm not trying to trick you.
Right?
It's like over here, right? Okay? And you have, as you're looking at the vase, you have a sense like this, of like a sense of somebody's looking at it. Right? So that's a sense of subjectivity looking at an object. Like there's an in here and an out there. In here, out there, right? Does this look like it's like in here with the one who's looking at it? No. Right, everyone on board with that? That's the kind of duality we're talking about. There's like world and self. Object and subject. Okay? So when you hear non-duality in the context of Mahāmudrā, Dzogchen, it's not talking about ontological duality. It's about this duality in experience. Okay? That's really very important to understand. So we're, we're, as you can see in this verse, this philosophy is going to say that, that duality doesn't actually exist. It seems to exist. But it does not actually exist. It is not ultimately real. We're going to come back to that, but first we're going to take a break. Until, you guys probably need more than five minutes, right? So until 11:20. Okay.
sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né
kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok Okay. Thank you.

Session 14 — Emptiness, Interdependence, and Non-Dual Knowing

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  • Gomde Germany-Austria
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In this session, John D. Dunne clarifies the relationship between emptiness and interdependence, showing that they are not two separate realities but two ways of understanding the same phenomenon. From the perspective of ordinary beings, things appear as solid and truly real, while from the perspective of a noble one they are experienced as interdependent appearances, like reflections in a mirror. He explains that emptiness is not a property inhering in things, nor a concept that refers to some hidden object, but the result of ultimate analysis when no independent essence can be found. The session also explores how Madhyamaka reasoning may function not merely as proof, but as a method that induces a shift from conceptual understanding toward direct experience. In this way, the teaching points toward non-dual knowing, where emptiness is no longer grasped as an object but approached as lived insight.

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Okay, so...
Uh, so here's the commentary.
The conceptual construction of the unreal is the conceptual construction of object and subject. Emptiness is the lack of objects and subjects in the conceptual construction of the unreal. It, the conceptual construction of the unreal also exists within emptiness. Thus, the following quote gives the correct definition of emptiness. That in which something does not exist is empty of that thing. Knowing this, one truly sees. You're seeing reality, true reality. But what remains here is real here; knowing this, one truly knows. Okay, so what are they saying? We're gonna go through this in various ways, but the basic point here is this. The conceptual construction of the real exists. They say asti, like, and what is it that is existing is that there's a process called parikalpita or parikalpanā, which is we are constructing experience. And when we're constructing experience, and that's happening. So that's a very interesting claim that they're saying, like, you know, experience is happening. Right? They're really affirming experience is happening. But when in the process of that construction, the way experience is happening, the way there's some process that's producing, and it's basically causal process of experience occurring, that it's occurring with an out there and an in here. And the out there and the in here part of it is false. Okay, so actually, the experience is empty of out there in here. So knowing so, and so that's the new definition of emptiness, but it's not really new. Because Nāgārjuna would totally agree with that, like subjects and objects are in that kind of relational identity. And if you say there's an essential object, if objects exist, essentially, they could never be known by subjects, because they couldn't come into contact with them. But you can't define something as an object without defining it in terms of the subject. Likewise, you can't define something as a subject without defining it in terms of the object. Right? So Nāgārjuna would totally agree with that. But here, they're going to focus in on that as the key issue, underlying everything. Okay. Because what are they, in some ways, what you can say is what are they trying to point to? Prapañca. Like what's needed in order for us to bem so remember, Nāgārjuna says, you know, karma-kleśa-kṣayād mokṣaḥ karma-kleśā vikalpataḥ te prapañcātmakāś caiva śūnyatāyāṃ nirudhyate Right? Through the cessation of karma and kleśa comes liberation, libera... karma and kleśa come from concepts, concepts come from prapañca and prapañca ceases in emptiness. So basically, what they're saying is what's prapañca? Prapañca is subject-object duality. Right? In a causal flow. So there's a causal flow that there are a causal flow of experience that they are affirming. And they're saying, but they're saying the duality in that experience is false.
And when you're knowing the ultimate, you're knowing that causal flow as empty of duality.
You're experiencing the causal flow as empty of duality. But you're also experiencing the causal flow. And so the Yogācāra are affirming that's real. That remains in emptiness, to quote the title of an article by the great Japanese scholar, Gajin Nagao, from quite many years ago, the late Japanese scholar. But they wouldn't say causation is real. These are Yogācāra. They're not Mādhyamikas. So they kind of seem to be saying yes, causation is real. Because they're saying there's a moment of experience that's caught in causation. There's a moment of experience that's in a causal flow. I'm gonna uh, we'll come more. Okay. Because this is not Yogācāra Mādhyamika yet. This is Yogācāra. Yes. This is from Asaṅga's text that was dictated to him by the future Buddha Maitreya. There's a wonderful story about how he met Maitreya that you should read sometime. It's very wonderful story about compassion. But we shouldn't take time to tell it now. Okay, so the new form of ignorance is not imputation of essences. It's actually not about svabhāva. Svabhāva is, you know, derivative of something more basic. So if I don't have that, shoot, maybe I should have had that diagram. So actually, maybe I'll put it up here. Let me just see if I can.
You could say that the thing about imputation of essences
is arguably happening at the conceptual level. Like, this is really a cup. And there's something deeper than the imputation of an essence like this is essentially a cup that's in place that it makes it possible for us to do that. And that what's in place is that sort of reality habit, right? Which makes us want to impute essence or need to impute essence or just redo it. But the imputation of essences is more at this interpretive level. And emptiness is getting at something that's before that, for Nāgārjuna. So that you could conceivably like get rid of all of that, and there'd still be some kind of a distortion that's pre conceptual. Right? Now, maybe Nāgārjuna would think, Oh, imputation of essences is pre conceptual. But the Yogācāra clearly think that there's something more basic than just attributing essences to things. That's, that's the root of this reality habit. And that thing that for them, what is that thing? It's subject object duality. Okay. And that makes, you know, that does make pretty good sense. Because uh, the, you know, if you think about what needs to be in place for conceptuality, and then, and this is then emerging with a theory of conceptuality, called the apoha or exclusion theory, is emerging right around this time as well, or a little after this, when, you know, Buddhists are already very comfortable by this time thinking that, oh, we're, you know, concepts, labels are actually just imputations, they don't refer to real things in the world. Like, there are no real cups. So the word cup is an imputation on a bunch of, you know, parts or whatever. Uh, and but even the idea of cupness is something that we fabricate. And uh, the reason we're doing that, so we're not just discovering cupness in the world, we're creating that because we want to act in the world. Remember that? We want to get what we want and avoid what we don't want. So we need to categorize our information, organize our sensory experience. And we do that by creating these categories. And there are categories about, you know, in similar to the sort of an active perspective, there are categories about getting what we want, avoiding what we don't want, acting in the world, which means there are categories about an agent in the world. So they're inherently dualistic. So, so duality, dualistic cognition, or the dualistic structure in cognition or in awareness, is more primitive than conceptualization, actually. So when we talk about this word, conceptual construction, it's conceptual construction, abhūtaparikalpa, it's kind of like, they want, they have the same verb in there for concepts, but there's not exactly the same word. And it's sort of implying that there's something even though we're using it, using the, even using the word conceptual is maybe a problem, depending on how you think about that word. But there's a constructive process that's dualistic, that's presenting a world to us, even before we label things. Okay. So hence, for the Yogācāra, the... the fundamental expression of ignorance is subject-object duality. It's the most obvious foundation for essentialism. As I just said, and it's also an obvious target of dyadic relational analysis, because what you could say is, all of the other kinds of, you know, things that we come up with, existence, non existence, good, bad, you know, beautiful, ugly, all of those kinds of things that we're doing, they all have to rest on experience itself. If we don't have experience, we're not saying we're not going to be conceptualizing things as good or bad or whatever. So experience precedes all of that. Right? Experience, in a sense, is the territory that we're trying to map. And it's the only territory we have. It's not like we have an exp... like there's more like, you know, if you're going to try to make, what are you making sense of your experience? You say, well, you know what, I'm going to try to make sense of the world, not my experience. Well, yeah, okay, how are you going to do that? You're going to get out of your experience, so you can just deal with the world. You have some other like route to the world that's not through your experience. Or that isn't, you have a world you have access to a world that's not a world that's presented in experience. Anyone have that? Just wondering. The so called objective world? Yeah, kind of a strange idea anyway. What so what remains, but again, you know, that that would you can say that's built in our cognitive system, there's like a world out there, we're in here, we don't think of those two things as indepen, interdependent. You know, it's like there's that world and there's in here. And that's all that that's all she wrote, so to speak. That's just reality. So the sense of objective reality that there's objectivity, that things are just what they are. And we're not, you know, it's not dependent in any way and our cognition or something that just seems natural built into the system. So a big question then is what remains after the negation? What exactly is remaining after the you negate subject object duality? Okay. So... this brings up this basic ontology of what's called the three natures.
This is key to Yogācāra that
there's the constructed nature, that's the subject object duality. It's the basic content of our ordinary experience. And there's the dependent nature, which is the causal flow of mind or experience. And then there's the perfect nature, which is the dependent nature empty of the constructed nature.
And that's kind of a bunch of stuff.
But here's an easy way, I think, to kind of understand it, a metaphor for this that I often use in teaching. And the Wachowski's when they made this movie, actually clearly were thinking about some of this type of philosophy. And they have said that somewhat imperfectly so. But anyway, so yes, it's our The Matrix. When I first started using this many years ago, you know, like all the undergrads had seen The Matrix. And now they go, The Matrix? What's that?
And like some large percentage of them have never even
seen it, leave it or even heard of it, you know, so. But hopefully, who's it? Anyone here not seen The Matrix? It's okay. Don't be embarrassed. You've not really? Connor in the back hasn't seen it. He just lives in The Matrix. So he doesn't. So the basic story, right, is that if in the future, the humans had a war with the AI's and the AI's won basically, and or mostly won and they created a virtual reality that the humans are stuck inside of so that they can use human bodies as batteries. So the humans are kind of in these like pods, but they think they're in that world. And then there's a sort of you know like, it's a complicated story, some of it, but there's a hacker named Neo. And it's like 1980s or 1990s Chicago, basically, is the reality. Like, why would they choose that? There's a whole reason actually. They said, first, we tried to make it like a paradise and you know, it stopped working. No one would believe, the humans wouldn't believe it. So we had to make it like a crappy city. So anyway, you know, saṃsāra, it had to be saṃsāra. So, you know, then there's a certain individual who's kind of prophesied called, named Neo, who just is an acronym for the one. And he is going to have capacity to sort of see through The Matrix and, you know, save everybody kind of thing. Okay. So, so they're living in this, you know, virtual reality, this simulation. And by the way, you know, there is a very serious group of people and I'm forgetting the name of the Swedish philosopher. Maybe somebody here knows who sincerely have argued that we are most likely living in a simulation. I don't know if you're familiar with that. I'll tell you the name of the fellow later. Very serious and quite popular in Silicon Valley, apparently. What? Yeah. Bostrom. Yeah. Well, I forget his first name, but Bostrom. Nick. Is it Nick? Yeah, I think so. Yeah. He's the one who first wrote the most influential article on this. And it's an intriguing argument. But anyway, so they're in the virtual reality. They're kind of everyone's imprisoned in it, saṃsāra. And then Neo comes along and what Neo is able to do, and these are like agents, these are AI's pretending to be humans or having taken over some humans. And then Neo, and they try to shoot Neo, you know, they have this final encounter in the movie, this key moment in the movie. Sorry to ruin the movie for you guys, but, and, and he is able to, instead of like being caught by the bullets, he's able to see what's really happening, which is this. Okay. So if we think of this in terms of the three natures, experience is happening. But when you experience it as the constructed nature, remember, we have the constructed nature, you see this, right? You think it's real subject obj... it is a real world out there. And then, you know, there's a subject in here, but then you're with your Neo like capacities, you see what's really going on. It's just a causal flow that's not out there and not in here. It's just a bunch of data, so to speak. Okay. So that's seeing in a way, that's seeing the constructed nature as empty of the duality. It's an imperfect metaphor, but I think it helps.
The constructed nature is.., the dependent nature.
Sorry, actually, I did say that wrong. The dependent nature, the flow of experience is actually empty of the constructed nature. The reality that looks like this is actually this.
Okay.
So in a similar way, like as you're seeing, you know, our favorite vase here, the first step in this, in this way of thinking is to perform, what in the phenomenological tradition would be called a kind of reduction, which is to say, uh, where is the vase? Where is what you're seeing? Where is the visual content?
Where is the visual content? Maybe in between us,
but one way of thinking about it, if we do like a very simplistic kind of, I don't know, high school physics version, there's some stuff out here interacting with light and so on, so that it, that light reflects off of here, hits your retina, causes a certain kind of signal, goes to the thalamus, into the visual cortex, and somehow it moves forward in the brain and eventually you see something. So one way to talk about this is color, right?
So that, yeah, well, so right now it's just like, what are we seeing?
The actual content of what we're seeing on this account is not outside of consciousness.
It's being caused perhaps by something outside of consciousness,
but the content of what we're seeing is not outside of consciousness. Does everyone understand that? Is that clear? So that the visual perception that you're having of this is actually something that is presented to you in your consciousness, depending on your visual system. So if you have colorblind or whatever, you'll have a slightly different one. If you were a different kind of organism, and here, here's a pitch for another great book called An Immense World by Ed Yong, which talks about the Weltumgebung, the life worlds of various kinds of organisms. And there are, you know, like there are living things that see, have unbelievable perceptual capacities that we don't have. An immense world, an immense world. Ed Yong. I'm sure it's been translated into German. Really fun. It gets a little too detailed at points, but it's, it's from my taste, but it's really great. You know, like bats, obviously, but also some creatures that, you know, see ultraviolet. So they're, what's presented to them and their perception, it's not the, you know, they have a different kind of phenomenal experience visually. So what, so that, what we're visually seeing, and if you have like a defective, eye, vis... you know, sight or whatever, or you've got, uh, you know, you've had too much to drink is like, how many vases are there or whatever it is, right? You have a certain visual experience and that's, so if you, you know, do get, uh, not recommending that you get so drunk tonight that you can't, uh, that you see two vases, but if you were to do that, it's not like there are two vases out there, right? Not that anyone has had that experience here, but right, it's not like there are actually two vases and we can manipulate things so that you see, you know, visually things that aren't there if we wanted to.
So, uh, and actually, you know, here's a, okay, let's just do this real quick.
I do one more thing. Uh, where's the, can use a triangle?
By the way, uh, David Hayden is asking causal flow nature, um, par paric.
Uh, yeah, yeah. Uh, could you give a more literal translation? Other dependent, the dependent nature is what it, the translation is dependent nature. That's a good, that's a good translation. Okay, so who sees, do you see a white triangle or a gray triangle? Is there a gray triangle there? No, I mean, like here, this, do you see a gray triangle here? Really? Hey, wait, let's go like this.
Do you still see a triangle? Do you see, can I go over here?

What do you see now?
Pac-Man. Okay, there's no triangle, right? This is called the contour illusion. So your visual system is making you see something that's not there, but you're seeing it in your visual system, right? But it's not there. And if we could set up the right circumstances, it goes away. I've written an article about this. You can also, um, if you just say you can use your conceptual system to try to override it by just looking at one of the, one of these things and say, repeatedly, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man.
And does it go away a little bit?
It's kind of amazing, right? Goes away. I can just like, I've done that so many times now. It's like, yeah, Pac-Man.
And just, I can just make it go away, just like that.
It's quite easy for me to do that. It's a useless thing I've practiced.
And you, you know, if we had some Pac-Man gaming experts
out here, they could all do it too. I'm sure. They're kind of looking for the monster, you know. Okay. So our, we're seeing what we're seeing, just like the Kanizsa triangle is like a thing in our mind. That's a way of constructing that is in a causal process. And that causes, so there's some, you know, we don't just see whatever we want. There's some constraints from the causes. But then our visual system works with those causes and produces things that we see as our kind of beings. We are, other beings see other kinds of things, you know, still with the same causes. Like if you're some kind of a special alien, you can't see, you know, what we would call the banana in my hand. That's not going to happen. Those are the constraints of the causes and the shared life world that we have. Okay. So that's a very important idea. There's some kind of shared life world that we're in where there are constraints. So this doesn't mean you just make up the world yourself. But it also doesn't mean that the world is just objectively out there. And the world you actually have access to is not really out there. And, but then again, that's what the world is. So the whole out thereness is kind of the confused part. Okay. So everyone understand that? So like what you're seeing is presented within consciousness. This is my favorite part of this. So I'm in your mind, hello...
get out of my mind, please.
Okay. So seeing the ultimate, what does seeing the ultimate mean? Maybe it means seeing just sheer mind without any content.
And then the post-meditative state is more like this.
Or maybe it means something like this, where you still have the content, but somehow it doesn't present as out there in here. Okay.
All right. So the critiques of subject-to-object duality, one way of doing this
is actually to use the neither one nor many argument that we did before. You remember with the atoms, like what's this made out of? Atoms. But then you go down to the atoms and you find even partless atoms don't make sense. So... therefore, there's no matter. Really, therefore, there's no, that model of matter doesn't work. But if that's what we think the only option for a model of matter is, then we say there's no matter, meaning there's no stuff outside the mind. There's not like mind stuff and matter stuff that are defined in terms of each other. There's mind, mind and non-mind, or matter and non-matter. Okay. That's one approach. Another approach is to analyze the mind itself using a mind, neither one nor many argument. We won't go through that. And then you can use the critique of relations that we talked about, how objects are defined in terms of subjects, objects, right? But where you end up in is a place where there's presentation in a sense of in there, out there, but the in there, out there is false.
And that's, of course, true. Like if your content of experience
is actually, what you're seeing is actually within consciousness, then it's not different. It's not different than your sense of subjectivity. In the sense that they're both just consciousness. Your sense of subjectivity is also being presented in consciousness. So they're just like both aspects of consciousness. You get it?
They're not actually different.
So like in a dream, like when you dream, when you have a dream, is the stuff you see in the dream outside of consciousness? Has anyone managed to dream like that? It's within consciousness, right? Correct? That's also true of your waking life on this account. Like this is within consciousness. The difference between dreaming in the Yogācāra, the way they explain this is in dreaming, you have less connection with the shared life world. And when you're awake, you have a strong connection with the shared life world. So those constraints on your experience are much stronger when you're in a waking state. So you can't just, you know, make things happen because you want them to. Sorry, folks. Actually, not sorry. That would probably be a really bad thing. Okay, so, you know, like, unlike Neo, you can't just fly through the sky or whatever. At least not in our ordinary state. Uh so, the kind, what kinds of negation are we, did w... A very important thing that is relevant here to understand is that there is a, there is a difference between the kind of negation that Nāgārjuna, at least in his philosophical texts, is primarily using. Maybe he doesn't do that in some other texts, but in his philosophical texts, he's using the bottom one, non-implicative negation. A negation that does not affirm anything at all. It's basically not this and only not this, full stop. Like, it is not the case that there is such a thing as Martians. It is not the case that there is such a thing as square circles. Okay? As opposed to the example, and these are actually coming out of Sanskrit grammar, as opposed to an implicative negation or a paryudāsa, which when you negate something, you're implying something else, like, pinu devadatta devasena bhumpte, pīno devadattaḥ divā na bhuṅkte is the grammatical example. Fat devadatta does not eat during the day. Which means?
Very good!
He eats at night. Right? Okay? I say, the car isn't in the garage, meaning... somewhere else. Right? As opposed to me saying, I don't own a car. Like, where's the car? Well, I don't own a car. I'm not affirming... In that, you might say, well, maybe I'm saying I imply I own something else. Maybe not. Maybe I'm a monk and I don't own anything. Okay? So, that's a non-implicative negation. Yogācāra should be understood as engaging in an implicative negation. So, emptiness here is an implicative negation. What's negated in emptiness? Subject-object duality. What remains in emptiness? Non-dual experience. Okay? So, then this becomes... So, there are some questions about what this means in Yogācāra. One of those questions... So, the basic idea here is that the, the, the subject-object structure in your experience is false. Okay? Now, under what conditions would we say that the subject-object structure is true? Even after we do this reduction, meaning, okay, I'll admit that what's being presented in my experience, on the one hand, and my sense of subjectivity on the other, are both just aspects of consciousness. But this structure is not false. Under what conditions would that be the case?
When would you be able to endorse that, but not say that it's false?

When you're so close to lunch that you don't know what to say. Right?

When the causal process that's producing this
is somehow accurately reflecting the otherness of these things. Right? Like, there's consciousness and something other than consciousness. So, when the causes are other than consciousness, so that when, you know, what I'm seeing is actually something within consciousness, but what's causing this aspect of consciousness, the object aspect of consciousness, the causes of that are somehow outside consciousness. So the otherness, the twoness in consciousness, is just reflecting the fact that consciousness is one kind of stuff, and the causes that created this image in consciousness are another kind of stuff. You see that? Did everyone get that? Any questions about it? You don't get that? So... So, for example,
if, let's see, let me think if I can think of an example.
So if you dream of something, right? Like, let's say you dream of a beautiful mountain, and you wake up and, you know, and you say to me, did you see that beautiful mountain? Oh, let's not, that doesn't work. How about you dream of like a spectacular meteor. And then you wake up and you say to me, did you see that beautiful meteor last night?
And I say, what meteor?
And you describe where it was, and at what time, and I say, I was right there, it's not there. So then your experience of the meteor was not caused by something out there. So in that sense, it was false, right? But if the meteor was actually there, then there was something outside your mind, it wasn't a dream, there was something outside your mind that interacted with your visual system, and then you saw it, even though what you're seeing is within consciousness. So in that case, the sense of, oh, this thing is out there, the actual image in your mind is not out there. It's in your consciousness. But the sense of it being out there is not wrong, because it's caused by something out there. Everybody get that? The out-thereness, the bāhyatā, or bahir, yeah, bāhyatā, of this, the outsideness or out-thereness of the visual object is just a reflection of the fact that the causes which participated in producing this image are unlike a dream, are not just internal to consciousness, they're outside consciousness. Okay? Everybody get that? So there's some kind of extra mental stuff that interacts with, somehow, with the mental stuff to produce these images. All right?
There's still, there's definitely stuff, and then there's two kinds of stuff.
There's like mind stuff and non-mind stuff. Right? And, yes?
It's basically inner and outer stuff, yeah, you could say.
But it's really, on this model, what we're saying is that the outer stuff is not the same as consciousness stuff. Like, we're going to propose a dualistic, a substance dualism, where there's mind stuff and there's basically matter stuff. Okay? Yogācāra says that's wrong.
But some people will say, will think that Yogācāra is idealism,
and that's in the top version. Right? This is from the Stanford Encyclopedia of Philosophy, which is a great resource, when you're looking for just some basic, like, definitional type stuff, and some really good, longer articles, too.
So you could talk about, when we use this term philosophical idealism in Western philosophy,
we say that something mental, the mind, spirit, reason, et cetera, is the ultimate foundation of all reality, or even exhaustive of reality. That would be the second type here. Where, like, there's only mind stuff. Everything is actually mind stuff.
Uh, and then number two is actually going toward a position where,
although the existence of something independent of the mind is conceded, everything that we can know about this independent reality is held to be permeated by the creative, formative, or constructive activities of the mind. That all claims to knowledge must be considered in some sense to be a form of self-knowledge. Neither of these is Yogācāra. Okay? Because Yogācāra is saying the idea of there's mind stuff is dependent on there being non-mind stuff.
So when you say there's nothing outside the mind, which they will say, like,
we can establish that if we try to say there's non, like there's a world out there, we can't establish that. But that also means there isn't an in here. Because the in here depends on the out there. So it's not idealism in that sense. It's kind of saying all of this, everything's the same kind of stuff. If it, it in, but they are saying it's, you know, there's something real. But it's all the same kind of stuff. That doesn't mean that the causes are just your mind. That's very important. It's some kind of a shared constraints. And they have a complicated way of trying to describe how that works. And I will say that there are forms of Yogācāra that did tend toward number one in particular, where like everything is just mind, there was definitely forms and therefore you sometimes hear this term Cittamātra mind only as a description of this philosophy. And that's where it does become a kind of idealism. But that's not characteristic of all Yogācāra at all. Okay, then is it phenomenology? Phenomenology studies structures is also from Stanford Encyclopedia of Philosophy. We'll stop soon. Phenomenology studies structures of conscious experience as experienced from the first person point of view along with the relevant conditions of experience, the central structure of an experience is intentionality, which means subject object structure, the way it is directed through its content and meaning toward a certain object in the world. So it's not phenomenology on this definition either. But it's like both of those in certain ways. And phenomenology is probably the closest way of describing what Yogācāra is doing. But Yogācāra is specifically saying that intentionality, which is a philosophical term for subject-object duality, is false. Right? And it's, there are versions of Yogācāra which you're interested in within that false kind of dualistic cognition. How does that work? And so that's what Dignāga and Dharmakīrti are doing. But they're really doing that primarily so that you get to the point where you understand why it has to be false. Okay? As opposed to phenomenologists who just assume that's true, that structure is true, and then they're trying to describe you know, how that works, so to speak. What is this experience? What are the invariant features of experience, for example, beyond just intentionality? Okay. So then what is Yogācāra? It does not assert that the object pole collapses into the subject pole so that whatever stuff constitutes the subject pole is all that remains. If you say that whatever constitutes the subject pole, the subject side, is all that there is, and that's called subjective idealism, and that is perhaps what Cittamātra, or mind only, is, but that's only a subset of Yogācāra. However, it does assert that extramental objects are unreal, and whatever remains, I should say, is not extramental.
Okay?
So it is denying that there's a kind of like... It's denying substance dualism. There's stuff, non-mind stuff, and there's mind stuff. It's denying that. And it asserts that our only access to the world is through our, through or in experience.
That's all you got to go on.
However, it denies the claim that intentionality is essential to consciousness. So it's neither idealism nor phenomenology as it was defined in those articles. And so then the question really becomes, what then is... what are we knowing when we're knowing uh, reality? So now, very briefly, give me five more minutes. Is that okay? So...
when you see this, what is... where is this being presented?

In Milwaukee. No, in consciousness, right?
Okay? Chicago. It's being presented within consciousness, right? Can you know anything that's not being presented in consciousness? No. Okay? So if you wanted... so what we mean by reality, whether we're talking about what we take to be part of our subject, like emotions and so on, what we take to be objects that we're perceiving, that whatever... all of that is being presented in consciousness. So if you want to know what the nature of reality is, so one way to understand, this is where Yogācāra is a little different than Mādhyamika, if you want to understand what is the nature of reality, what does that mean, you don't need to understand? The nature of consciousness. Or the nature of mind. Right? So the nature of something is something that characterizes it in all of its different permutations, like what's always the case in all of its manifestations, like, you know, in a simplistic way, we could say the nature of water is H2O, like whether it's liquid, whether it's steam or gas, whether it's solid ice. So what's the same about all moments of consciousness? What? Student: Cognition?
Yeah, like knowingness.
So here's... this is what they're going to say. It's luminous empty mind. The nature of the mind is luminous emptiness. Okay? But specifically emptiness as subject-object duality, because we're going to need to go through one more step to get to... This is eventually going to be combined with Mādhyamika. But right now we're saying, what's characteristic of experience is not subject-object duality. But... so it's empty of that. But what is present in every moment of experience is a kind of knowingness. So that's this idea of luminosity. It's a metaphor. We'll say more about it later. So from another perspective, because the mind is not empty in the sense that there's this presence of experience, luminosity. Okay? So experience remains in emptiness, luminous, luminosity. And that applies to all cases. And that's what emptiness is like for the Yogācāra. And so nihilism is avoided, right? And everybody's happy. And knowing is accounted for. However, as we will see... And so this is what... And so emptiness for Yogācāra is an implicative negation. This is how Dharmakīrti talks about that. prabhāsvaram idaṃ cittaṃ prakṛtyāgantavo malāḥ Which we cited before. This mind is by its nature luminous. The defilements are adventitious. The defilements here especially are ignorance that causes subject-object duality. Okay? But... this is still not going to be sufficient for Mahāmudrā Dzogchen style because what might you be doing in this context? Maybe... So the way we described it actually probably are doing.
Maybe...
Yes you're more ontologizing that luminosity itself. Affirming that it's real.
And that's going to be a problem.
So what's going to happen, we're going to circle back to this this afternoon, is that there's going to be a style of Mādhyamika, the style of Mādhyamika that reaches to Tibet, which is actually going to adopt this kind of Yogācāra as part of a process that starts from a naive analysis, an analysis of our naive sense that there are, you know wholes in the world and so on, and begins with an analysis that says, sure, there's matter, whatever you say, and then moves through Yogācāra and then goes to Mādhyamika. So that's the style of Mādhyamika that goes to Tibet. And it's called Yogācāra Mādhyamika. And we're going to do that after. And it's going to raise a very important question, which is, okay, we have, we said that, sure, knowing is accounted for, but what kind of knowing? So one of the things that's going to be very continuous is how we describe this kind of awareness. Still, we're going to say, empty luminosity, we're going to modify the empty part. But we still need to say, well, what's that luminosity? And that's going to also lead us to a discussion of what's called uh, svasaṃvitti or rang rig རང་རིག་ in Tibetan, which means reflexive awareness.
So that's... most of that will happen after lunch, if you can still stand it.
Okay, let's have a good lunch. Let's do our dedication. sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok jangchup semchok rinpoché ma kyepa nam kyé gyurchik kyepa nyampa mepa yang gongné gongdu phelwar shok
Thank you.
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Okay, so...
Uh, so here's the commentary.
The conceptual construction of the unreal is the conceptual construction of object and subject. Emptiness is the lack of objects and subjects in the conceptual construction of the unreal. It, the conceptual construction of the unreal also exists within emptiness. Thus, the following quote gives the correct definition of emptiness. That in which something does not exist is empty of that thing. Knowing this, one truly sees. You're seeing reality, true reality. But what remains here is real here; knowing this, one truly knows. Okay, so what are they saying? We're gonna go through this in various ways, but the basic point here is this. The conceptual construction of the real exists. They say asti, like, and what is it that is existing is that there's a process called parikalpita or parikalpanā, which is we are constructing experience. And when we're constructing experience, and that's happening. So that's a very interesting claim that they're saying, like, you know, experience is happening. Right? They're really affirming experience is happening. But when in the process of that construction, the way experience is happening, the way there's some process that's producing, and it's basically causal process of experience occurring, that it's occurring with an out there and an in here. And the out there and the in here part of it is false. Okay, so actually, the experience is empty of out there in here. So knowing so, and so that's the new definition of emptiness, but it's not really new. Because Nāgārjuna would totally agree with that, like subjects and objects are in that kind of relational identity. And if you say there's an essential object, if objects exist, essentially, they could never be known by subjects, because they couldn't come into contact with them. But you can't define something as an object without defining it in terms of the subject. Likewise, you can't define something as a subject without defining it in terms of the object. Right? So Nāgārjuna would totally agree with that. But here, they're going to focus in on that as the key issue, underlying everything. Okay. Because what are they, in some ways, what you can say is what are they trying to point to? Prapañca. Like what's needed in order for us to bem so remember, Nāgārjuna says, you know, karma-kleśa-kṣayād mokṣaḥ karma-kleśā vikalpataḥ te prapañcātmakāś caiva śūnyatāyāṃ nirudhyate Right? Through the cessation of karma and kleśa comes liberation, libera... karma and kleśa come from concepts, concepts come from prapañca and prapañca ceases in emptiness. So basically, what they're saying is what's prapañca? Prapañca is subject-object duality. Right? In a causal flow. So there's a causal flow that there are a causal flow of experience that they are affirming. And they're saying, but they're saying the duality in that experience is false.
And when you're knowing the ultimate, you're knowing that causal flow as empty of duality.
You're experiencing the causal flow as empty of duality. But you're also experiencing the causal flow. And so the Yogācāra are affirming that's real. That remains in emptiness, to quote the title of an article by the great Japanese scholar, Gajin Nagao, from quite many years ago, the late Japanese scholar. But they wouldn't say causation is real. These are Yogācāra. They're not Mādhyamikas. So they kind of seem to be saying yes, causation is real. Because they're saying there's a moment of experience that's caught in causation. There's a moment of experience that's in a causal flow. I'm gonna uh, we'll come more. Okay. Because this is not Yogācāra Mādhyamika yet. This is Yogācāra. Yes. This is from Asaṅga's text that was dictated to him by the future Buddha Maitreya. There's a wonderful story about how he met Maitreya that you should read sometime. It's very wonderful story about compassion. But we shouldn't take time to tell it now. Okay, so the new form of ignorance is not imputation of essences. It's actually not about svabhāva. Svabhāva is, you know, derivative of something more basic. So if I don't have that, shoot, maybe I should have had that diagram. So actually, maybe I'll put it up here. Let me just see if I can.
You could say that the thing about imputation of essences
is arguably happening at the conceptual level. Like, this is really a cup. And there's something deeper than the imputation of an essence like this is essentially a cup that's in place that it makes it possible for us to do that. And that what's in place is that sort of reality habit, right? Which makes us want to impute essence or need to impute essence or just redo it. But the imputation of essences is more at this interpretive level. And emptiness is getting at something that's before that, for Nāgārjuna. So that you could conceivably like get rid of all of that, and there'd still be some kind of a distortion that's pre conceptual. Right? Now, maybe Nāgārjuna would think, Oh, imputation of essences is pre conceptual. But the Yogācāra clearly think that there's something more basic than just attributing essences to things. That's, that's the root of this reality habit. And that thing that for them, what is that thing? It's subject object duality. Okay. And that makes, you know, that does make pretty good sense. Because uh, the, you know, if you think about what needs to be in place for conceptuality, and then, and this is then emerging with a theory of conceptuality, called the apoha or exclusion theory, is emerging right around this time as well, or a little after this, when, you know, Buddhists are already very comfortable by this time thinking that, oh, we're, you know, concepts, labels are actually just imputations, they don't refer to real things in the world. Like, there are no real cups. So the word cup is an imputation on a bunch of, you know, parts or whatever. Uh, and but even the idea of cupness is something that we fabricate. And uh, the reason we're doing that, so we're not just discovering cupness in the world, we're creating that because we want to act in the world. Remember that? We want to get what we want and avoid what we don't want. So we need to categorize our information, organize our sensory experience. And we do that by creating these categories. And there are categories about, you know, in similar to the sort of an active perspective, there are categories about getting what we want, avoiding what we don't want, acting in the world, which means there are categories about an agent in the world. So they're inherently dualistic. So, so duality, dualistic cognition, or the dualistic structure in cognition or in awareness, is more primitive than conceptualization, actually. So when we talk about this word, conceptual construction, it's conceptual construction, abhūtaparikalpa, it's kind of like, they want, they have the same verb in there for concepts, but there's not exactly the same word. And it's sort of implying that there's something even though we're using it, using the, even using the word conceptual is maybe a problem, depending on how you think about that word. But there's a constructive process that's dualistic, that's presenting a world to us, even before we label things. Okay. So hence, for the Yogācāra, the... the fundamental expression of ignorance is subject-object duality. It's the most obvious foundation for essentialism. As I just said, and it's also an obvious target of dyadic relational analysis, because what you could say is, all of the other kinds of, you know, things that we come up with, existence, non existence, good, bad, you know, beautiful, ugly, all of those kinds of things that we're doing, they all have to rest on experience itself. If we don't have experience, we're not saying we're not going to be conceptualizing things as good or bad or whatever. So experience precedes all of that. Right? Experience, in a sense, is the territory that we're trying to map. And it's the only territory we have. It's not like we have an exp... like there's more like, you know, if you're going to try to make, what are you making sense of your experience? You say, well, you know what, I'm going to try to make sense of the world, not my experience. Well, yeah, okay, how are you going to do that? You're going to get out of your experience, so you can just deal with the world. You have some other like route to the world that's not through your experience. Or that isn't, you have a world you have access to a world that's not a world that's presented in experience. Anyone have that? Just wondering. The so called objective world? Yeah, kind of a strange idea anyway. What so what remains, but again, you know, that that would you can say that's built in our cognitive system, there's like a world out there, we're in here, we don't think of those two things as indepen, interdependent. You know, it's like there's that world and there's in here. And that's all that that's all she wrote, so to speak. That's just reality. So the sense of objective reality that there's objectivity, that things are just what they are. And we're not, you know, it's not dependent in any way and our cognition or something that just seems natural built into the system. So a big question then is what remains after the negation? What exactly is remaining after the you negate subject object duality? Okay. So... this brings up this basic ontology of what's called the three natures.
This is key to Yogācāra that
there's the constructed nature, that's the subject object duality. It's the basic content of our ordinary experience. And there's the dependent nature, which is the causal flow of mind or experience. And then there's the perfect nature, which is the dependent nature empty of the constructed nature.
And that's kind of a bunch of stuff.
But here's an easy way, I think, to kind of understand it, a metaphor for this that I often use in teaching. And the Wachowski's when they made this movie, actually clearly were thinking about some of this type of philosophy. And they have said that somewhat imperfectly so. But anyway, so yes, it's our The Matrix. When I first started using this many years ago, you know, like all the undergrads had seen The Matrix. And now they go, The Matrix? What's that?
And like some large percentage of them have never even
seen it, leave it or even heard of it, you know, so. But hopefully, who's it? Anyone here not seen The Matrix? It's okay. Don't be embarrassed. You've not really? Connor in the back hasn't seen it. He just lives in The Matrix. So he doesn't. So the basic story, right, is that if in the future, the humans had a war with the AI's and the AI's won basically, and or mostly won and they created a virtual reality that the humans are stuck inside of so that they can use human bodies as batteries. So the humans are kind of in these like pods, but they think they're in that world. And then there's a sort of you know like, it's a complicated story, some of it, but there's a hacker named Neo. And it's like 1980s or 1990s Chicago, basically, is the reality. Like, why would they choose that? There's a whole reason actually. They said, first, we tried to make it like a paradise and you know, it stopped working. No one would believe, the humans wouldn't believe it. So we had to make it like a crappy city. So anyway, you know, saṃsāra, it had to be saṃsāra. So, you know, then there's a certain individual who's kind of prophesied called, named Neo, who just is an acronym for the one. And he is going to have capacity to sort of see through The Matrix and, you know, save everybody kind of thing. Okay. So, so they're living in this, you know, virtual reality, this simulation. And by the way, you know, there is a very serious group of people and I'm forgetting the name of the Swedish philosopher. Maybe somebody here knows who sincerely have argued that we are most likely living in a simulation. I don't know if you're familiar with that. I'll tell you the name of the fellow later. Very serious and quite popular in Silicon Valley, apparently. What? Yeah. Bostrom. Yeah. Well, I forget his first name, but Bostrom. Nick. Is it Nick? Yeah, I think so. Yeah. He's the one who first wrote the most influential article on this. And it's an intriguing argument. But anyway, so they're in the virtual reality. They're kind of everyone's imprisoned in it, saṃsāra. And then Neo comes along and what Neo is able to do, and these are like agents, these are AI's pretending to be humans or having taken over some humans. And then Neo, and they try to shoot Neo, you know, they have this final encounter in the movie, this key moment in the movie. Sorry to ruin the movie for you guys, but, and, and he is able to, instead of like being caught by the bullets, he's able to see what's really happening, which is this. Okay. So if we think of this in terms of the three natures, experience is happening. But when you experience it as the constructed nature, remember, we have the constructed nature, you see this, right? You think it's real subject obj... it is a real world out there. And then, you know, there's a subject in here, but then you're with your Neo like capacities, you see what's really going on. It's just a causal flow that's not out there and not in here. It's just a bunch of data, so to speak. Okay. So that's seeing in a way, that's seeing the constructed nature as empty of the duality. It's an imperfect metaphor, but I think it helps.
The constructed nature is.., the dependent nature.
Sorry, actually, I did say that wrong. The dependent nature, the flow of experience is actually empty of the constructed nature. The reality that looks like this is actually this.
Okay.
So in a similar way, like as you're seeing, you know, our favorite vase here, the first step in this, in this way of thinking is to perform, what in the phenomenological tradition would be called a kind of reduction, which is to say, uh, where is the vase? Where is what you're seeing? Where is the visual content?
Where is the visual content? Maybe in between us,
but one way of thinking about it, if we do like a very simplistic kind of, I don't know, high school physics version, there's some stuff out here interacting with light and so on, so that it, that light reflects off of here, hits your retina, causes a certain kind of signal, goes to the thalamus, into the visual cortex, and somehow it moves forward in the brain and eventually you see something. So one way to talk about this is color, right?
So that, yeah, well, so right now it's just like, what are we seeing?
The actual content of what we're seeing on this account is not outside of consciousness.
It's being caused perhaps by something outside of consciousness,
but the content of what we're seeing is not outside of consciousness. Does everyone understand that? Is that clear? So that the visual perception that you're having of this is actually something that is presented to you in your consciousness, depending on your visual system. So if you have colorblind or whatever, you'll have a slightly different one. If you were a different kind of organism, and here, here's a pitch for another great book called An Immense World by Ed Yong, which talks about the Weltumgebung, the life worlds of various kinds of organisms. And there are, you know, like there are living things that see, have unbelievable perceptual capacities that we don't have. An immense world, an immense world. Ed Yong. I'm sure it's been translated into German. Really fun. It gets a little too detailed at points, but it's, it's from my taste, but it's really great. You know, like bats, obviously, but also some creatures that, you know, see ultraviolet. So they're, what's presented to them and their perception, it's not the, you know, they have a different kind of phenomenal experience visually. So what, so that, what we're visually seeing, and if you have like a defective, eye, vis... you know, sight or whatever, or you've got, uh, you know, you've had too much to drink is like, how many vases are there or whatever it is, right? You have a certain visual experience and that's, so if you, you know, do get, uh, not recommending that you get so drunk tonight that you can't, uh, that you see two vases, but if you were to do that, it's not like there are two vases out there, right? Not that anyone has had that experience here, but right, it's not like there are actually two vases and we can manipulate things so that you see, you know, visually things that aren't there if we wanted to.
So, uh, and actually, you know, here's a, okay, let's just do this real quick.
I do one more thing. Uh, where's the, can use a triangle?
By the way, uh, David Hayden is asking causal flow nature, um, par paric.
Uh, yeah, yeah. Uh, could you give a more literal translation? Other dependent, the dependent nature is what it, the translation is dependent nature. That's a good, that's a good translation. Okay, so who sees, do you see a white triangle or a gray triangle? Is there a gray triangle there? No, I mean, like here, this, do you see a gray triangle here? Really? Hey, wait, let's go like this.
Do you still see a triangle? Do you see, can I go over here?

What do you see now?
Pac-Man. Okay, there's no triangle, right? This is called the contour illusion. So your visual system is making you see something that's not there, but you're seeing it in your visual system, right? But it's not there. And if we could set up the right circumstances, it goes away. I've written an article about this. You can also, um, if you just say you can use your conceptual system to try to override it by just looking at one of the, one of these things and say, repeatedly, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man, Pac-Man.
And does it go away a little bit?
It's kind of amazing, right? Goes away. I can just like, I've done that so many times now. It's like, yeah, Pac-Man.
And just, I can just make it go away, just like that.
It's quite easy for me to do that. It's a useless thing I've practiced.
And you, you know, if we had some Pac-Man gaming experts
out here, they could all do it too. I'm sure. They're kind of looking for the monster, you know. Okay. So our, we're seeing what we're seeing, just like the Kanizsa triangle is like a thing in our mind. That's a way of constructing that is in a causal process. And that causes, so there's some, you know, we don't just see whatever we want. There's some constraints from the causes. But then our visual system works with those causes and produces things that we see as our kind of beings. We are, other beings see other kinds of things, you know, still with the same causes. Like if you're some kind of a special alien, you can't see, you know, what we would call the banana in my hand. That's not going to happen. Those are the constraints of the causes and the shared life world that we have. Okay. So that's a very important idea. There's some kind of shared life world that we're in where there are constraints. So this doesn't mean you just make up the world yourself. But it also doesn't mean that the world is just objectively out there. And the world you actually have access to is not really out there. And, but then again, that's what the world is. So the whole out thereness is kind of the confused part. Okay. So everyone understand that? So like what you're seeing is presented within consciousness. This is my favorite part of this. So I'm in your mind, hello...
get out of my mind, please.
Okay. So seeing the ultimate, what does seeing the ultimate mean? Maybe it means seeing just sheer mind without any content.
And then the post-meditative state is more like this.
Or maybe it means something like this, where you still have the content, but somehow it doesn't present as out there in here. Okay.
All right. So the critiques of subject-to-object duality, one way of doing this
is actually to use the neither one nor many argument that we did before. You remember with the atoms, like what's this made out of? Atoms. But then you go down to the atoms and you find even partless atoms don't make sense. So... therefore, there's no matter. Really, therefore, there's no, that model of matter doesn't work. But if that's what we think the only option for a model of matter is, then we say there's no matter, meaning there's no stuff outside the mind. There's not like mind stuff and matter stuff that are defined in terms of each other. There's mind, mind and non-mind, or matter and non-matter. Okay. That's one approach. Another approach is to analyze the mind itself using a mind, neither one nor many argument. We won't go through that. And then you can use the critique of relations that we talked about, how objects are defined in terms of subjects, objects, right? But where you end up in is a place where there's presentation in a sense of in there, out there, but the in there, out there is false.
And that's, of course, true. Like if your content of experience
is actually, what you're seeing is actually within consciousness, then it's not different. It's not different than your sense of subjectivity. In the sense that they're both just consciousness. Your sense of subjectivity is also being presented in consciousness. So they're just like both aspects of consciousness. You get it?
They're not actually different.
So like in a dream, like when you dream, when you have a dream, is the stuff you see in the dream outside of consciousness? Has anyone managed to dream like that? It's within consciousness, right? Correct? That's also true of your waking life on this account. Like this is within consciousness. The difference between dreaming in the Yogācāra, the way they explain this is in dreaming, you have less connection with the shared life world. And when you're awake, you have a strong connection with the shared life world. So those constraints on your experience are much stronger when you're in a waking state. So you can't just, you know, make things happen because you want them to. Sorry, folks. Actually, not sorry. That would probably be a really bad thing. Okay, so, you know, like, unlike Neo, you can't just fly through the sky or whatever. At least not in our ordinary state. Uh so, the kind, what kinds of negation are we, did w... A very important thing that is relevant here to understand is that there is a, there is a difference between the kind of negation that Nāgārjuna, at least in his philosophical texts, is primarily using. Maybe he doesn't do that in some other texts, but in his philosophical texts, he's using the bottom one, non-implicative negation. A negation that does not affirm anything at all. It's basically not this and only not this, full stop. Like, it is not the case that there is such a thing as Martians. It is not the case that there is such a thing as square circles. Okay? As opposed to the example, and these are actually coming out of Sanskrit grammar, as opposed to an implicative negation or a paryudāsa, which when you negate something, you're implying something else, like, pinu devadatta devasena bhumpte, pīno devadattaḥ divā na bhuṅkte is the grammatical example. Fat devadatta does not eat during the day. Which means?
Very good!
He eats at night. Right? Okay? I say, the car isn't in the garage, meaning... somewhere else. Right? As opposed to me saying, I don't own a car. Like, where's the car? Well, I don't own a car. I'm not affirming... In that, you might say, well, maybe I'm saying I imply I own something else. Maybe not. Maybe I'm a monk and I don't own anything. Okay? So, that's a non-implicative negation. Yogācāra should be understood as engaging in an implicative negation. So, emptiness here is an implicative negation. What's negated in emptiness? Subject-object duality. What remains in emptiness? Non-dual experience. Okay? So, then this becomes... So, there are some questions about what this means in Yogācāra. One of those questions... So, the basic idea here is that the, the, the subject-object structure in your experience is false. Okay? Now, under what conditions would we say that the subject-object structure is true? Even after we do this reduction, meaning, okay, I'll admit that what's being presented in my experience, on the one hand, and my sense of subjectivity on the other, are both just aspects of consciousness. But this structure is not false. Under what conditions would that be the case?
When would you be able to endorse that, but not say that it's false?

When you're so close to lunch that you don't know what to say. Right?

When the causal process that's producing this
is somehow accurately reflecting the otherness of these things. Right? Like, there's consciousness and something other than consciousness. So, when the causes are other than consciousness, so that when, you know, what I'm seeing is actually something within consciousness, but what's causing this aspect of consciousness, the object aspect of consciousness, the causes of that are somehow outside consciousness. So the otherness, the twoness in consciousness, is just reflecting the fact that consciousness is one kind of stuff, and the causes that created this image in consciousness are another kind of stuff. You see that? Did everyone get that? Any questions about it? You don't get that? So... So, for example,
if, let's see, let me think if I can think of an example.
So if you dream of something, right? Like, let's say you dream of a beautiful mountain, and you wake up and, you know, and you say to me, did you see that beautiful mountain? Oh, let's not, that doesn't work. How about you dream of like a spectacular meteor. And then you wake up and you say to me, did you see that beautiful meteor last night?
And I say, what meteor?
And you describe where it was, and at what time, and I say, I was right there, it's not there. So then your experience of the meteor was not caused by something out there. So in that sense, it was false, right? But if the meteor was actually there, then there was something outside your mind, it wasn't a dream, there was something outside your mind that interacted with your visual system, and then you saw it, even though what you're seeing is within consciousness. So in that case, the sense of, oh, this thing is out there, the actual image in your mind is not out there. It's in your consciousness. But the sense of it being out there is not wrong, because it's caused by something out there. Everybody get that? The out-thereness, the bāhyatā, or bahir, yeah, bāhyatā, of this, the outsideness or out-thereness of the visual object is just a reflection of the fact that the causes which participated in producing this image are unlike a dream, are not just internal to consciousness, they're outside consciousness. Okay? Everybody get that? So there's some kind of extra mental stuff that interacts with, somehow, with the mental stuff to produce these images. All right?
There's still, there's definitely stuff, and then there's two kinds of stuff.
There's like mind stuff and non-mind stuff. Right? And, yes?
It's basically inner and outer stuff, yeah, you could say.
But it's really, on this model, what we're saying is that the outer stuff is not the same as consciousness stuff. Like, we're going to propose a dualistic, a substance dualism, where there's mind stuff and there's basically matter stuff. Okay? Yogācāra says that's wrong.
But some people will say, will think that Yogācāra is idealism,
and that's in the top version. Right? This is from the Stanford Encyclopedia of Philosophy, which is a great resource, when you're looking for just some basic, like, definitional type stuff, and some really good, longer articles, too.
So you could talk about, when we use this term philosophical idealism in Western philosophy,
we say that something mental, the mind, spirit, reason, et cetera, is the ultimate foundation of all reality, or even exhaustive of reality. That would be the second type here. Where, like, there's only mind stuff. Everything is actually mind stuff.
Uh, and then number two is actually going toward a position where,
although the existence of something independent of the mind is conceded, everything that we can know about this independent reality is held to be permeated by the creative, formative, or constructive activities of the mind. That all claims to knowledge must be considered in some sense to be a form of self-knowledge. Neither of these is Yogācāra. Okay? Because Yogācāra is saying the idea of there's mind stuff is dependent on there being non-mind stuff.
So when you say there's nothing outside the mind, which they will say, like,
we can establish that if we try to say there's non, like there's a world out there, we can't establish that. But that also means there isn't an in here. Because the in here depends on the out there. So it's not idealism in that sense. It's kind of saying all of this, everything's the same kind of stuff. If it, it in, but they are saying it's, you know, there's something real. But it's all the same kind of stuff. That doesn't mean that the causes are just your mind. That's very important. It's some kind of a shared constraints. And they have a complicated way of trying to describe how that works. And I will say that there are forms of Yogācāra that did tend toward number one in particular, where like everything is just mind, there was definitely forms and therefore you sometimes hear this term Cittamātra mind only as a description of this philosophy. And that's where it does become a kind of idealism. But that's not characteristic of all Yogācāra at all. Okay, then is it phenomenology? Phenomenology studies structures is also from Stanford Encyclopedia of Philosophy. We'll stop soon. Phenomenology studies structures of conscious experience as experienced from the first person point of view along with the relevant conditions of experience, the central structure of an experience is intentionality, which means subject object structure, the way it is directed through its content and meaning toward a certain object in the world. So it's not phenomenology on this definition either. But it's like both of those in certain ways. And phenomenology is probably the closest way of describing what Yogācāra is doing. But Yogācāra is specifically saying that intentionality, which is a philosophical term for subject-object duality, is false. Right? And it's, there are versions of Yogācāra which you're interested in within that false kind of dualistic cognition. How does that work? And so that's what Dignāga and Dharmakīrti are doing. But they're really doing that primarily so that you get to the point where you understand why it has to be false. Okay? As opposed to phenomenologists who just assume that's true, that structure is true, and then they're trying to describe you know, how that works, so to speak. What is this experience? What are the invariant features of experience, for example, beyond just intentionality? Okay. So then what is Yogācāra? It does not assert that the object pole collapses into the subject pole so that whatever stuff constitutes the subject pole is all that remains. If you say that whatever constitutes the subject pole, the subject side, is all that there is, and that's called subjective idealism, and that is perhaps what Cittamātra, or mind only, is, but that's only a subset of Yogācāra. However, it does assert that extramental objects are unreal, and whatever remains, I should say, is not extramental.
Okay?
So it is denying that there's a kind of like... It's denying substance dualism. There's stuff, non-mind stuff, and there's mind stuff. It's denying that. And it asserts that our only access to the world is through our, through or in experience.
That's all you got to go on.
However, it denies the claim that intentionality is essential to consciousness. So it's neither idealism nor phenomenology as it was defined in those articles. And so then the question really becomes, what then is... what are we knowing when we're knowing uh, reality? So now, very briefly, give me five more minutes. Is that okay? So...
when you see this, what is... where is this being presented?

In Milwaukee. No, in consciousness, right?
Okay? Chicago. It's being presented within consciousness, right? Can you know anything that's not being presented in consciousness? No. Okay? So if you wanted... so what we mean by reality, whether we're talking about what we take to be part of our subject, like emotions and so on, what we take to be objects that we're perceiving, that whatever... all of that is being presented in consciousness. So if you want to know what the nature of reality is, so one way to understand, this is where Yogācāra is a little different than Mādhyamika, if you want to understand what is the nature of reality, what does that mean, you don't need to understand? The nature of consciousness. Or the nature of mind. Right? So the nature of something is something that characterizes it in all of its different permutations, like what's always the case in all of its manifestations, like, you know, in a simplistic way, we could say the nature of water is H2O, like whether it's liquid, whether it's steam or gas, whether it's solid ice. So what's the same about all moments of consciousness? What? Student: Cognition?
Yeah, like knowingness.
So here's... this is what they're going to say. It's luminous empty mind. The nature of the mind is luminous emptiness. Okay? But specifically emptiness as subject-object duality, because we're going to need to go through one more step to get to... This is eventually going to be combined with Mādhyamika. But right now we're saying, what's characteristic of experience is not subject-object duality. But... so it's empty of that. But what is present in every moment of experience is a kind of knowingness. So that's this idea of luminosity. It's a metaphor. We'll say more about it later. So from another perspective, because the mind is not empty in the sense that there's this presence of experience, luminosity. Okay? So experience remains in emptiness, luminous, luminosity. And that applies to all cases. And that's what emptiness is like for the Yogācāra. And so nihilism is avoided, right? And everybody's happy. And knowing is accounted for. However, as we will see... And so this is what... And so emptiness for Yogācāra is an implicative negation. This is how Dharmakīrti talks about that. prabhāsvaram idaṃ cittaṃ prakṛtyāgantavo malāḥ Which we cited before. This mind is by its nature luminous. The defilements are adventitious. The defilements here especially are ignorance that causes subject-object duality. Okay? But... this is still not going to be sufficient for Mahāmudrā Dzogchen style because what might you be doing in this context? Maybe... So the way we described it actually probably are doing.
Maybe...
Yes you're more ontologizing that luminosity itself. Affirming that it's real.
And that's going to be a problem.
So what's going to happen, we're going to circle back to this this afternoon, is that there's going to be a style of Mādhyamika, the style of Mādhyamika that reaches to Tibet, which is actually going to adopt this kind of Yogācāra as part of a process that starts from a naive analysis, an analysis of our naive sense that there are, you know wholes in the world and so on, and begins with an analysis that says, sure, there's matter, whatever you say, and then moves through Yogācāra and then goes to Mādhyamika. So that's the style of Mādhyamika that goes to Tibet. And it's called Yogācāra Mādhyamika. And we're going to do that after. And it's going to raise a very important question, which is, okay, we have, we said that, sure, knowing is accounted for, but what kind of knowing? So one of the things that's going to be very continuous is how we describe this kind of awareness. Still, we're going to say, empty luminosity, we're going to modify the empty part. But we still need to say, well, what's that luminosity? And that's going to also lead us to a discussion of what's called uh, svasaṃvitti or rang rig རང་རིག་ in Tibetan, which means reflexive awareness.
So that's... most of that will happen after lunch, if you can still stand it.
Okay, let's have a good lunch. Let's do our dedication. sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok jangchup semchok rinpoché ma kyepa nam kyé gyurchik kyepa nyampa mepa yang gongné gongdu phelwar shok
Thank you.

Session 15 — Yogācāra, Duality, and the Nature of Experience

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  • Gomde Germany-Austria
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In this session, John D. Dunne introduces key Yogācāra ideas as a development that responds to questions left open by Madhyamaka, especially the nature of experience and what remains when subject-object duality is negated. He explains that the fundamental distortion is not merely conceptual thought, but the more basic construction of experience into an “out there” object and an “in here” subject. Using examples such as dreams, visual illusions, and the Matrix, he shows how experience is presented within consciousness, while the apparent duality of subject and object is false. The session then introduces Yogācāra’s model of the three natures, culminating in the claim that what remains in emptiness is luminous, non-dual experience rather than a nihilistic void. At the same time, Dunne shows why even this view must be handled carefully, since affirming luminosity too strongly risks turning consciousness itself into a new essence.

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okmin chökyi yingkyi phodrang né düsum sangyé kün gyi ngowo nyi rangsem chöku ngönsum tönzé pa tsawai lamai shapla sölwa dep
Okay, So maybe again we start with any questions,
so let me invite you again once more to just settle the mind for a moment.
And then bring up our motivation,
in the Mahāyāna we aspire to achieve awakening for the sake of all beings. Okay, so...
Uh, any questions?

Let me ask you a question.
You heard Khenpo say something about the idea that things are merely mentally imputed are merely mentally imputed tok pe tak sam རྟོག་པའི་བཏགས་པ or conceptually imputed How do you think that applies to so that's in Mādhyamika does that work in Yogācāra, too?
No, I mean like if we say this exists, that...
That it exists when I say it exists, I assert it exists. That, that is its existence is actually imputed mentally it doesn't objectively exist
So we end up in the Mādhyamika position we end up saying that all things...
Right, that uh... When we're talking about things as real that, that their reality is imputed mentally imputed. Does that work in Yogācāra, too? I would try and I would say no. Because Yogācāran's says that they are objects do, are perceived by the mind. But that doesn't mean that they don't exist outwardly. They have elements. Let me ask you this, this is a vase, correct? Yes. If I say the vase exists for Yogācāra, is that an imputation or are they saying the vase exists? They are saying the vase exists because there is a mind that perceives the vase. Is your mind a vase? No, so it has to be other than the vase. My mind is a vase. Somehow some teachings might say It's an empty vase. It's so what is the vase, you're seeing what is the what are you seeing? I'm seeing an object that is outside... Right, and then Yogācāra says what you're actually seeing is... my own consciousness. Although my is already a little bit... Because my means belonging to a sense of subjectivity, which is the basis for the construction of a self. No, I'm seeing just matrix basically, right? Kind of yes. Right? So that's the... so that's not a vase.
And existence to say that something exists,
there's something you've got to be specifying that exists. Right? So this does not mean from the yo... there is a way of construing Yogācāra in which they would totally agree with that Mādhyamika position. And there's a way of construing Yogācāra that turns it more into Cittamātra, mind only. Where uh, you know you're trying to really kind of make the mind into, your trying to... make the mind into a thing that exists in some fashion. Even though it's not a thing, cause you can't... Why can't it be a thing?
What would it me for it to be a thing?
It would be an object and who would it be an object for? Yea but the subject is also part of the mind. So how does that work? We're going to try to find out how that works. Yeah, so this was on the foil on that one presentation where you had two ways to understand Yogācāra, right? Yes. One of them is more... So they both have a kind of affirming negation when they say emptiness. There's definitely a sense in which they want to leave experience itself in place. But you can go to a certain, like further point of ontologizing. And the problem with that, even for the type of Yogācāra that doesn't do that, which slips into Mādhyamika basically, becomes very... it almost seems like it is Mādhyamika. And there are certain aspects of that kind of tradition that we're not going to talk about, but, you know, like this would be so-called... these are non-aspectarian Yogācārans, just in case you're wondering. Nirākāra, as they say, not Satyākāra, but Alīkākāra, Namzungbai namdzopa. And I in chart... they the great, what is it, 15th century um... 15th to 16th century scholar Sakya Chokden, Tibetan scholar Sakya Chokden likes to say that that version of Yogācāra in some ways really you can kind of equate with Mādhyamika. And that's where you're not really ontologizing the mind. But there's a way of doing Yogācāra that does ontologize the mind in which you really want to strongly assert that we're talking about it existing, being. And here's the thing that's very important with that word in Sanskrit, that is challenging for us, is that this word is coming from uh, the... This is the Sanskrit word sat, and which is like, uh... This is actually the um, the neuter present participle from the verb us to be. This is the neuter nominative singular. So, that, so something is sat, it is existent, you could say. And you can talk about satya or sattā, which more or less are the same, the existenthood. But it also means to be... So you could say something is existent, it's sat, it's real, that's sat, it's present, that's sat, and even it's true, it's sat. So the Tibetan translations usually use the term den pa བདེན་པ , which is translating just the true part. But it doesn't really capture all the full range of this word. So to say that something exists is to say that in some sense it is present. And this goes into, even for the non-Buddhist traditions in India, a kind of emphasis on like substance. So if you want to say that abstractions are real, that they have sattā, right? That like, for example, the vasness of the vase, unlike a purely platonic approach where you can perhaps assert the existence of those abstractions completely independent of substance. Even the non-Buddhist schools that wanted to say those abstractions are real still said that in some sense that reality only makes sense when you're talking about them as in hearing and substances. Okay? So there's a sense in which the very notion to be real, to exist, and then to have a statement about them refer successfully, i.e. the statement is true, that those are about like things being concretely present, actually. So to be real is to be concretely present, very interestingly, just sort of culturally for Indian thinkers going way back. And what that means is that, right, if it's present, it's also... So one of the ways this is articulated, not just in um, not just in Buddhist works again, is that to be real is to be knowable and nameable, is to be abhidheyatva and jñeyatva, knowable, jñeyatva, and nameable, abhidheyatva. So in San... so in, but of course if something's knowable, then it's got to be knowable for some knower. And if it's nameable, it's nameable in relation to someone who is giving it a designation, Right? In relation to language use. So the minute we start to talk about uh, you know, something being present for some knower, that it's knowable in that sense, is that we're already kind of into that triadic structure of agent, object, and action, and here in the context of the action of knowing, right? And that really seems to, uh, uh... The minute we try to assert existence, we're already into duality. Okay, so if you're trying to be an over... So if you're trying to be a Yogācāra, and... and yet sort of affirm the existence of some kind of causal continuity of the mind, or even some non-causal momentary experience as sat, you've got a problem because you're... merely saying something is existant is already falling into duality. Right? So that's, I think, a very key thing for us to keep in mind. And so when we ask, uh, when we look at Yogācāra, go back to this slide and say, okay, it does not assert that the object pole collapses into the subject pole, so the form of Yogācāra that isn't strongly asserting the existence of the mind is looking pretty uh, pretty okay for Mādhyamika. It does not assert that extramental objects are unreal, and whatever remains is not extramental. And it asserts that our only access to the world is through our, or in experience. But, and remember we had one more line, which actually is missing on this slide, which is that, however, unlike western phenomenology, it doesn't assert intentionality or subject-object structure as an invariant in consciousness. But so of these three things, what's the one that Mādhyamika is going to be? Even with regular Yogācāra, well, I shouldn't say regular, even with the type of Yogācāra that is not strongly ontologizing the mind, asserting like there's a real mind, this is still, like, not quite okay.
So what you therefore need to do is bring a Mādhyamika critique
to the uh, to the mind itself. So in this process, this is going to be then the, the uh um, uh... you know, the procedure of, this is going to then lead to the emergence of the Yogācāra Mādhyamika school. Not really school, that style of philosophy. Remember those three, these are the Three Eastern Mādhyamikas, Jñānagarbha, Śāntarakṣita and Kamalaśīla. And Śāntarakṣita and Kamalaśīla, Śāntarakṣita went to Tibet and established uh, the first monastery in Tibet, Samye Monastery, and I think it's 755, someone can look it up. And then uh, and then his student Kamalaśīla came, after he passed away, his student Kamalaśīla came to defend a particular kind of approach that you could say, and, you know, there was allegedly a kind of um, debate, they say, between him and e uh, and a Chinese scholar practitioner. And the upshot of that debate is where Kamalaśīla is basically kind of arguing against a type of mind only approach, essentially, for our purposes. So, uh, and he writes a famous text that we're going to look at in a second, a very short piece of it. And what these Yogācāra Mādhyamikas are going to do is they're going to use this kind of sequential method, which is kind of what we've done this week in some ways, so you kind of start out by looking at, uh, you know, sort of our naive assumption about the material world. For example, that this is a whole, that in that course of doing that, you then critique the naive notion of the self that's constituted by that. And one way to think about that, that this is primarily going after self as object, like our self model as something that we, that is our conceptualization of ourselves. So part of that is also what, and sometimes we call this as the narrative self, like the story we tell of ourselves. And there is a, and the short version of it is just you are not the story you tell of yourself, which, you know, therapeutically can be tremendously helpful. But also that very sense that there's kind of a self that has some kind of a core and changing existence. What would be the problem with that from the Buddhist standpoint, if you had a... if you had that capital S, Self, unchanging, absolute, self-existent, and so on? What's one of the main problems with that idea, besides the fact that it's incoherent? Yeah, Ava. Karma couldn't work out? Or it would work all the time, meaning you couldn't change. So if you're in the state of suffering, that's it, you're stuck. But if I had a self, then that would mean um, there is no cause and effect that would be in. As well, then like that, right, that self couldn't be engaged causally with the world. But if somehow we think, oh, it still engages causally with the world, if we say that somehow it fundamentally can't change, then if it's in a state of suffering, it can never get out of that state. There's also that. Lots of unhappy results that come from this kind of a essentialization of the self. You know, and as a sidebar here, part of what's helpful when people do practices like mindfulness in therapeutic contexts, where they do kind of secular mindfulness, one of the things that's very powerful for many people, sometimes there's types of psychopathologies that involve very negative self models, for example, in depression. And what people can discover through the practice of mindfulness is that the story of themselves is just a story. It's not reality. And that can be very helpful. So that's part of what's happening, like the way we conceptualize ourselves kind of as an object, our self model as something that we can think about is critiqued. And then we can also, then that, say that, so when we do this sequence, though, we went through historically, we went from that early period, which basically does that, you know, takes apart our naive sense of the material world, takes apart our naive sense of the Self. And then in this sequence, it goes to Yogācāra, doesn't go to Mādhyamika. So historically, Mādhyamika comes first. But in this sequencing of analysis, Yogācāra comes next. And then these scholars, the Eastern Mādhyamikas, the Mādhyamikas from the East, they, meaning the East of India, they then say, okay, actually, so you think there's really just a bunch of infinitesimally small bits of matter? Well, guess what? That's not right either. And there isn't even infinitesimally small bits of consciousness either. So, again, it's not just idealism. All of that falls apart. But first, they then in the way that falls apart is they use the Yogācāra analysis, that sense of that duality between self and world collapses. But then you're left with this prob... So that's the kind of next part of the sequence. So we didn't do that sequence. We did it historically. But as a practice, it kind of moves in that sequence. So this would be in Śāntarakṣita's text, the Madhyamakālaṃkāra, the Umagyen དབུ་མ་རྒྱན the ornament of the Mādhyamika. And then you need to do something more to bring it all the way up to Mādhyamika. So what more would you do to bring it up to Mādhyamika?
What arguments could you use that we already know?
So what the Yogācāra is saying is... Remember, let's go back to the three natures. You're saying there's a luminous empty mind, but they mean by empty, they mean the emptiness of subject-object duality. So the dependent nature, the causal flow of mind, when it's misunderstood, one takes, or when in, in the state of ignorance, you take the dualistic appearances are taken to be real. There's a world out there, there's a Self in here, there's a subjectivity in here. And now this kind of critique is going to critique that, right? And what you're critiquing is not self as object, but self as subject. The very sense of subjectivity as being who you are. That's what Yogācāra is doing. So like, again, as you see, you know, as you see the vase, or you see me, there's a sense of it's out there, which means, you know, there's somebody looking out from behind your eyes, so to speak. So that's a different sense of self, a subtler sense of self, a self as the subjectivity that's beholding objects. Okay? That's certainly also in that earlier version of self, but that one tends to be more about like looking at yourself and saying, Oh, this must be like this, like that. Here, it's kind of from the first person standpoint, your first personhood, and our identification with first personhood of, you know, being the one seeing, that is critiqued.
Right?
Which is, when you really contemplate that is kind of quite something like there's a sense of subjectivity. Right? But that's not you.
Right? So it's happening, but that's not you.

Anyone just want to run away now? Get me out of here.
Uh, so what, so when we're seeing that, we're seeing either with content or without content, we're seeing that that subject object structure is collapsed, is gone, and consciousness continues, but there's no identification with the subject pole as the self.
Okay, you're conscious, but you don't identify with this, that one who's seeing as you.

Okay, then.
So the probl... so when we think of that, about this, so that's a very powerful... So first you critique like the external world and the naive self as object. Then you critique even the structure of experience and the subtler sense of self as subject. The subjectivity. But that's still not good enough for Mādhyamika. Even if you're not totally ontologizing the mind, the worry is that you're still going to have a subtle ontologizing of the dependent nature itself. Right? That we're gonna, we're gonna think that this you know, this is somehow wuh uh, this is somehow real. Right? So this is somehow, this is like, we're going to try to hang our ontological hat here, which there were non-Buddhist traditions of non-duality as well, like Advaita Vedānta, that does something pretty similar and then turns this into a kind of transcendental self. Not a self that's a subjectivity, exactly, although somewhat with the idea of the witness consciousness, but something that's sort of, you know, beyond your ordinary subjectivity, like a big self. Right? So the Buddhists, so the Mādhyamikas are concerned about that.
So what do you, how would you, what you guys all now are Mādhyamikas, you know the arguments.
Right? So this is your test. What, what's, go ahead. Okay, how would that work? What's same or different?
Student: So, one level would be to say, okay, is the dependent nature
same or different than the constructed nature? Yeah. Student: Or we can address... You almost got it. Student: Or, or, or... What is the constructed nature? It is nothing other than the dependent nature appearing a certain way. Student: Right. How does it appear? Student: In experience? With subject object duality. So now you've got, now you've got something that's... What's the one here? Neither one nor many, what's the one? Student: That they are the same? No. The mind. Student: The mind. Okay, yes, yes. And the two are the... Parts. Are the appearance of the phenomenal presentations of object subject. Student: Yes, yes. So you can do that. Student: Right. And that can lead to a Mādhyamika conclusion. Okay. That the one, when you do that, neither the one nor the many remains. Student: So is the mind the same as the subject and the object? Right. Student: Okay, or is it different? Right. So that is... You can do that in a way that ends in a Mādhyamika conclusion and Śāntarakṣita does that. But there's an, and... But it gets a little tricky because you could start still maybe try to ontologize the mind and say the other two are just delusions and there was always just the one all along. So the other thing you can do is... What is it? It's the causal... Student: So yeah, the causality. Yes. Student: Again, which requires time. Yes, so you could critique time. Right. Exactly. You could just critique causality. Causality, right. Yep. So there are... But interestingly, it's with Śāntarakṣita and Kamalaśīla. Śāntarakṣita in particular really kind of favored somewhat that more phenomenological one. Neither one nor many analysis of experience itself. But causality is also... Causal critique and critique of time are also like effective. But because there's a kind of sequencing, an experiential sequencing, they and that experiential sequencing is actually found quite explicitly both in the um...uh when we look at these authors in the Śāntarakṣita's... It's not so obvious in Jñānagarbha, although I don't quite remember, I haven't looked at it in a while. It's very clear in Śāntarakṣita's Ornament of Mādhyamika. And then it's also very clear in the um... in the stages of meditation, the Bhāvanākrama, which Kamalaśīla wrote in Tibet as kind of part of that debate. And so you have this sequencing from extern... analysis of external objects to analy... which leads to Yogācāra, which then eventually ends in Mādhyamika. And he cites this verse, or series of verses, from the Lankāvatāra-sūtra, which is a sūtra that both Yogācāra philosophers and Mādhyamika philosophers will cite. cittamātraṃ samāruhya bāhyam arthaṃ na kalpayet tathatālambane sthitvā cittamātram atikramet cittamātram atikramya nirābhāsam atikramet nirābhāsasthito yogī mahāyānaṃ sa paśyati anābhogagatiḥ śāntā praṇidhānair viśodhitā jñānaṃ nirātmakaṃ śreṣṭhaṃ nirābhāsena paśyati Bringing it to mere mind, one does not conceptualize an external object. So there's that word, cittamātra. It's just mind. Right? But you really... This is just mind, what you're seeing. Abiding in the focus that is suchness, meaning the emptiness of the subject-object duality, one transcends mere mind. Transcending mere mind one transcends to non-appearance. We're going to talk about why that is soon. The yoga of abiding in non-appearance sees the Mahāyāna, effortless, abode, peaceful, purified by aspirations. That term effortless is really key and we'll talk about that too. The essence-less supreme awareness sees without appearance. So this is the sort of sequencing that we're talking about which ends in non-dual awareness that is the emptiness awareness. It's the awareness that is the awareness, the ult... the awareness of the ultimate, although of implies an object. So this is what it means for these philosophers to be knowing emptiness, to be in that state of primordial non-dual awareness that is not conceptualizing the three spheres of the knower, the action of knowing, and the object known. Okay? But that still leaves us with this ques... two questions. One of them is, what exactly is that kind of knowing? And second, where do we get it? Like, you know... Can we, can we go to IKEA and pick up a box of non-dual awareness or something? Like? How do we acquire it? So to answer both of those questions, we're going to have to look at something, um, uh, a style of approach to the nature of awareness that the three Easterners rely on very heavily, especially Śāntarakṣita and Kamalaśīla, which is one of the Yogācāra philosophers, Dharmakīrti. Okay? And uh, and I'll just say that, you know just to like, make it uh, to reassure you, you don't have to go get non-dual awareness, because I have some I can give to you, no, because you already have it in every moment of awareness. There's an aspect of awareness, even in deluded awareness, that is already non-dual. And that's how this... So we're talking about this in philosophical terms, of course, in practice, this is what then leads to these Mahāmudrā and Dzogchen styles of practice that are about the nature of the mind. But also, there's quite a robust philosophical account about why that makes sense. I will say that one of the things in the context of practice is that uh, the advantage to uh, to doing philosophical work is that it can lead you, it can help to clarify, like, why are we doing what we do? The disadvantage to it is that it can sort of conceptualize, you can turn the nature of mind, non-dual awareness, into a kind of conceptual object. And because the arguments, like are convincing, you can think you really know what you're talking about. Kind of like me, I don't really know what I'm talking about, but I think I do. Right? So that's a problem. So sometimes the non-dual traditions, they actually uh, like, kind of discourage too much of this type of philosophical work. All right? So we need to be cautious about it. We're going to talk about some of the techniques later, but now let's get into this model, because this is actually very helpful, I think. We're going to learn a kind of model of non-dual awareness that then is the basis for the types of practices that you find in Mahāmudrā and Dzogchen. And Dharmakīrti, as it turns out, is extremely influential for this tradition. Not always recognized, but he is very influential. So let's just assume there's external objects. So this thing is representing an external object. You know, really it's just representing a cause. So there's some stuff that causes an interaction with your eye, with the mechanism that produces visual consciousness, and we'll call it the eye faculty for the moment. And then what happens is that this produces what's called a phenomenal form of the object in consciousness. So the blue box represents consciousness. And then at the same time, a phenomenal form of the subject simultaneously arises. Okay? So you get what we've been talking about, right? You look at this, and what's happening is there's a form of this arising in consciousness and a sense of subjectivity arising with it. And a key part of this is what's called sahopalambha-niyama, or a lhen-chik mig-nge in Tibetan, which is that you can't have one without the other. If you've got a sense of subjectivity, you've got an object. If you've got an object, you've got a sense of subjectivity. You can't, like, drop the object and remain in some pure subjective, you know, your pure subjectivity can't stay. Subjectivity dissipates when objects dissipate. So that's why when people experience non-dual states, you know, part of what can be, depending how they get into them, you know, like if you're using, like, a psychedelic drug or something like that, sometimes it's very confusing for people because, like, they don't know, like, I'm gone. Right? I imagine in your work you hear those kinds of reports, like, I'm not there. That's because the subjectivity is gone. But consciousness isn't gone. Right? Yes?
Studetn: Um, so if you're only in this subjectivity state, there is no object?
You can't be in the only subjectivity state. Student: Ah, that's the point. You can't. You can't. If you're... it would look like this. Yeah. If you have no object, you don't have any subject. Student: All right. So you just... You can't be in a pure subject. Student: And if it's just pure awareness, then? Then it has to look like this. Student: Yeah. Can you also describe that? Or does this prevent you from using language at all before you try to conceptualize it or objectify it? It becomes extremely difficult to make a description. Why? Why? There's a reason. We know the reason. Student: Because language was evolved to basically talk about things out there. Which means it was evolved... more precisely, it was evolved to talk... to uh, uh, guide action in the world by an agent. So if there's no sense of agency, how are you going to talk, you like... the, the, both world and self are gone. Right? So in that context, you know, saying anything is like, I don't know what to say. Right? So the indescribability or ineffability of those types of experiences is easily explained in this model. If you assume that conceptual... If you're not a realist about you know, language, uh, uh, it's not because somehow you can no longer see the real categories in the world. It's that the mechanism that enables you to generate, construct categories is not operative because it requires there to be both a subject and an object. A presentation of subject and object in awareness.
Student: But can we use memory here to reflect on this experience?
And objectify it and then talk about it? That's what people do, isn't it? Yes. That's right. And so then people... And then there are going to be different versions of it. Like... there is a... we'll come back to this, but there's like contentless versions, completely contentless. Where you're like, you're not experiencing anything. There's no content, but there's awareness. And here that... so remember that metaphor we spoke about before. Let's go back to this for a second, actually, because I think we didn't quite complete this. So the, so prabhāsvara, or prakāśa, which I'm just going to conflate, like lots of other people do, uh, is this luminosity. So on the one hand is a sort of metaphor, which is in this model, okay, in this model, What's... both the objects... but the... What are the phenomenal form of the subject and the phenomenal form of the object? What are they made out of?
Basically, mind, right, they are, right?
Especially if we're being substan... If we say this is matter and this side is mind, then this stuff is made out of mind, okay? So what's going on here is, it's not like when you see something, it's not like you're seeing, there's, there's a... you think that the mystic... Isn't it nice that I made your subjectivity smiling? Your smiley face, you think that's doing the action of seeing, but it's not. It's just a structural feature. Okay? It's not doing anything. But both are being presented in awareness. You're aware of both. Like, as you look at the vase, the sense of being looking at, being the one looking at the vase, or the sense of someone's looking at the vase. Subjectivity is being presented even while you're looking at the vase. Right? So they're both presented. We're going to come back to that more. They're both presented like the light is turned on. So whatever is, so to speak, kind of in this box, whatever is in consciousness is presented, whether it's objects or subjects or whatever. So the light's on. But certain states where you kind of have no content, the light's on, but there's nothing in the room, so to speak. It's just light. So... Uh, so that's where that idea of luminosity becomes actually a phenomenal description. Everyone understand what I mean? Okay, we're going to come back to that. Yes?
Student: Would you describe that, we said, structural feature
of the subject, or I guess of the subject, object, reality? Right, intentionality in Western philosophy, yep. Um as thought or thought-based, or is it something of its own right? No, it's preconceptual. Definitely preconceptual, yep. And which also like Western phenomenologists would agree, it's like prereflective.
So let's look at that same thing now in a slightly different model with,
with temporality added into it, or the time sequence added into it. So like in time one, you've got this interaction. In time two, there's a present. And for now, we can say that this thing is an external object, or really a bundle of atoms. But um... you, you know, what's going to happen eventually in Yogācāra is said, well, there's no need to say that the cause is like different kind of stuff you can get rid of This model still works if you get rid of substance dualism. If you say there's mind stuff and physical stuff, it works. If you say there's, you know, this stuff out here is actually made of the same kind of stuff here, it works. It's just a causal mechanism where there's something interacting with, with the, whatever uh, mechanism allows consciousness to produce experiences. And so there's a cause which constrains this content. And this is, yea these, and in like the waking state, this kind of, these constraints are shared in some fashion. Okay? Got that? So time one. Now, the main thing that's very important to understand is that on this model, just like, you know, much of the Abhidharma models, these things, the reason this is dotted and looks like this is that this is in time two, this has stopped existing. Everything is just a moment. So in the previous, so when we get uh, here, in this moment, what arises is a representation of the subject, a phenomenal form of the subject and a phenomenal form of the object, just in that moment. And then they produce in the next moment consciousness, or it may take a few moments, what happens is you get now the conceptualization, oh, vase. Okay? Because you care about this thing. You only conceptualize the stuff that's relevant to you, not your whole visual field. And then part of the way to think about that is what's happening previously in consciousness is there's all kinds of stuff going on, which I call the gunk. That's what the gunk is, right? Now you've got your worries and concerns, your emotional states and blah, blah, blah, blah, blah, blah. So this, you see the color here is different than this. That's cause this is not like a picture of reality. This is already conditioned by your own particular whatever. Okay? Including the kinds of sense faculties that's not just, that's not just particular to you, maybe. Maybe you have unique glasses or whatever, or are colorblind, but also we're humans. So we don't see the world the way bats do, for example. But bats, this is happening for bats too, but they have a different kind of sensory world in which they're living, right? But we share the constraints, we have a shared world with bats. Okay, so this is a non-conceptual moment. And this is the conceptual moment, okay? And there's a lot more we could say, like there are whole lot's of a, li... there's kind of a world model that is part of the gunk, and that world model is relevant to how you conceptualize stuff, and there's a self-model that goes with the world model. An important feature here is that, as we can see here, like there's the gunk, and the gunk also, there's subjectivity. So there's a sense, as long as there's something kind of going on, presented in consciousness, which is, which is what's always happening in the waking state, except in extraordinary circumstances, your uh, uh, you also have a sense of subjectivity. But this only lasts a moment. That's why this sense of subjectivity is not the agent knowing this object. Because to be the agent, you have to be present, and then you do something. But this agent is already, this one is not doing this. It's not like engaging with this, such that it then knows it. Right? Because it's just momentary. There's an illusion of continuity of subjectivity, but the claim is that in reality, that representa, that phenomenal presentation is momentary. Okay? Is everyone clear about that, more or less? Yes, Rowan?
Student: In the non-conceptual moment, the blue circle that we see, we call that still an object?
Yes. Student: And the smiley face is subject? Yes. Student: And do they arise exactly simultaneously? Yes. Student: Or is there like a nanosecond difference? No, they are simultaneous. Student: They are exactly simultaneous. Okay, yeah, gotcha. Which is why the subject can't be something, doing something to the object as an agent, because they're simultaneous. Right? So you're, so if you just really examine this in your experience, right, so part of the contemplative practice is actually examining that momentary experience. What's happening? And that sense of seeing a visual object, you know, visual, in the styles of Samatha, in Mahāmudrā, for example, often use visual objects, and we're very visual, unlike some other organisms, we're very visual. We have really good eyesight compared to a lot of other organisms, and we're very visually oriented. So that, you know, you just sort of are observing the sense of there being an object and a subject, and part of what you're learning is to observe that without, in a sense, getting caught in it.
Okay? So, that's uh, uh um...
that said, this is very important to know, and it's not just a theory, it's experiential. It's like really challenging you to say, does this make sense in your experience? But that requires kind of, you know, that's a contemplative practice. That's not, you're not going to just get there just sitting here now. You need to have, you need to settle the mind, quiet the mind, and develop a certain kind of awareness that we'll talk a little more about. Okay, so now, when this is talking about recognizing the object as, like, you're seeing this, you go, oh, that's, you know, there's that, my vase. Okay? Most of the time, this, this is what's happening, so that when we do this conceptualization, the thing that we're interested in is, you know, whatever caused this image. Right? Because we're trying, well, why? Why are we interested in that?
Why do we conceptualize it?
Yeah, to act skillfully in the world, because we want to get the stuff we need and avoid the stuff that'll hurt us or whatever. So we're just like, you know, that's why, so we're like very object-focused, object-focused, object-focused. And so this, this phenomenal form of the object is in most of our ordinary experiences playing the dominant role, okay? But there are times when something else happens, all right, when something else becomes more obvious. So let's so, let's say, you know, we're in the lounge downstairs, okay, and someone comes running in and, you know, they say, you gotta come outside, gotta, gotta, look, look! And then we see, going outside, we see this, right? My favorite Gomde picture. Of course, Mickey, before he runs outside, grabs his camera, because he always has his camera, but. Right? We see this, which really is quite spectacular, isn't it? I mean, really. And then we come back inside, and I say to you, and let's just say you were completely absorbed in this, like, at which we were, right? I mean, it's like, like, holy, like, whoa! Okay, and we're seeing that, and then you come back inside and I say to you, how do you feel? Why you were looking at it? Do you say to me, I don't know how I felt, because I was totally focused on that object, and I was not paying attention to my feelings, so let me go back outside, and then I'll quickly look in to check how I'm feeling. Is that, does anyone feel that that's what they do? Or is the memory of the experience, does it include your sense, does it include things that are not about the object, like your feelings? Are you getting me, my point? Like, you know something, then do I, do you say, do I have, you know, I say, if you say to me, oh, I felt this amazing feeling of awe, and I say to you, are you sure you were feeling that? Do you have any doubt you were feeling it?
No.
But were you, uh, were you paying attention to your feelings as an object, like were you returning in and checking? No. For example, let's say a bus is running at you, right, and you just jump out of the way, and I see you there, and then, you know, and I say, you know, how did you feel while the bus was running at you? You know, and you say, oh, I don't know, I was just paying attention to the bus, I don't, I can't remember how I was feeling. So I'll go back out in the front of the bus and look in real quick. So this, like the philosopher mouse, if our, if the state of our organism, our subjectivity, how we're feeling, are we afraid, and so on, things like emotions, which are about guiding action, which are information to guide action, like if you say I want this and I don't want that, what's telling you you want this or you don't want that? Your emotions. But if you had to like constantly check inward to see like, instead of it's the philosopher mouse, maybe it's like, you know, the, the Alexithymic prehistoric mouse who doesn't do well at identifying emotions. And it's like, oh, saber-toothed tiger's coming at me. How do I feel? I don't know, let me check.
Okay?
So let me just do a little more. Okay? So there's presentation, simultaneous presentation, we already have said this, that the subject, sense of subjectivity is presented along with the object, and under certain circumstances, that sense of subjectivity is presented such that you actually make a conceptualization based on the subjectivity, not on the object, based on the subject form, not on the object form. Like for example, oh, I'm upset. You know, let's say you're in the middle of a conversation and you're having a debate or something. And then you notice, oh, I'm getting a little too worked up.
Okay?
And then you say, oh, when you do that, I'm getting too worked up. You're still, you're focusing on like you're really trying to win the debate or whatever maybe, but you then hopefully notice before you lose a friend, win the debate but lose the friend, you notice how you're feeling.
All right?
And there would be various reasons why you notice that. Some would be that this is especially intense. Some would be that you'd have a task set, something you're trying to be mindful about, like your emotions. So that would trigger this as salient. You'd notice it. It's important to you. But in any case, this is not where while you're talking, you have to constantly check in, check in, check in. That's always being presented to you. All right? So this is the idea of what's called reflexive awareness. Okay? And it's happening in every moment of consciousness. So the idea here is that these two things, the phenomenal form of the object and the phenomenal form of the subject arise in each moment with cons, with uh, um, identical to, just they are consciousness. And also at the same time, they're both being presented reflexively. Consciousness is knowing both, reflexively. And I'm going to explain what reflexivity means in a moment. But did you need to ask your question now or you want to hear that explanation first?
Student: Um, so it relates to the example of the rainbows above Gomde.
Yes. You said something like, okay, you see it and then you go inside and somebody asks you how it was, and... Right. and you immediately are able to respond without checking in, right? Because the memory includes the sense of your subjectivity. Student: Yeah, but at the same time memory or recall includes also your current state, your current emotions, which also color your recall experience. Yes, they do. Yeah, certainly. So we could say, you know, we could wait until you've calmed down and then ask you the question. But let's do it in a more simple way, okay? Watch this. Do you see this? Yeah, okay. Do you have a sense that there's someone seeing it? Like subjectivity? Student: Yes. Are you sure? Student: Yeah. Are you really the one seeing it? Like, do you feel like... Student: I feel like I'm seeing it, yeah. Maybe it's actually Daniel who's seeing it? No. No. Like, is there any doubt that there's a sense of subjectivity? Student: No. Do you have to turn in and check to see whether you're the one seeing it? Student: I think there is a certain attitude through which I give you this... respond to these questions. Because I asked you. Student: Yeah. There are some demand characteristics present. Yeah. Right? If I ask you, then you kind of like do the intern thing, but... Or, okay, so, uh, like, if I make a sound, you know, where do you want, buh, buh, buh, Buh! Did you hear the sound? Student: Yes. Do you have a sense that you were the one who heard the sound or was somebody else? Student: Yes, me. It's you, right. Is that like just part of the memory of hearing the sound?
Did you eat lunch today?
Student: Yes. Do you have... is your memory of lunch like, was that me eating lunch or was it somebody else? Maybe Ava was actually eating lunch? Student: That's what I'm... No, yeah, yeah, it was included, yeah. Yeah, right? Student: But I have to look also. It's not like... If you're the memory, you have to... Yeah, you have to bring up the memory, but the idea is that that's encoded in the memory even though you weren't paying attention to it. So this is actually what phenomenology, Western phenomenology is saying. It's like that structure is invariant in ordinary experience, but it's presented pre-reflectively. It's not like you have to, you know, examine is there a subject. There's a sense of subjectivity is included in objects even while... So while you're focusing on an object, de facto subjectivity is presented. So that's why it's called reflexive. Let me explain that term, okay? So one of the best ways to talk about this is to talk about these languages that have reflexive pronouns and actually in Sanskrit and in Tibetan the words self, this is sometimes translated as self-awareness, sva saṃvitti, sva means self, rang rig རང་རིག་ in Tibetan, rang རང་. Uh, that's actually grammatically is a reflexive pronoun. Like, but it's more obvious in certain languages like romance languages such as French. Anyone speak French? A little bit of French? Okay. Or a little bit of Spanish? A little bit? Okay. So if I say in Spanish, yo hablo Espanol, that means I speak Spanish. But if you say se habla Espanol, like there's sometimes there'll be, you know, a sign in a store in the US, like, aqui se habla Espanol. Uh... Oh, interesting sound. Uh, here, in, in English we have to turn that into a passive. Here Spanish is spoken. But actually it's reflexive. It takes a transitive verb. I speak Spanish, and it makes it intransitive. It's like Spanish speaks itself. Or je vois ça. I see that. As opposed to ça se voi. So the se is the same as the Spanish reflexive pronoun and it takes the transitive verb to see and it makes it intransitive. So this kind of knowing is often called intransitive awareness. Like the transitivity, the sense of an agent doing something is coming from that structure. But the awareness is actually intransitive. There isn't an agent, someone outside looking in like this
to see awareness itself, like to look at your subjectivity.
You don't need that because awareness just presents. The only reason one might go to this point is if they are very uncomfortable with the idea that, uh, that uh, of selflessness. Like if you really need there to be somebody that's a self, then there are, I think, leads to these kinds of philosophical attitudes. But if you just say the simplest explanation is just that awareness is intransitive. You don't need another agent to know that sense of subjectivity. You don't need someone from the outside looking in to say, oh yes, that's me seeing that, what's called a second order awareness. Right? It just intransitively presents both without there being an agent doing the transitive action of knowing. Okay. So this is from Thomas, Thomas Metzinger who has written about this. Uh... This stands for good old fashioned intentionality. Okay. And there's a sense in which like, our ordinary sense of there's a self uh, there's a self kind of looking out there. I just realized this slide is... But act... And, and if our sense of knowing our subjectivity required a second order awareness, then we'd have to see that from the standpoint of a subject. But then we'd need to know, okay, so I'm the one that saw that. How do I know that? Well, because I'm looking at myself seeing that, which means I need another subject to see that. And then, of course, how do I know that? I need another subject and I get an infinite regress. So instead of that, you just have this, what Metzinger calls a phenomenal model of the intentionality relation, the subject-object relation. Our sense of subject and object is simultaneously presented in experience without there being some other sense of subjectivity looking at it. Okay?
So part of what that means is that when we make these kinds of reports
about our emotional states, about our body position, like, you know, if I say, okay, ready, here comes the sound. One, two, three. Beeep.
Everyone hear the sound? Yes? Were you sitting down when you heard the sound?

Do you, the way you know that, you go, well, I remember coming in sitting down
and then uh, I didn't, I don't remember getting up, so I must have been sitting down. Or is it like your memory of the sound includes a sense of the body position, includes a sense of your space, your spacial, your, uh, your what's called proprioception, includes a sense of being the one knowing. So you're knowing, but how are you knowing that you're the one knowing? Are you, is there like, again, is it like this? Or like this? Excuse me.
Or do you not need that?

Okay?
So when you're knowing the object, you're knowing it as an object. Along with that is the sense of subjectivity. Like, again, you know, beeep. bubup? it's the heart, you know, bubup, bubup, bubup, coronary disease.
It's like you knew the one hearing it.
Right? And it's not like you have to go, you're not confused about that, are you? There are some psychopathologies in which people do, like, am I really the one hearing? Or is someone, is there, they, this, there's a dysfunction in their system, and they kind of can't, they can't identify with their own subjectivity sometimes. Feels like somebody else is doing it. But there's still subjectivity. They just don't identify with it. In a pathological way. So you know that. It's like, there's no question. Oh, yeah, I hear, yeah. Are you making yourself an object to know that? No. So that means you're knowing your sense of subjectivity without it being in a subject-object structure. Correct? What kind of knowing is knowing that is not in subject-object structure? Intransitive knowing was another term for that. Reflexive and non-dual. So you have an aspect of non-dual awareness in every moment of your experience. Already. But it's presented in a dualistic str... as part of a dualistic structure.
Okay?

Let's go. So I think we should take a break
before people either collapse from exhaustion, confusion or something else. All right. We'll take a break until 20 after. Is that good? And now you can just sort of
try to see if you can see yourself.

There are people who will insist, no, actually, I'm constantly doing it like flip.
While there are other people who will say, actually, no, that's not, your sense of subjectivity is not a part of your phenomenal experience. It's an illusion. You have a second-order cognition that when you need it, it kicks in. But phenomenally, you don't have a subjectivity. And I think those people are, you know, maybe not paying enough attention to their experience, possibly? Or else they're just really different. But anyway, so let's take a break. Ten minutes. And we'll see you back at 20 after.
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okmin chökyi yingkyi phodrang né düsum sangyé kün gyi ngowo nyi rangsem chöku ngönsum tönzé pa tsawai lamai shapla sölwa dep
Okay, So maybe again we start with any questions,
so let me invite you again once more to just settle the mind for a moment.
And then bring up our motivation,
in the Mahāyāna we aspire to achieve awakening for the sake of all beings. Okay, so...
Uh, any questions?

Let me ask you a question.
You heard Khenpo say something about the idea that things are merely mentally imputed are merely mentally imputed tok pe tak sam རྟོག་པའི་བཏགས་པ or conceptually imputed How do you think that applies to so that's in Mādhyamika does that work in Yogācāra, too?
No, I mean like if we say this exists, that...
That it exists when I say it exists, I assert it exists. That, that is its existence is actually imputed mentally it doesn't objectively exist
So we end up in the Mādhyamika position we end up saying that all things...
Right, that uh... When we're talking about things as real that, that their reality is imputed mentally imputed. Does that work in Yogācāra, too? I would try and I would say no. Because Yogācāran's says that they are objects do, are perceived by the mind. But that doesn't mean that they don't exist outwardly. They have elements. Let me ask you this, this is a vase, correct? Yes. If I say the vase exists for Yogācāra, is that an imputation or are they saying the vase exists? They are saying the vase exists because there is a mind that perceives the vase. Is your mind a vase? No, so it has to be other than the vase. My mind is a vase. Somehow some teachings might say It's an empty vase. It's so what is the vase, you're seeing what is the what are you seeing? I'm seeing an object that is outside... Right, and then Yogācāra says what you're actually seeing is... my own consciousness. Although my is already a little bit... Because my means belonging to a sense of subjectivity, which is the basis for the construction of a self. No, I'm seeing just matrix basically, right? Kind of yes. Right? So that's the... so that's not a vase.
And existence to say that something exists,
there's something you've got to be specifying that exists. Right? So this does not mean from the yo... there is a way of construing Yogācāra in which they would totally agree with that Mādhyamika position. And there's a way of construing Yogācāra that turns it more into Cittamātra, mind only. Where uh, you know you're trying to really kind of make the mind into, your trying to... make the mind into a thing that exists in some fashion. Even though it's not a thing, cause you can't... Why can't it be a thing?
What would it me for it to be a thing?
It would be an object and who would it be an object for? Yea but the subject is also part of the mind. So how does that work? We're going to try to find out how that works. Yeah, so this was on the foil on that one presentation where you had two ways to understand Yogācāra, right? Yes. One of them is more... So they both have a kind of affirming negation when they say emptiness. There's definitely a sense in which they want to leave experience itself in place. But you can go to a certain, like further point of ontologizing. And the problem with that, even for the type of Yogācāra that doesn't do that, which slips into Mādhyamika basically, becomes very... it almost seems like it is Mādhyamika. And there are certain aspects of that kind of tradition that we're not going to talk about, but, you know, like this would be so-called... these are non-aspectarian Yogācārans, just in case you're wondering. Nirākāra, as they say, not Satyākāra, but Alīkākāra, Namzungbai namdzopa. And I in chart... they the great, what is it, 15th century um... 15th to 16th century scholar Sakya Chokden, Tibetan scholar Sakya Chokden likes to say that that version of Yogācāra in some ways really you can kind of equate with Mādhyamika. And that's where you're not really ontologizing the mind. But there's a way of doing Yogācāra that does ontologize the mind in which you really want to strongly assert that we're talking about it existing, being. And here's the thing that's very important with that word in Sanskrit, that is challenging for us, is that this word is coming from uh, the... This is the Sanskrit word sat, and which is like, uh... This is actually the um, the neuter present participle from the verb us to be. This is the neuter nominative singular. So, that, so something is sat, it is existent, you could say. And you can talk about satya or sattā, which more or less are the same, the existenthood. But it also means to be... So you could say something is existent, it's sat, it's real, that's sat, it's present, that's sat, and even it's true, it's sat. So the Tibetan translations usually use the term den pa བདེན་པ , which is translating just the true part. But it doesn't really capture all the full range of this word. So to say that something exists is to say that in some sense it is present. And this goes into, even for the non-Buddhist traditions in India, a kind of emphasis on like substance. So if you want to say that abstractions are real, that they have sattā, right? That like, for example, the vasness of the vase, unlike a purely platonic approach where you can perhaps assert the existence of those abstractions completely independent of substance. Even the non-Buddhist schools that wanted to say those abstractions are real still said that in some sense that reality only makes sense when you're talking about them as in hearing and substances. Okay? So there's a sense in which the very notion to be real, to exist, and then to have a statement about them refer successfully, i.e. the statement is true, that those are about like things being concretely present, actually. So to be real is to be concretely present, very interestingly, just sort of culturally for Indian thinkers going way back. And what that means is that, right, if it's present, it's also... So one of the ways this is articulated, not just in um, not just in Buddhist works again, is that to be real is to be knowable and nameable, is to be abhidheyatva and jñeyatva, knowable, jñeyatva, and nameable, abhidheyatva. So in San... so in, but of course if something's knowable, then it's got to be knowable for some knower. And if it's nameable, it's nameable in relation to someone who is giving it a designation, Right? In relation to language use. So the minute we start to talk about uh, you know, something being present for some knower, that it's knowable in that sense, is that we're already kind of into that triadic structure of agent, object, and action, and here in the context of the action of knowing, right? And that really seems to, uh, uh... The minute we try to assert existence, we're already into duality. Okay, so if you're trying to be an over... So if you're trying to be a Yogācāra, and... and yet sort of affirm the existence of some kind of causal continuity of the mind, or even some non-causal momentary experience as sat, you've got a problem because you're... merely saying something is existant is already falling into duality. Right? So that's, I think, a very key thing for us to keep in mind. And so when we ask, uh, when we look at Yogācāra, go back to this slide and say, okay, it does not assert that the object pole collapses into the subject pole, so the form of Yogācāra that isn't strongly asserting the existence of the mind is looking pretty uh, pretty okay for Mādhyamika. It does not assert that extramental objects are unreal, and whatever remains is not extramental. And it asserts that our only access to the world is through our, or in experience. But, and remember we had one more line, which actually is missing on this slide, which is that, however, unlike western phenomenology, it doesn't assert intentionality or subject-object structure as an invariant in consciousness. But so of these three things, what's the one that Mādhyamika is going to be? Even with regular Yogācāra, well, I shouldn't say regular, even with the type of Yogācāra that is not strongly ontologizing the mind, asserting like there's a real mind, this is still, like, not quite okay.
So what you therefore need to do is bring a Mādhyamika critique
to the uh, to the mind itself. So in this process, this is going to be then the, the uh um, uh... you know, the procedure of, this is going to then lead to the emergence of the Yogācāra Mādhyamika school. Not really school, that style of philosophy. Remember those three, these are the Three Eastern Mādhyamikas, Jñānagarbha, Śāntarakṣita and Kamalaśīla. And Śāntarakṣita and Kamalaśīla, Śāntarakṣita went to Tibet and established uh, the first monastery in Tibet, Samye Monastery, and I think it's 755, someone can look it up. And then uh, and then his student Kamalaśīla came, after he passed away, his student Kamalaśīla came to defend a particular kind of approach that you could say, and, you know, there was allegedly a kind of um, debate, they say, between him and e uh, and a Chinese scholar practitioner. And the upshot of that debate is where Kamalaśīla is basically kind of arguing against a type of mind only approach, essentially, for our purposes. So, uh, and he writes a famous text that we're going to look at in a second, a very short piece of it. And what these Yogācāra Mādhyamikas are going to do is they're going to use this kind of sequential method, which is kind of what we've done this week in some ways, so you kind of start out by looking at, uh, you know, sort of our naive assumption about the material world. For example, that this is a whole, that in that course of doing that, you then critique the naive notion of the self that's constituted by that. And one way to think about that, that this is primarily going after self as object, like our self model as something that we, that is our conceptualization of ourselves. So part of that is also what, and sometimes we call this as the narrative self, like the story we tell of ourselves. And there is a, and the short version of it is just you are not the story you tell of yourself, which, you know, therapeutically can be tremendously helpful. But also that very sense that there's kind of a self that has some kind of a core and changing existence. What would be the problem with that from the Buddhist standpoint, if you had a... if you had that capital S, Self, unchanging, absolute, self-existent, and so on? What's one of the main problems with that idea, besides the fact that it's incoherent? Yeah, Ava. Karma couldn't work out? Or it would work all the time, meaning you couldn't change. So if you're in the state of suffering, that's it, you're stuck. But if I had a self, then that would mean um, there is no cause and effect that would be in. As well, then like that, right, that self couldn't be engaged causally with the world. But if somehow we think, oh, it still engages causally with the world, if we say that somehow it fundamentally can't change, then if it's in a state of suffering, it can never get out of that state. There's also that. Lots of unhappy results that come from this kind of a essentialization of the self. You know, and as a sidebar here, part of what's helpful when people do practices like mindfulness in therapeutic contexts, where they do kind of secular mindfulness, one of the things that's very powerful for many people, sometimes there's types of psychopathologies that involve very negative self models, for example, in depression. And what people can discover through the practice of mindfulness is that the story of themselves is just a story. It's not reality. And that can be very helpful. So that's part of what's happening, like the way we conceptualize ourselves kind of as an object, our self model as something that we can think about is critiqued. And then we can also, then that, say that, so when we do this sequence, though, we went through historically, we went from that early period, which basically does that, you know, takes apart our naive sense of the material world, takes apart our naive sense of the Self. And then in this sequence, it goes to Yogācāra, doesn't go to Mādhyamika. So historically, Mādhyamika comes first. But in this sequencing of analysis, Yogācāra comes next. And then these scholars, the Eastern Mādhyamikas, the Mādhyamikas from the East, they, meaning the East of India, they then say, okay, actually, so you think there's really just a bunch of infinitesimally small bits of matter? Well, guess what? That's not right either. And there isn't even infinitesimally small bits of consciousness either. So, again, it's not just idealism. All of that falls apart. But first, they then in the way that falls apart is they use the Yogācāra analysis, that sense of that duality between self and world collapses. But then you're left with this prob... So that's the kind of next part of the sequence. So we didn't do that sequence. We did it historically. But as a practice, it kind of moves in that sequence. So this would be in Śāntarakṣita's text, the Madhyamakālaṃkāra, the Umagyen དབུ་མ་རྒྱན the ornament of the Mādhyamika. And then you need to do something more to bring it all the way up to Mādhyamika. So what more would you do to bring it up to Mādhyamika?
What arguments could you use that we already know?
So what the Yogācāra is saying is... Remember, let's go back to the three natures. You're saying there's a luminous empty mind, but they mean by empty, they mean the emptiness of subject-object duality. So the dependent nature, the causal flow of mind, when it's misunderstood, one takes, or when in, in the state of ignorance, you take the dualistic appearances are taken to be real. There's a world out there, there's a Self in here, there's a subjectivity in here. And now this kind of critique is going to critique that, right? And what you're critiquing is not self as object, but self as subject. The very sense of subjectivity as being who you are. That's what Yogācāra is doing. So like, again, as you see, you know, as you see the vase, or you see me, there's a sense of it's out there, which means, you know, there's somebody looking out from behind your eyes, so to speak. So that's a different sense of self, a subtler sense of self, a self as the subjectivity that's beholding objects. Okay? That's certainly also in that earlier version of self, but that one tends to be more about like looking at yourself and saying, Oh, this must be like this, like that. Here, it's kind of from the first person standpoint, your first personhood, and our identification with first personhood of, you know, being the one seeing, that is critiqued.
Right?
Which is, when you really contemplate that is kind of quite something like there's a sense of subjectivity. Right? But that's not you.
Right? So it's happening, but that's not you.

Anyone just want to run away now? Get me out of here.
Uh, so what, so when we're seeing that, we're seeing either with content or without content, we're seeing that that subject object structure is collapsed, is gone, and consciousness continues, but there's no identification with the subject pole as the self.
Okay, you're conscious, but you don't identify with this, that one who's seeing as you.

Okay, then.
So the probl... so when we think of that, about this, so that's a very powerful... So first you critique like the external world and the naive self as object. Then you critique even the structure of experience and the subtler sense of self as subject. The subjectivity. But that's still not good enough for Mādhyamika. Even if you're not totally ontologizing the mind, the worry is that you're still going to have a subtle ontologizing of the dependent nature itself. Right? That we're gonna, we're gonna think that this you know, this is somehow wuh uh, this is somehow real. Right? So this is somehow, this is like, we're going to try to hang our ontological hat here, which there were non-Buddhist traditions of non-duality as well, like Advaita Vedānta, that does something pretty similar and then turns this into a kind of transcendental self. Not a self that's a subjectivity, exactly, although somewhat with the idea of the witness consciousness, but something that's sort of, you know, beyond your ordinary subjectivity, like a big self. Right? So the Buddhists, so the Mādhyamikas are concerned about that.
So what do you, how would you, what you guys all now are Mādhyamikas, you know the arguments.
Right? So this is your test. What, what's, go ahead. Okay, how would that work? What's same or different?
Student: So, one level would be to say, okay, is the dependent nature
same or different than the constructed nature? Yeah. Student: Or we can address... You almost got it. Student: Or, or, or... What is the constructed nature? It is nothing other than the dependent nature appearing a certain way. Student: Right. How does it appear? Student: In experience? With subject object duality. So now you've got, now you've got something that's... What's the one here? Neither one nor many, what's the one? Student: That they are the same? No. The mind. Student: The mind. Okay, yes, yes. And the two are the... Parts. Are the appearance of the phenomenal presentations of object subject. Student: Yes, yes. So you can do that. Student: Right. And that can lead to a Mādhyamika conclusion. Okay. That the one, when you do that, neither the one nor the many remains. Student: So is the mind the same as the subject and the object? Right. Student: Okay, or is it different? Right. So that is... You can do that in a way that ends in a Mādhyamika conclusion and Śāntarakṣita does that. But there's an, and... But it gets a little tricky because you could start still maybe try to ontologize the mind and say the other two are just delusions and there was always just the one all along. So the other thing you can do is... What is it? It's the causal... Student: So yeah, the causality. Yes. Student: Again, which requires time. Yes, so you could critique time. Right. Exactly. You could just critique causality. Causality, right. Yep. So there are... But interestingly, it's with Śāntarakṣita and Kamalaśīla. Śāntarakṣita in particular really kind of favored somewhat that more phenomenological one. Neither one nor many analysis of experience itself. But causality is also... Causal critique and critique of time are also like effective. But because there's a kind of sequencing, an experiential sequencing, they and that experiential sequencing is actually found quite explicitly both in the um...uh when we look at these authors in the Śāntarakṣita's... It's not so obvious in Jñānagarbha, although I don't quite remember, I haven't looked at it in a while. It's very clear in Śāntarakṣita's Ornament of Mādhyamika. And then it's also very clear in the um... in the stages of meditation, the Bhāvanākrama, which Kamalaśīla wrote in Tibet as kind of part of that debate. And so you have this sequencing from extern... analysis of external objects to analy... which leads to Yogācāra, which then eventually ends in Mādhyamika. And he cites this verse, or series of verses, from the Lankāvatāra-sūtra, which is a sūtra that both Yogācāra philosophers and Mādhyamika philosophers will cite. cittamātraṃ samāruhya bāhyam arthaṃ na kalpayet tathatālambane sthitvā cittamātram atikramet cittamātram atikramya nirābhāsam atikramet nirābhāsasthito yogī mahāyānaṃ sa paśyati anābhogagatiḥ śāntā praṇidhānair viśodhitā jñānaṃ nirātmakaṃ śreṣṭhaṃ nirābhāsena paśyati Bringing it to mere mind, one does not conceptualize an external object. So there's that word, cittamātra. It's just mind. Right? But you really... This is just mind, what you're seeing. Abiding in the focus that is suchness, meaning the emptiness of the subject-object duality, one transcends mere mind. Transcending mere mind one transcends to non-appearance. We're going to talk about why that is soon. The yoga of abiding in non-appearance sees the Mahāyāna, effortless, abode, peaceful, purified by aspirations. That term effortless is really key and we'll talk about that too. The essence-less supreme awareness sees without appearance. So this is the sort of sequencing that we're talking about which ends in non-dual awareness that is the emptiness awareness. It's the awareness that is the awareness, the ult... the awareness of the ultimate, although of implies an object. So this is what it means for these philosophers to be knowing emptiness, to be in that state of primordial non-dual awareness that is not conceptualizing the three spheres of the knower, the action of knowing, and the object known. Okay? But that still leaves us with this ques... two questions. One of them is, what exactly is that kind of knowing? And second, where do we get it? Like, you know... Can we, can we go to IKEA and pick up a box of non-dual awareness or something? Like? How do we acquire it? So to answer both of those questions, we're going to have to look at something, um, uh, a style of approach to the nature of awareness that the three Easterners rely on very heavily, especially Śāntarakṣita and Kamalaśīla, which is one of the Yogācāra philosophers, Dharmakīrti. Okay? And uh, and I'll just say that, you know just to like, make it uh, to reassure you, you don't have to go get non-dual awareness, because I have some I can give to you, no, because you already have it in every moment of awareness. There's an aspect of awareness, even in deluded awareness, that is already non-dual. And that's how this... So we're talking about this in philosophical terms, of course, in practice, this is what then leads to these Mahāmudrā and Dzogchen styles of practice that are about the nature of the mind. But also, there's quite a robust philosophical account about why that makes sense. I will say that one of the things in the context of practice is that uh, the advantage to uh, to doing philosophical work is that it can lead you, it can help to clarify, like, why are we doing what we do? The disadvantage to it is that it can sort of conceptualize, you can turn the nature of mind, non-dual awareness, into a kind of conceptual object. And because the arguments, like are convincing, you can think you really know what you're talking about. Kind of like me, I don't really know what I'm talking about, but I think I do. Right? So that's a problem. So sometimes the non-dual traditions, they actually uh, like, kind of discourage too much of this type of philosophical work. All right? So we need to be cautious about it. We're going to talk about some of the techniques later, but now let's get into this model, because this is actually very helpful, I think. We're going to learn a kind of model of non-dual awareness that then is the basis for the types of practices that you find in Mahāmudrā and Dzogchen. And Dharmakīrti, as it turns out, is extremely influential for this tradition. Not always recognized, but he is very influential. So let's just assume there's external objects. So this thing is representing an external object. You know, really it's just representing a cause. So there's some stuff that causes an interaction with your eye, with the mechanism that produces visual consciousness, and we'll call it the eye faculty for the moment. And then what happens is that this produces what's called a phenomenal form of the object in consciousness. So the blue box represents consciousness. And then at the same time, a phenomenal form of the subject simultaneously arises. Okay? So you get what we've been talking about, right? You look at this, and what's happening is there's a form of this arising in consciousness and a sense of subjectivity arising with it. And a key part of this is what's called sahopalambha-niyama, or a lhen-chik mig-nge in Tibetan, which is that you can't have one without the other. If you've got a sense of subjectivity, you've got an object. If you've got an object, you've got a sense of subjectivity. You can't, like, drop the object and remain in some pure subjective, you know, your pure subjectivity can't stay. Subjectivity dissipates when objects dissipate. So that's why when people experience non-dual states, you know, part of what can be, depending how they get into them, you know, like if you're using, like, a psychedelic drug or something like that, sometimes it's very confusing for people because, like, they don't know, like, I'm gone. Right? I imagine in your work you hear those kinds of reports, like, I'm not there. That's because the subjectivity is gone. But consciousness isn't gone. Right? Yes?
Studetn: Um, so if you're only in this subjectivity state, there is no object?
You can't be in the only subjectivity state. Student: Ah, that's the point. You can't. You can't. If you're... it would look like this. Yeah. If you have no object, you don't have any subject. Student: All right. So you just... You can't be in a pure subject. Student: And if it's just pure awareness, then? Then it has to look like this. Student: Yeah. Can you also describe that? Or does this prevent you from using language at all before you try to conceptualize it or objectify it? It becomes extremely difficult to make a description. Why? Why? There's a reason. We know the reason. Student: Because language was evolved to basically talk about things out there. Which means it was evolved... more precisely, it was evolved to talk... to uh, uh, guide action in the world by an agent. So if there's no sense of agency, how are you going to talk, you like... the, the, both world and self are gone. Right? So in that context, you know, saying anything is like, I don't know what to say. Right? So the indescribability or ineffability of those types of experiences is easily explained in this model. If you assume that conceptual... If you're not a realist about you know, language, uh, uh, it's not because somehow you can no longer see the real categories in the world. It's that the mechanism that enables you to generate, construct categories is not operative because it requires there to be both a subject and an object. A presentation of subject and object in awareness.
Student: But can we use memory here to reflect on this experience?
And objectify it and then talk about it? That's what people do, isn't it? Yes. That's right. And so then people... And then there are going to be different versions of it. Like... there is a... we'll come back to this, but there's like contentless versions, completely contentless. Where you're like, you're not experiencing anything. There's no content, but there's awareness. And here that... so remember that metaphor we spoke about before. Let's go back to this for a second, actually, because I think we didn't quite complete this. So the, so prabhāsvara, or prakāśa, which I'm just going to conflate, like lots of other people do, uh, is this luminosity. So on the one hand is a sort of metaphor, which is in this model, okay, in this model, What's... both the objects... but the... What are the phenomenal form of the subject and the phenomenal form of the object? What are they made out of?
Basically, mind, right, they are, right?
Especially if we're being substan... If we say this is matter and this side is mind, then this stuff is made out of mind, okay? So what's going on here is, it's not like when you see something, it's not like you're seeing, there's, there's a... you think that the mystic... Isn't it nice that I made your subjectivity smiling? Your smiley face, you think that's doing the action of seeing, but it's not. It's just a structural feature. Okay? It's not doing anything. But both are being presented in awareness. You're aware of both. Like, as you look at the vase, the sense of being looking at, being the one looking at the vase, or the sense of someone's looking at the vase. Subjectivity is being presented even while you're looking at the vase. Right? So they're both presented. We're going to come back to that more. They're both presented like the light is turned on. So whatever is, so to speak, kind of in this box, whatever is in consciousness is presented, whether it's objects or subjects or whatever. So the light's on. But certain states where you kind of have no content, the light's on, but there's nothing in the room, so to speak. It's just light. So... Uh, so that's where that idea of luminosity becomes actually a phenomenal description. Everyone understand what I mean? Okay, we're going to come back to that. Yes?
Student: Would you describe that, we said, structural feature
of the subject, or I guess of the subject, object, reality? Right, intentionality in Western philosophy, yep. Um as thought or thought-based, or is it something of its own right? No, it's preconceptual. Definitely preconceptual, yep. And which also like Western phenomenologists would agree, it's like prereflective.
So let's look at that same thing now in a slightly different model with,
with temporality added into it, or the time sequence added into it. So like in time one, you've got this interaction. In time two, there's a present. And for now, we can say that this thing is an external object, or really a bundle of atoms. But um... you, you know, what's going to happen eventually in Yogācāra is said, well, there's no need to say that the cause is like different kind of stuff you can get rid of This model still works if you get rid of substance dualism. If you say there's mind stuff and physical stuff, it works. If you say there's, you know, this stuff out here is actually made of the same kind of stuff here, it works. It's just a causal mechanism where there's something interacting with, with the, whatever uh, mechanism allows consciousness to produce experiences. And so there's a cause which constrains this content. And this is, yea these, and in like the waking state, this kind of, these constraints are shared in some fashion. Okay? Got that? So time one. Now, the main thing that's very important to understand is that on this model, just like, you know, much of the Abhidharma models, these things, the reason this is dotted and looks like this is that this is in time two, this has stopped existing. Everything is just a moment. So in the previous, so when we get uh, here, in this moment, what arises is a representation of the subject, a phenomenal form of the subject and a phenomenal form of the object, just in that moment. And then they produce in the next moment consciousness, or it may take a few moments, what happens is you get now the conceptualization, oh, vase. Okay? Because you care about this thing. You only conceptualize the stuff that's relevant to you, not your whole visual field. And then part of the way to think about that is what's happening previously in consciousness is there's all kinds of stuff going on, which I call the gunk. That's what the gunk is, right? Now you've got your worries and concerns, your emotional states and blah, blah, blah, blah, blah, blah. So this, you see the color here is different than this. That's cause this is not like a picture of reality. This is already conditioned by your own particular whatever. Okay? Including the kinds of sense faculties that's not just, that's not just particular to you, maybe. Maybe you have unique glasses or whatever, or are colorblind, but also we're humans. So we don't see the world the way bats do, for example. But bats, this is happening for bats too, but they have a different kind of sensory world in which they're living, right? But we share the constraints, we have a shared world with bats. Okay, so this is a non-conceptual moment. And this is the conceptual moment, okay? And there's a lot more we could say, like there are whole lot's of a, li... there's kind of a world model that is part of the gunk, and that world model is relevant to how you conceptualize stuff, and there's a self-model that goes with the world model. An important feature here is that, as we can see here, like there's the gunk, and the gunk also, there's subjectivity. So there's a sense, as long as there's something kind of going on, presented in consciousness, which is, which is what's always happening in the waking state, except in extraordinary circumstances, your uh, uh, you also have a sense of subjectivity. But this only lasts a moment. That's why this sense of subjectivity is not the agent knowing this object. Because to be the agent, you have to be present, and then you do something. But this agent is already, this one is not doing this. It's not like engaging with this, such that it then knows it. Right? Because it's just momentary. There's an illusion of continuity of subjectivity, but the claim is that in reality, that representa, that phenomenal presentation is momentary. Okay? Is everyone clear about that, more or less? Yes, Rowan?
Student: In the non-conceptual moment, the blue circle that we see, we call that still an object?
Yes. Student: And the smiley face is subject? Yes. Student: And do they arise exactly simultaneously? Yes. Student: Or is there like a nanosecond difference? No, they are simultaneous. Student: They are exactly simultaneous. Okay, yeah, gotcha. Which is why the subject can't be something, doing something to the object as an agent, because they're simultaneous. Right? So you're, so if you just really examine this in your experience, right, so part of the contemplative practice is actually examining that momentary experience. What's happening? And that sense of seeing a visual object, you know, visual, in the styles of Samatha, in Mahāmudrā, for example, often use visual objects, and we're very visual, unlike some other organisms, we're very visual. We have really good eyesight compared to a lot of other organisms, and we're very visually oriented. So that, you know, you just sort of are observing the sense of there being an object and a subject, and part of what you're learning is to observe that without, in a sense, getting caught in it.
Okay? So, that's uh, uh um...
that said, this is very important to know, and it's not just a theory, it's experiential. It's like really challenging you to say, does this make sense in your experience? But that requires kind of, you know, that's a contemplative practice. That's not, you're not going to just get there just sitting here now. You need to have, you need to settle the mind, quiet the mind, and develop a certain kind of awareness that we'll talk a little more about. Okay, so now, when this is talking about recognizing the object as, like, you're seeing this, you go, oh, that's, you know, there's that, my vase. Okay? Most of the time, this, this is what's happening, so that when we do this conceptualization, the thing that we're interested in is, you know, whatever caused this image. Right? Because we're trying, well, why? Why are we interested in that?
Why do we conceptualize it?
Yeah, to act skillfully in the world, because we want to get the stuff we need and avoid the stuff that'll hurt us or whatever. So we're just like, you know, that's why, so we're like very object-focused, object-focused, object-focused. And so this, this phenomenal form of the object is in most of our ordinary experiences playing the dominant role, okay? But there are times when something else happens, all right, when something else becomes more obvious. So let's so, let's say, you know, we're in the lounge downstairs, okay, and someone comes running in and, you know, they say, you gotta come outside, gotta, gotta, look, look! And then we see, going outside, we see this, right? My favorite Gomde picture. Of course, Mickey, before he runs outside, grabs his camera, because he always has his camera, but. Right? We see this, which really is quite spectacular, isn't it? I mean, really. And then we come back inside, and I say to you, and let's just say you were completely absorbed in this, like, at which we were, right? I mean, it's like, like, holy, like, whoa! Okay, and we're seeing that, and then you come back inside and I say to you, how do you feel? Why you were looking at it? Do you say to me, I don't know how I felt, because I was totally focused on that object, and I was not paying attention to my feelings, so let me go back outside, and then I'll quickly look in to check how I'm feeling. Is that, does anyone feel that that's what they do? Or is the memory of the experience, does it include your sense, does it include things that are not about the object, like your feelings? Are you getting me, my point? Like, you know something, then do I, do you say, do I have, you know, I say, if you say to me, oh, I felt this amazing feeling of awe, and I say to you, are you sure you were feeling that? Do you have any doubt you were feeling it?
No.
But were you, uh, were you paying attention to your feelings as an object, like were you returning in and checking? No. For example, let's say a bus is running at you, right, and you just jump out of the way, and I see you there, and then, you know, and I say, you know, how did you feel while the bus was running at you? You know, and you say, oh, I don't know, I was just paying attention to the bus, I don't, I can't remember how I was feeling. So I'll go back out in the front of the bus and look in real quick. So this, like the philosopher mouse, if our, if the state of our organism, our subjectivity, how we're feeling, are we afraid, and so on, things like emotions, which are about guiding action, which are information to guide action, like if you say I want this and I don't want that, what's telling you you want this or you don't want that? Your emotions. But if you had to like constantly check inward to see like, instead of it's the philosopher mouse, maybe it's like, you know, the, the Alexithymic prehistoric mouse who doesn't do well at identifying emotions. And it's like, oh, saber-toothed tiger's coming at me. How do I feel? I don't know, let me check.
Okay?
So let me just do a little more. Okay? So there's presentation, simultaneous presentation, we already have said this, that the subject, sense of subjectivity is presented along with the object, and under certain circumstances, that sense of subjectivity is presented such that you actually make a conceptualization based on the subjectivity, not on the object, based on the subject form, not on the object form. Like for example, oh, I'm upset. You know, let's say you're in the middle of a conversation and you're having a debate or something. And then you notice, oh, I'm getting a little too worked up.
Okay?
And then you say, oh, when you do that, I'm getting too worked up. You're still, you're focusing on like you're really trying to win the debate or whatever maybe, but you then hopefully notice before you lose a friend, win the debate but lose the friend, you notice how you're feeling.
All right?
And there would be various reasons why you notice that. Some would be that this is especially intense. Some would be that you'd have a task set, something you're trying to be mindful about, like your emotions. So that would trigger this as salient. You'd notice it. It's important to you. But in any case, this is not where while you're talking, you have to constantly check in, check in, check in. That's always being presented to you. All right? So this is the idea of what's called reflexive awareness. Okay? And it's happening in every moment of consciousness. So the idea here is that these two things, the phenomenal form of the object and the phenomenal form of the subject arise in each moment with cons, with uh, um, identical to, just they are consciousness. And also at the same time, they're both being presented reflexively. Consciousness is knowing both, reflexively. And I'm going to explain what reflexivity means in a moment. But did you need to ask your question now or you want to hear that explanation first?
Student: Um, so it relates to the example of the rainbows above Gomde.
Yes. You said something like, okay, you see it and then you go inside and somebody asks you how it was, and... Right. and you immediately are able to respond without checking in, right? Because the memory includes the sense of your subjectivity. Student: Yeah, but at the same time memory or recall includes also your current state, your current emotions, which also color your recall experience. Yes, they do. Yeah, certainly. So we could say, you know, we could wait until you've calmed down and then ask you the question. But let's do it in a more simple way, okay? Watch this. Do you see this? Yeah, okay. Do you have a sense that there's someone seeing it? Like subjectivity? Student: Yes. Are you sure? Student: Yeah. Are you really the one seeing it? Like, do you feel like... Student: I feel like I'm seeing it, yeah. Maybe it's actually Daniel who's seeing it? No. No. Like, is there any doubt that there's a sense of subjectivity? Student: No. Do you have to turn in and check to see whether you're the one seeing it? Student: I think there is a certain attitude through which I give you this... respond to these questions. Because I asked you. Student: Yeah. There are some demand characteristics present. Yeah. Right? If I ask you, then you kind of like do the intern thing, but... Or, okay, so, uh, like, if I make a sound, you know, where do you want, buh, buh, buh, Buh! Did you hear the sound? Student: Yes. Do you have a sense that you were the one who heard the sound or was somebody else? Student: Yes, me. It's you, right. Is that like just part of the memory of hearing the sound?
Did you eat lunch today?
Student: Yes. Do you have... is your memory of lunch like, was that me eating lunch or was it somebody else? Maybe Ava was actually eating lunch? Student: That's what I'm... No, yeah, yeah, it was included, yeah. Yeah, right? Student: But I have to look also. It's not like... If you're the memory, you have to... Yeah, you have to bring up the memory, but the idea is that that's encoded in the memory even though you weren't paying attention to it. So this is actually what phenomenology, Western phenomenology is saying. It's like that structure is invariant in ordinary experience, but it's presented pre-reflectively. It's not like you have to, you know, examine is there a subject. There's a sense of subjectivity is included in objects even while... So while you're focusing on an object, de facto subjectivity is presented. So that's why it's called reflexive. Let me explain that term, okay? So one of the best ways to talk about this is to talk about these languages that have reflexive pronouns and actually in Sanskrit and in Tibetan the words self, this is sometimes translated as self-awareness, sva saṃvitti, sva means self, rang rig རང་རིག་ in Tibetan, rang རང་. Uh, that's actually grammatically is a reflexive pronoun. Like, but it's more obvious in certain languages like romance languages such as French. Anyone speak French? A little bit of French? Okay. Or a little bit of Spanish? A little bit? Okay. So if I say in Spanish, yo hablo Espanol, that means I speak Spanish. But if you say se habla Espanol, like there's sometimes there'll be, you know, a sign in a store in the US, like, aqui se habla Espanol. Uh... Oh, interesting sound. Uh, here, in, in English we have to turn that into a passive. Here Spanish is spoken. But actually it's reflexive. It takes a transitive verb. I speak Spanish, and it makes it intransitive. It's like Spanish speaks itself. Or je vois ça. I see that. As opposed to ça se voi. So the se is the same as the Spanish reflexive pronoun and it takes the transitive verb to see and it makes it intransitive. So this kind of knowing is often called intransitive awareness. Like the transitivity, the sense of an agent doing something is coming from that structure. But the awareness is actually intransitive. There isn't an agent, someone outside looking in like this
to see awareness itself, like to look at your subjectivity.
You don't need that because awareness just presents. The only reason one might go to this point is if they are very uncomfortable with the idea that, uh, that uh, of selflessness. Like if you really need there to be somebody that's a self, then there are, I think, leads to these kinds of philosophical attitudes. But if you just say the simplest explanation is just that awareness is intransitive. You don't need another agent to know that sense of subjectivity. You don't need someone from the outside looking in to say, oh yes, that's me seeing that, what's called a second order awareness. Right? It just intransitively presents both without there being an agent doing the transitive action of knowing. Okay. So this is from Thomas, Thomas Metzinger who has written about this. Uh... This stands for good old fashioned intentionality. Okay. And there's a sense in which like, our ordinary sense of there's a self uh, there's a self kind of looking out there. I just realized this slide is... But act... And, and if our sense of knowing our subjectivity required a second order awareness, then we'd have to see that from the standpoint of a subject. But then we'd need to know, okay, so I'm the one that saw that. How do I know that? Well, because I'm looking at myself seeing that, which means I need another subject to see that. And then, of course, how do I know that? I need another subject and I get an infinite regress. So instead of that, you just have this, what Metzinger calls a phenomenal model of the intentionality relation, the subject-object relation. Our sense of subject and object is simultaneously presented in experience without there being some other sense of subjectivity looking at it. Okay?
So part of what that means is that when we make these kinds of reports
about our emotional states, about our body position, like, you know, if I say, okay, ready, here comes the sound. One, two, three. Beeep.
Everyone hear the sound? Yes? Were you sitting down when you heard the sound?

Do you, the way you know that, you go, well, I remember coming in sitting down
and then uh, I didn't, I don't remember getting up, so I must have been sitting down. Or is it like your memory of the sound includes a sense of the body position, includes a sense of your space, your spacial, your, uh, your what's called proprioception, includes a sense of being the one knowing. So you're knowing, but how are you knowing that you're the one knowing? Are you, is there like, again, is it like this? Or like this? Excuse me.
Or do you not need that?

Okay?
So when you're knowing the object, you're knowing it as an object. Along with that is the sense of subjectivity. Like, again, you know, beeep. bubup? it's the heart, you know, bubup, bubup, bubup, coronary disease.
It's like you knew the one hearing it.
Right? And it's not like you have to go, you're not confused about that, are you? There are some psychopathologies in which people do, like, am I really the one hearing? Or is someone, is there, they, this, there's a dysfunction in their system, and they kind of can't, they can't identify with their own subjectivity sometimes. Feels like somebody else is doing it. But there's still subjectivity. They just don't identify with it. In a pathological way. So you know that. It's like, there's no question. Oh, yeah, I hear, yeah. Are you making yourself an object to know that? No. So that means you're knowing your sense of subjectivity without it being in a subject-object structure. Correct? What kind of knowing is knowing that is not in subject-object structure? Intransitive knowing was another term for that. Reflexive and non-dual. So you have an aspect of non-dual awareness in every moment of your experience. Already. But it's presented in a dualistic str... as part of a dualistic structure.
Okay?

Let's go. So I think we should take a break
before people either collapse from exhaustion, confusion or something else. All right. We'll take a break until 20 after. Is that good? And now you can just sort of
try to see if you can see yourself.

There are people who will insist, no, actually, I'm constantly doing it like flip.
While there are other people who will say, actually, no, that's not, your sense of subjectivity is not a part of your phenomenal experience. It's an illusion. You have a second-order cognition that when you need it, it kicks in. But phenomenally, you don't have a subjectivity. And I think those people are, you know, maybe not paying enough attention to their experience, possibly? Or else they're just really different. But anyway, so let's take a break. Ten minutes. And we'll see you back at 20 after.

Session 16 — From Mind-Only to Yogācāra Madhyamaka

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Location: 
  • Gomde Germany-Austria
Description >>

In this session, John D. Dunne explains how Yogācāra can serve as a transitional step toward Madhyamaka by shifting attention from outer objects to the structure of experience itself. He shows that ordinary experience presents both an apparent object “out there” and a subject “in here,” but that this dualistic structure is itself mentally constructed and cannot be ultimately established. The teaching then introduces Yogācāra Madhyamaka as a sequential path of analysis: first questioning external objects, then the self as object, then the self as subject, and finally even the subtle tendency to reify mind itself. Dunne also introduces the idea of reflexive awareness, suggesting that every moment of experience already contains a non-dual aspect that does not depend on subject-object structure. In this way, the session becomes an important bridge from philosophical analysis toward Mahāmudrā and Dzogchen approaches to the nature of mind.

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LanguageEnglish
So before I say more, I just want to say that the, we're doing this sort of philosophical, conceptual models that are the background of Mahāmudrā style practices. And again, just cautionary tale is that it's a model, it's a map. Uh, one doesn't want it to get in the way of the practices. But there are already, perhaps, you can see how maybe some of the practices, if you've been practicing with Eric, that there are practices that are very closely related to this. So one of them is that our ordinary sense of subjectivity is that there's a sort of a thing that is the subject that we could see as an object. So when we have this, if you see, remember this diagram. When the sense of subjectivity causes the conceptualization. Right? So like, I'm getting very emotional, and I go, oh, I'm very emotional. So in that case, in this moment, let's say I'm focusing on something or whatever, and then I kind of make a conceptualization, instead of making, instead of this kind of conceptualization, where the object form is dominant. Right?
Sorry, come on.
Instead of this kind of conceptualization, where the object form is dominant. Like, oh, look at this. Wow, look at that. Instead, I have a conceptualization where the subject form is dominant. Like, I'm looking at this, and so there's my vase, and then maybe like, oh, wow, I really missed it.
You making fun of my relationship with my vase?
Yes.
Okay.
So like, but in that moment, it seems like I'm looking back at myself, right? Like, oh, I'm seeing kind of looking to my feelings. But on this model, that's not what's happening. It's that because of the reflexive awareness, it's presenting the subject and the object simultaneously. And under what whichever conditions, basically conditions that have to do with attention, and what's salient, like you pay attention to what's salient. So maybe I explain that for a moment. And this is also that, you know, the movie that many of you have seen, and if you haven't seen it, you can go on YouTube and just type invisible gorilla. Right? So again, as you might recall, it's this, you know, movie that's used to teach something called inattentional blindness, you're told at the beginning of the movie, well, I'm not going to ruin it, who has not seen it? Oh, okay, basically, without I'm not going to ruin the movie. But basically, so just watch the movie. And there are versions of it, newer versions of it that even if you've watched it, it'll still work. I'll just say that much. And the idea is that, for example, um, uh... for example, everybody has seen something in this room that you don't know is there. What I mean is, you've seen it. But you did not do the... so you saw it as an object, right? In this way, but you did not conceptualize it, or identify it, and it cross through your visual awareness, depending on some people will say, you didn't even reach the level of phenomenality. But I think the general consensus now is that it does get to a phenomenal level, but you just don't like conceptualize it. So you don't remember it. Okay. So I'm going to give you an example. Uh, in this room, there is a green sign with a little person on it. Who has seen the green sign with a person?
You've everybody's seen that. It's crossed your visual awareness.
You've all seen that, right? Okay. Everybody's seen that. There are lots of things in this room that are like that, for sure. But we don't notice because they're not relevant. Like maybe if you're a fan of signs, you notice all the signs in a room, you're a sign collector, or, you know, you're especially worried about how to run downstairs and you see the little icon of the running person on the green sign.
You know, so it's like, whatever.
Or maybe you've noticed, okay, so there are, in this room, there are uh several uh, uh, kind of glass, um, lampshades, right? So everyone noticed. Now you'd look around and say, oh, yeah, there are. How many of you actually honestly didn't know that there were these light shades? Am I right? A few people really didn't notice, right? Maybe. So there are all kinds of things that you see, like, you've probably seen the big drums, do you know whether there is anything at the center of the big drums in the back of the room? You can turn around and look now and see that there's a joy swirl in the center of the drums in the back of the room. Obviously, very easy to see, right? It's not like, oh, I just didn't see it.
It's just you didn't like, you know, you didn't attend to it
in a way that enabled you to conceptualize it. So what's happening here, most of the time, we don't attend to the information. So what's happening here is all of experience is being presented, objects, stuff, and then non-object stuff. But since we're so focused on objects, because the reason we're focused on objects is we want this, we don't want that, we want this, we don't want that. We don't actually often do this, where that moment of experience, instead of producing a conceptualization like this, about an object, instead of produces a conceptualization like this, about the non-object side, basically, the background. Okay, so that means that most of the time, what's salient, and this is a term in the context of attention, it means, in a sense, it's popping out to us, it's what's important to us, it's what we care about. And there are lots of things that are salient. Uh, you know we have like a, this has to do with what you can call our task set, like, what is running in the background as relevant to, like part of the gunk here, like, what's really, what are our goals? So one task set would be, for example, I'll just give you a quick example. Let's just suppose you're like, you know, someone who's a gardener or whatever, and then you would have noticed, probably that there's like a, some kind of a small gardening machine running in the background right now, right?
But maybe if you're not a fan of gardening, or you know,
you don't, you just haven't really, you just filtered that out. If you all care about your emotional states, and you can do that in positive and negative ways, right? So in certain kinds of anxiety disorders, there's a kind of too much concern with the internal states, and your physical states, and so on. And then you kind of heighten that and then become, you know, too much, in a sense, acutely aware of your appropriate, your interoceptive or proprioceptive information, mostly interoceptive, and that can create, you know, issues. But also, I could have, let's say, I'm a practitioner. And as part of my goals, it's like, I want to be kind to people. And so I'm kind of monitoring in the background without, even while I'm doing something. I can be monitoring in the background, how I'm doing it. Okay, because, and this is called meta-awareness. But it's not a meta-awareness that is like this. Okay? Rather, it's the meta, the kind of a meta-awareness that's just like that.
So that you are able to implicitly, and I've written an article about this
with Evan Thompson and Jonathan Schooler, that I can share with you guys, that you can implicitly be aware of, you can cultivate actually, and increase, we all have this capacity, but you can kind of increase that capacity, first of all. And then secondly, you can tie it to certain types of goals that are not about just, you know, getting stuff in the world or winning a debate or whatever, but are also about a certain sense of being what kind of person you want to be. And so if you have a very big deficit in this area, everyone has some of it, because you wouldn't be able to actually navigate the world if you didn't have this. But uh, if you have a deficit, then you don't notice you're getting upset, like you're in the middle of an argument, and someone says to you, you're angry, and you go, I'm not angry.
Is this ever happened to you? What do you mean?
You're angry.
Right, or whatever.
So you can, so this is very important in practice. And one of the ways that this is articulated, actually, even prior to, uh, you know, this kind of implicit theories, again, none of this stuff just comes out of nowhere. There are, you know, in Buddhist practices and in Buddhist theories, both in their interactions lead to these types of, you can almost say discoveries. And so the idea of mindfulness style practice, a big part of mindfulness style practice is monitoring not just what's happening with an object, but what's happening with yours, the background, so to speak, your emotions, and so on, the quality of your awareness. So when you have, so the idea here is that even while you're focused on an object, let's say you're focused on your breath, you're doing, you know, mindfulness of breathing, you have an awareness of how you're focusing, not just what you're focusing on, but the quality of your awareness. So as you're, as you're cultivating that kind of mindfulness, you're also cultivating this meta awareness. And the term for that in Sanskrit is samprajanya, or Tibetan shes bzhin ཤེས་བཞིན་. So you have dren pa དྲན་པ་, which again, is that thing that prevents you from, prevents, remember, that's mindfulness, smṛti, sati, dren pa དྲན་པ་, that prevents your mind from getting caught. But you also have samprajanya, or shes bzhin ཤེས་བཞིན་ in Tibetan, which we can translate as meta awareness, which is noticing how it's going. So even while you're focused on something, you can be noticing how you're focusing the quality of your awareness. Right? And this, you know, there are many different places where this is relevant. This is very relevant in music performance, right? It's relevant in sports, dance, in all kinds of situations, it's very relevant, that this capacity is very important. And it's very important for a practitioner, because if we are, you know, if we're trying to cultivate certain types of virtues, we're trying to cultivate compassion, we want to be aware of how we are with others. But if the way we have to do that is, I'm talking to you, uh, how am I doing, how am I, uh you know,
people are not going to want to talk to you anymore.
If it's like, I have to look in. Right? You could start to seem very uptight.
So it's not that, it's cultivating that meta awareness.
And then there are styles of practice, which enable you to cultivate that meta awareness very deliberately. So mindfulness styles of practice, and actually, really, the term, you know, when we talk about this aspect of meditation, and really, you can say this as this is an aspect of really kind of all meditative practices. The Tibetans don't just say smṛti when or sati, you know, or dren pa དྲན་པ་ is their word, right? They don't just call it that. They say, when you're talking about this feature, which we could kind of use a single word mindfulness for in English, they say dren shes དྲན་ཤེས་, which is a, which is a compound formed from two words, dren pa དྲན་པ་ and shes bzhin ཤེས་བཞིན་, dren shes དྲན་ཤེས་. That's, and that means mindfulness, smṛti, mindfulness and meta awareness. That's the whole package. And how could you, what kind of a practice could you do, by the way, without, you know, it's without kind of, this isn't nature of mind practice, but it would be preparatory to it, what kind of a practice could you do that would very deliberately cultivate that meta awareness side?
Yes?

Rowan?
Student: And noting your emotional mental state. You could do a noting practice, which you will find in like Vipassanā, and so on. But the one thing about, about noting practice in general is it can make you kind of do the turn in, right? Where you're kind of objectifying self. What if you were to, like, you take the object, take the flower as an object. Okay, everyone look at the flower. Keep looking, looking, look, look, look. Undistracted, completely mindful, keep looking, look, undistracted.
Like you, there's a moment they were like, you're still aware,
you're not distracted, but you're not aware of something.
Right?
So that's, that's uh, uh, objectless Samatha. I think Eric's been talking to you about Samatha, which is developing a kind of mental stability. And that's done with an object. But you can then in the Mahāmudrā gradual training, you actually then do a kind of Samatha, which is without an object. So that's getting you toward that undistracted non meditation, you're cultivating meta awareness, but you're not focusing on an object. So you start often by by using an object could be visual object could be your breath. And then you sort of drop the object. And you just remain undistracted. And that's Samatha. It's not, you know, into what we call Vipassanā insight. It's not, you know, recognizing the nature of the mind. But it's very important for preparing for that. And that's all but it also then has very useful other aspects, because it then enables you when you're off the cushion, it cultivates that capacity to kind of even while you're focused on something, you notice how you're doing. And if part of your task set, your goal set is like to be a generous kind person, that'll also that'll make it more salient. Just like if you're a sign collector, you would have noticed the sign. Right? You're that stuff about your subject side, your emotions and so on becomes more obvious to you in a health in a healthy way. Yes, Josh.
Student: The practice you just showed when you drop the flower and we're still in this awareness,
is that the same as just like trying to be in this open state and kind of waiting until something arises in our awareness? Yeah, like, like choiceless awareness, as some people call it. Yeah, it is similar. Yes, it can be like that. Except the difference there is that you don't, it's not like you're waiting for anything.
In other words, you're
part of what it means to be undistracted in that context is not to select any object. So if there's a loud sound right now, one of our baseline tasks or goals is to stay alive. So if you had a loud sound, like boom, we would all go what? Right? Because that would be salient, is that a threat? Okay, so that loud sound captured our attention, because it's important to us, in this very baseline thing. And this, this, the kind of practice here, objectless Samatha, is to actually not be captured by anything.
So you're aware, you're doing, you're, you're, um, you know,
you're certainly fully aware, but you're not trying to focus on anything, and the mind is not, the attention is not being captured by anything. Student: Maybe a bit like being in the forest at night, and then suddenly you hear something, but then the noise is over, but you're just like super alert, and like. Yes, exactly. Yes, so actually, you know, a traditional way to introduce some of these types of practices is through startle, what’s called the startle response. So if you have a loud sound, our system goes up, and then after that, like there's this kind of moment of, you're fully aware, but not of anything. That's right, exactly right. Yep. That's starting to get more into actual nature of mind practice, where you might use a shout, like this, of the syllable phet ཕཊ་, or, you know, in Zen, the master will come up and smack you in the head. I'm thinking of introducing some of that here.
And Eric has some great stories about Zen, Zen encounters with Tibetans.
You know, they like, you know, try to shock you. Just a quick story. So there was when Joseph Goldstein wrote this great book, One Dharma, which maybe we're going to try to like do an event, the sort of 2.0, so to speak, pretty soon, maybe next year. But um, and uh, Joseph is a very well known Vipassanā teacher, who became, because in a sense, that which is very interesting, like that sort of meta-awareness that is cultivated, even in Vipassanā style mindfulness practice, that's a route into Mahāmudrā Dzogchen. So when Joseph and others kind of encountered Mahāmudrā and Dzogchen they went, oh, that's what we've been doing.
And then, you know, because Zen practice also is really about that kind of
non-dual awareness too, they arranged to have a meeting between Nyoshul Khen Rinpoche, a very famous Dzogchen teacher, the late Nyoshul Khen, and a Zen master. I can't remember which one. This is how he starts the book, you know, and the Zen master is trying to do this startle thing too. And one way you do that is not by shouting or whatever, but you just ask people like, it's called Dharma combat, you know, when two masters meets, like, I'm going to make your mind go, boom. So at a certain point in the conversation, the Zen master, there's a bowl of fruit, you know, that's been offered. He grabs an orange and he goes, what is this? And Nyoshul Khen Rinpoche turns to his translator and says, what, they don't have oranges where they come from?
And then,

Yes.

Student: Just to get it clear, is this meta-awareness happening simultaneously?
Because, Yes. usually it's said that you can't multitask. So if it is simultaneously, it's non-dual. Is this the point? That's right. It is, it is, yes, exactly. Every moment of awareness on this model, every moment of awareness has this meta-awareness. And if it's not... Because it is actually, it is, this meta-awareness is actually a version or, you know, depends on that reflexivity. Student: And if it's not simultaneously, it's conceptual? Then it would be... No, it wouldn't necessarily be conceptual, but it might be second order. It might be, you know, there are people who will say that meta-awareness, there is no such thing as this kind of first order, reflexive meta-awareness. There's this thing, there's a second order meta-awareness that only happens consciously when you, when you uh, look at your own mind or something like that. Okay, so, so, so the... So this is the theory here is that every moment of consciousness has meta-awareness. Because that's actually what it means to be conscious. Student: And this means also to be non-dual in... Yes, well, it's... So the non-dual idea of it is that there's an aspect of your awareness that is being presented to you, non-dually, because your sense of subjectivity is known without making it an object. And if you've been doing any of practices with Eric, I think you see this. Like what happens when you try to see your subjectivity? You look for the subject, look for the self. What happens? Like if you go, oh, who's, who's, who's seeing right now? What happens when you try to see that seer?
Yeah, like, well, yeah.
And the reason you can't find something is that that's, that you're doing, you're just trying to, you just turned yourself into, you've done this. See here, this moment, the sense of subjectivity is being presented reflexively. And here I'm going, oh, I, I am this, you know, from the standpoint of a subject, I am, you know, happy or upset or whatever.
So that you've conceptualized yourself.
So the only kind of self you can know in that way as something that you'd look at as an object is a conceptualized self, which is not a self, it's a concept.
Okay.

Student: Does that mean you can't really turn awareness into an object?
No, yeah, that's right. You cannot, you, you, you can, you can, uh, you can take it this, this moment, and you can conceptualize various aspects of that moment. Can you conceptualize all of the vase? Everything about the vase? No, because there's an infinite number of possible conceptualizations. In that territory, you can make an infinite number of maps. Some of them are probably extremely useless maps. You know, like, how many barely visible fingerprints are there on there? But, probably not a super useful map.
But you can make a lot, an infinite number of maps.
And, you know, a map always chooses data. If it's, if it has to filter out some of the territory. Otherwise it's just the territory, like that story by Borges. Right? So, you know, you can have, we can make a map of Gomde, which is, you know, based on the grasshopper population. Like they're little grasshoppers, you've probably seen around. And we can even try to make the map as a grasshopper map. Like, how does a grasshopper see Gomde? That would be useful for grasshoppers to negotiate Gomde. But like, so that would be an interpretive grasshopper interpretation of the territory. We make our own interpretations, human interpretations. You know, if you're a big sign fan, maybe there'd be a sign map of all the signs at Gomde.
Right?
But they're all just taking the territory and choosing things that are relevant. That's what concepts do. So you could never map all of consciousness, just like you can't even map all of the vase. But you can't stand outside of consciousness and look at it. That's the main, which is also the flaw in a lot of consciousness research. You can't like, look at consciousness outside of consciousness. You can't do that. Then you're not conscious.
Okay, and that's also a point made in that book,
The Blind Spot, which I've recommended to you.
Uh, so what happens when you try to look in?
You don't, you can't find that because, of course you can't, because you're doing, you know, when you're looking, you're doing this. You're assuming a new standpoint of subjectivity and looking. But when you don't find, you know, when you don't find that self, when you try to look and do that like that, part of what you're discovering is the sense in which, the sense of subjectivity is being presented to you without you having to do that. So that again is a kind of step toward the nature of mind practice, or the recognition of the nature of mind, right? Which Eric has been leading you through somewhat. Not, you know, we don't presume to give, you know, pointing out what's called pointing out instructions. So when we said that, Eric and I were talking, the uh, when the um, you can say through meditation you find the view, that's where you basically come to a nature of mind experience just on your own through meditation practice. Most of the time, as I said, except for extraordinary cases, it's you have a view, really a conceptual view, and then you come to the experience of the nature of mind. And that conceptual view can be philosophy, but it doesn't have to be that. It can be also like the interaction with a master who's using words, symbols, and so on. But there's going to be some key like issues that even there that we should, that we will talk about probably tomorrow. And part of this also then is, what you can see in a way is that, um, you know, the act, even just the act of like choosing what to conceptualize, whether it's subject or object, is in a sense creating a reality.
And so which framework we use to conceptualize also is really relevant.
And I think also what that tells you is that the framework, under certain conditions, you start to recognize how the framework is contingent. And I think the double slit experiment is a very good case of that. So we're going to, Philippe's going to present that to us tomorrow. I think maybe though we shouldn't start at 9:30 because it's two and a half hours is too long. So let's just start at 10 tomorrow. And maybe we'll start with that just for fun.
Uh, so, uh...
when, so one of the questions is, how do we really like, part of the nature of the mind is definitely going to be that is this like sheer luminosity, this reflexive awareness, that is the mind itself, that is characterizing every moment of consciousness, and also that it's empty, it's empty of the subject-object duality. Now, and this is both like theoretically, like you could say, or analytically the case, because those using Mādhyamika analysis, it is um, the subject and the object can't be essentially real because they would not be relational then, right? So we know that if something is relational, it's necessarily empty of a fixed identity. Consciousness is relational and dynamic in this way. So it has to be empty, not just of subject-object duality, but of any fixed identity. So it's luminous, but empty of any fixed identity. Right? But there's another way in which you could say the nature of consciousness or the nature of mind is not dualistic. Remember, the nature of something is what the thing has in every permutation. Water is H2O, whether it's liquid, gas or solid, right? So if there's something about the particular instance of water you're dealing with, like it's muddy, then that, and that doesn't occur in some other permutation, that means that muddiness is not essential to the water. Right? Okay? Or maybe some water has salt in it. You can take the salt out and it's still water, so that means salt is just accidental. So what this is also saying, which is important, and this is also then becomes a technique, is you can also say if you want to really kind of demonstrate to someone that the nature of mind is empty of duality and luminous, you could induce a state in which that happens, meaning there is no content. There's just sheer luminosity. Okay? So you could put somebody in a state like that, just putting, just inducing that state and the way you would do that is through certain tantric techniques. But the way you would do that, right, just doing that is not enough. And this is also why, like, you know, people think, well, I take certain psychedelics. That's not enough. Just inducing the state is not it. Because you then, like the fourth initiation, as Rinpoche, you know, was explaining, is really in a sense telling you what it means when you're in there, not even what it means, like pointing out what is the nature of that state, what you need to, in a sense, learn from that experience. Okay? And one thing you're learning is that this dualistic structure, and one way you get rid of dualistic structure is you just, you know, wipe out content, and then there's just sheer luminosity, right? But you don't have to do that. You can also, in a sense, the content can remain without this, without the dualistic structure seeming real, without the reality habit of the dualistic structure. So that means that there are other ways of getting there. And even philosophy can do that. And so this is what's called sūtra Mahāmudrā, where you use philosophy, and on the figure on the right is a depiction of a very important Indian scholar practitioner. He's very important for the Mahāmudrā tradition. Uh, his, this is Advayavajra, the non-dual vajra, also known as Maitrīpa. He wrote some very important texts in Mahāmudrā tradition. And so philosophy is one way of doing this. Tantric practice is another way of doing this. So this is the sūtra level, so-called sūtra, non-tantric level, this then there's the tantric level. And then there's also a kind of another level in a way, which is the devotional level. And we'll talk maybe tomorrow more about why devotion might be so important uh, for this kind of practice. Again, you know, talking about things does have the slight danger of, you know, making us too conceptualizing them too much. But since most of us Westerners are so over-educated, it's better for us to like work through our crazy ideas about this stuff
and get clear about it.
Okay, so we'll do some of that tomorrow. Look at the double split, slit. We'll uh, um... talk a little bit more about how this, what kinds of practices are involved and maybe deal with your questions about, um, about this kind of reflexive awareness If you have any, so think about it. Let me know any other questions from the week that you may have. Uh, so please uh, have a good evening of contemplation.
Let's dedicate.

sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né
kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok jangchup semchok rinpoché ma kyepa nam kyé gyurchik kyepa nyampa mepa yang gongné gongdu phelwar shok
Okay, thank you.
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So before I say more, I just want to say that the, we're doing this sort of philosophical, conceptual models that are the background of Mahāmudrā style practices. And again, just cautionary tale is that it's a model, it's a map. Uh, one doesn't want it to get in the way of the practices. But there are already, perhaps, you can see how maybe some of the practices, if you've been practicing with Eric, that there are practices that are very closely related to this. So one of them is that our ordinary sense of subjectivity is that there's a sort of a thing that is the subject that we could see as an object. So when we have this, if you see, remember this diagram. When the sense of subjectivity causes the conceptualization. Right? So like, I'm getting very emotional, and I go, oh, I'm very emotional. So in that case, in this moment, let's say I'm focusing on something or whatever, and then I kind of make a conceptualization, instead of making, instead of this kind of conceptualization, where the object form is dominant. Right?
Sorry, come on.
Instead of this kind of conceptualization, where the object form is dominant. Like, oh, look at this. Wow, look at that. Instead, I have a conceptualization where the subject form is dominant. Like, I'm looking at this, and so there's my vase, and then maybe like, oh, wow, I really missed it.
You making fun of my relationship with my vase?
Yes.
Okay.
So like, but in that moment, it seems like I'm looking back at myself, right? Like, oh, I'm seeing kind of looking to my feelings. But on this model, that's not what's happening. It's that because of the reflexive awareness, it's presenting the subject and the object simultaneously. And under what whichever conditions, basically conditions that have to do with attention, and what's salient, like you pay attention to what's salient. So maybe I explain that for a moment. And this is also that, you know, the movie that many of you have seen, and if you haven't seen it, you can go on YouTube and just type invisible gorilla. Right? So again, as you might recall, it's this, you know, movie that's used to teach something called inattentional blindness, you're told at the beginning of the movie, well, I'm not going to ruin it, who has not seen it? Oh, okay, basically, without I'm not going to ruin the movie. But basically, so just watch the movie. And there are versions of it, newer versions of it that even if you've watched it, it'll still work. I'll just say that much. And the idea is that, for example, um, uh... for example, everybody has seen something in this room that you don't know is there. What I mean is, you've seen it. But you did not do the... so you saw it as an object, right? In this way, but you did not conceptualize it, or identify it, and it cross through your visual awareness, depending on some people will say, you didn't even reach the level of phenomenality. But I think the general consensus now is that it does get to a phenomenal level, but you just don't like conceptualize it. So you don't remember it. Okay. So I'm going to give you an example. Uh, in this room, there is a green sign with a little person on it. Who has seen the green sign with a person?
You've everybody's seen that. It's crossed your visual awareness.
You've all seen that, right? Okay. Everybody's seen that. There are lots of things in this room that are like that, for sure. But we don't notice because they're not relevant. Like maybe if you're a fan of signs, you notice all the signs in a room, you're a sign collector, or, you know, you're especially worried about how to run downstairs and you see the little icon of the running person on the green sign.
You know, so it's like, whatever.
Or maybe you've noticed, okay, so there are, in this room, there are uh several uh, uh, kind of glass, um, lampshades, right? So everyone noticed. Now you'd look around and say, oh, yeah, there are. How many of you actually honestly didn't know that there were these light shades? Am I right? A few people really didn't notice, right? Maybe. So there are all kinds of things that you see, like, you've probably seen the big drums, do you know whether there is anything at the center of the big drums in the back of the room? You can turn around and look now and see that there's a joy swirl in the center of the drums in the back of the room. Obviously, very easy to see, right? It's not like, oh, I just didn't see it.
It's just you didn't like, you know, you didn't attend to it
in a way that enabled you to conceptualize it. So what's happening here, most of the time, we don't attend to the information. So what's happening here is all of experience is being presented, objects, stuff, and then non-object stuff. But since we're so focused on objects, because the reason we're focused on objects is we want this, we don't want that, we want this, we don't want that. We don't actually often do this, where that moment of experience, instead of producing a conceptualization like this, about an object, instead of produces a conceptualization like this, about the non-object side, basically, the background. Okay, so that means that most of the time, what's salient, and this is a term in the context of attention, it means, in a sense, it's popping out to us, it's what's important to us, it's what we care about. And there are lots of things that are salient. Uh, you know we have like a, this has to do with what you can call our task set, like, what is running in the background as relevant to, like part of the gunk here, like, what's really, what are our goals? So one task set would be, for example, I'll just give you a quick example. Let's just suppose you're like, you know, someone who's a gardener or whatever, and then you would have noticed, probably that there's like a, some kind of a small gardening machine running in the background right now, right?
But maybe if you're not a fan of gardening, or you know,
you don't, you just haven't really, you just filtered that out. If you all care about your emotional states, and you can do that in positive and negative ways, right? So in certain kinds of anxiety disorders, there's a kind of too much concern with the internal states, and your physical states, and so on. And then you kind of heighten that and then become, you know, too much, in a sense, acutely aware of your appropriate, your interoceptive or proprioceptive information, mostly interoceptive, and that can create, you know, issues. But also, I could have, let's say, I'm a practitioner. And as part of my goals, it's like, I want to be kind to people. And so I'm kind of monitoring in the background without, even while I'm doing something. I can be monitoring in the background, how I'm doing it. Okay, because, and this is called meta-awareness. But it's not a meta-awareness that is like this. Okay? Rather, it's the meta, the kind of a meta-awareness that's just like that.
So that you are able to implicitly, and I've written an article about this
with Evan Thompson and Jonathan Schooler, that I can share with you guys, that you can implicitly be aware of, you can cultivate actually, and increase, we all have this capacity, but you can kind of increase that capacity, first of all. And then secondly, you can tie it to certain types of goals that are not about just, you know, getting stuff in the world or winning a debate or whatever, but are also about a certain sense of being what kind of person you want to be. And so if you have a very big deficit in this area, everyone has some of it, because you wouldn't be able to actually navigate the world if you didn't have this. But uh, if you have a deficit, then you don't notice you're getting upset, like you're in the middle of an argument, and someone says to you, you're angry, and you go, I'm not angry.
Is this ever happened to you? What do you mean?
You're angry.
Right, or whatever.
So you can, so this is very important in practice. And one of the ways that this is articulated, actually, even prior to, uh, you know, this kind of implicit theories, again, none of this stuff just comes out of nowhere. There are, you know, in Buddhist practices and in Buddhist theories, both in their interactions lead to these types of, you can almost say discoveries. And so the idea of mindfulness style practice, a big part of mindfulness style practice is monitoring not just what's happening with an object, but what's happening with yours, the background, so to speak, your emotions, and so on, the quality of your awareness. So when you have, so the idea here is that even while you're focused on an object, let's say you're focused on your breath, you're doing, you know, mindfulness of breathing, you have an awareness of how you're focusing, not just what you're focusing on, but the quality of your awareness. So as you're, as you're cultivating that kind of mindfulness, you're also cultivating this meta awareness. And the term for that in Sanskrit is samprajanya, or Tibetan shes bzhin ཤེས་བཞིན་. So you have dren pa དྲན་པ་, which again, is that thing that prevents you from, prevents, remember, that's mindfulness, smṛti, sati, dren pa དྲན་པ་, that prevents your mind from getting caught. But you also have samprajanya, or shes bzhin ཤེས་བཞིན་ in Tibetan, which we can translate as meta awareness, which is noticing how it's going. So even while you're focused on something, you can be noticing how you're focusing the quality of your awareness. Right? And this, you know, there are many different places where this is relevant. This is very relevant in music performance, right? It's relevant in sports, dance, in all kinds of situations, it's very relevant, that this capacity is very important. And it's very important for a practitioner, because if we are, you know, if we're trying to cultivate certain types of virtues, we're trying to cultivate compassion, we want to be aware of how we are with others. But if the way we have to do that is, I'm talking to you, uh, how am I doing, how am I, uh you know,
people are not going to want to talk to you anymore.
If it's like, I have to look in. Right? You could start to seem very uptight.
So it's not that, it's cultivating that meta awareness.
And then there are styles of practice, which enable you to cultivate that meta awareness very deliberately. So mindfulness styles of practice, and actually, really, the term, you know, when we talk about this aspect of meditation, and really, you can say this as this is an aspect of really kind of all meditative practices. The Tibetans don't just say smṛti when or sati, you know, or dren pa དྲན་པ་ is their word, right? They don't just call it that. They say, when you're talking about this feature, which we could kind of use a single word mindfulness for in English, they say dren shes དྲན་ཤེས་, which is a, which is a compound formed from two words, dren pa དྲན་པ་ and shes bzhin ཤེས་བཞིན་, dren shes དྲན་ཤེས་. That's, and that means mindfulness, smṛti, mindfulness and meta awareness. That's the whole package. And how could you, what kind of a practice could you do, by the way, without, you know, it's without kind of, this isn't nature of mind practice, but it would be preparatory to it, what kind of a practice could you do that would very deliberately cultivate that meta awareness side?
Yes?

Rowan?
Student: And noting your emotional mental state. You could do a noting practice, which you will find in like Vipassanā, and so on. But the one thing about, about noting practice in general is it can make you kind of do the turn in, right? Where you're kind of objectifying self. What if you were to, like, you take the object, take the flower as an object. Okay, everyone look at the flower. Keep looking, looking, look, look, look. Undistracted, completely mindful, keep looking, look, undistracted.
Like you, there's a moment they were like, you're still aware,
you're not distracted, but you're not aware of something.
Right?
So that's, that's uh, uh, objectless Samatha. I think Eric's been talking to you about Samatha, which is developing a kind of mental stability. And that's done with an object. But you can then in the Mahāmudrā gradual training, you actually then do a kind of Samatha, which is without an object. So that's getting you toward that undistracted non meditation, you're cultivating meta awareness, but you're not focusing on an object. So you start often by by using an object could be visual object could be your breath. And then you sort of drop the object. And you just remain undistracted. And that's Samatha. It's not, you know, into what we call Vipassanā insight. It's not, you know, recognizing the nature of the mind. But it's very important for preparing for that. And that's all but it also then has very useful other aspects, because it then enables you when you're off the cushion, it cultivates that capacity to kind of even while you're focused on something, you notice how you're doing. And if part of your task set, your goal set is like to be a generous kind person, that'll also that'll make it more salient. Just like if you're a sign collector, you would have noticed the sign. Right? You're that stuff about your subject side, your emotions and so on becomes more obvious to you in a health in a healthy way. Yes, Josh.
Student: The practice you just showed when you drop the flower and we're still in this awareness,
is that the same as just like trying to be in this open state and kind of waiting until something arises in our awareness? Yeah, like, like choiceless awareness, as some people call it. Yeah, it is similar. Yes, it can be like that. Except the difference there is that you don't, it's not like you're waiting for anything.
In other words, you're
part of what it means to be undistracted in that context is not to select any object. So if there's a loud sound right now, one of our baseline tasks or goals is to stay alive. So if you had a loud sound, like boom, we would all go what? Right? Because that would be salient, is that a threat? Okay, so that loud sound captured our attention, because it's important to us, in this very baseline thing. And this, this, the kind of practice here, objectless Samatha, is to actually not be captured by anything.
So you're aware, you're doing, you're, you're, um, you know,
you're certainly fully aware, but you're not trying to focus on anything, and the mind is not, the attention is not being captured by anything. Student: Maybe a bit like being in the forest at night, and then suddenly you hear something, but then the noise is over, but you're just like super alert, and like. Yes, exactly. Yes, so actually, you know, a traditional way to introduce some of these types of practices is through startle, what’s called the startle response. So if you have a loud sound, our system goes up, and then after that, like there's this kind of moment of, you're fully aware, but not of anything. That's right, exactly right. Yep. That's starting to get more into actual nature of mind practice, where you might use a shout, like this, of the syllable phet ཕཊ་, or, you know, in Zen, the master will come up and smack you in the head. I'm thinking of introducing some of that here.
And Eric has some great stories about Zen, Zen encounters with Tibetans.
You know, they like, you know, try to shock you. Just a quick story. So there was when Joseph Goldstein wrote this great book, One Dharma, which maybe we're going to try to like do an event, the sort of 2.0, so to speak, pretty soon, maybe next year. But um, and uh, Joseph is a very well known Vipassanā teacher, who became, because in a sense, that which is very interesting, like that sort of meta-awareness that is cultivated, even in Vipassanā style mindfulness practice, that's a route into Mahāmudrā Dzogchen. So when Joseph and others kind of encountered Mahāmudrā and Dzogchen they went, oh, that's what we've been doing.
And then, you know, because Zen practice also is really about that kind of
non-dual awareness too, they arranged to have a meeting between Nyoshul Khen Rinpoche, a very famous Dzogchen teacher, the late Nyoshul Khen, and a Zen master. I can't remember which one. This is how he starts the book, you know, and the Zen master is trying to do this startle thing too. And one way you do that is not by shouting or whatever, but you just ask people like, it's called Dharma combat, you know, when two masters meets, like, I'm going to make your mind go, boom. So at a certain point in the conversation, the Zen master, there's a bowl of fruit, you know, that's been offered. He grabs an orange and he goes, what is this? And Nyoshul Khen Rinpoche turns to his translator and says, what, they don't have oranges where they come from?
And then,

Yes.

Student: Just to get it clear, is this meta-awareness happening simultaneously?
Because, Yes. usually it's said that you can't multitask. So if it is simultaneously, it's non-dual. Is this the point? That's right. It is, it is, yes, exactly. Every moment of awareness on this model, every moment of awareness has this meta-awareness. And if it's not... Because it is actually, it is, this meta-awareness is actually a version or, you know, depends on that reflexivity. Student: And if it's not simultaneously, it's conceptual? Then it would be... No, it wouldn't necessarily be conceptual, but it might be second order. It might be, you know, there are people who will say that meta-awareness, there is no such thing as this kind of first order, reflexive meta-awareness. There's this thing, there's a second order meta-awareness that only happens consciously when you, when you uh, look at your own mind or something like that. Okay, so, so, so the... So this is the theory here is that every moment of consciousness has meta-awareness. Because that's actually what it means to be conscious. Student: And this means also to be non-dual in... Yes, well, it's... So the non-dual idea of it is that there's an aspect of your awareness that is being presented to you, non-dually, because your sense of subjectivity is known without making it an object. And if you've been doing any of practices with Eric, I think you see this. Like what happens when you try to see your subjectivity? You look for the subject, look for the self. What happens? Like if you go, oh, who's, who's, who's seeing right now? What happens when you try to see that seer?
Yeah, like, well, yeah.
And the reason you can't find something is that that's, that you're doing, you're just trying to, you just turned yourself into, you've done this. See here, this moment, the sense of subjectivity is being presented reflexively. And here I'm going, oh, I, I am this, you know, from the standpoint of a subject, I am, you know, happy or upset or whatever.
So that you've conceptualized yourself.
So the only kind of self you can know in that way as something that you'd look at as an object is a conceptualized self, which is not a self, it's a concept.
Okay.

Student: Does that mean you can't really turn awareness into an object?
No, yeah, that's right. You cannot, you, you, you can, you can, uh, you can take it this, this moment, and you can conceptualize various aspects of that moment. Can you conceptualize all of the vase? Everything about the vase? No, because there's an infinite number of possible conceptualizations. In that territory, you can make an infinite number of maps. Some of them are probably extremely useless maps. You know, like, how many barely visible fingerprints are there on there? But, probably not a super useful map.
But you can make a lot, an infinite number of maps.
And, you know, a map always chooses data. If it's, if it has to filter out some of the territory. Otherwise it's just the territory, like that story by Borges. Right? So, you know, you can have, we can make a map of Gomde, which is, you know, based on the grasshopper population. Like they're little grasshoppers, you've probably seen around. And we can even try to make the map as a grasshopper map. Like, how does a grasshopper see Gomde? That would be useful for grasshoppers to negotiate Gomde. But like, so that would be an interpretive grasshopper interpretation of the territory. We make our own interpretations, human interpretations. You know, if you're a big sign fan, maybe there'd be a sign map of all the signs at Gomde.
Right?
But they're all just taking the territory and choosing things that are relevant. That's what concepts do. So you could never map all of consciousness, just like you can't even map all of the vase. But you can't stand outside of consciousness and look at it. That's the main, which is also the flaw in a lot of consciousness research. You can't like, look at consciousness outside of consciousness. You can't do that. Then you're not conscious.
Okay, and that's also a point made in that book,
The Blind Spot, which I've recommended to you.
Uh, so what happens when you try to look in?
You don't, you can't find that because, of course you can't, because you're doing, you know, when you're looking, you're doing this. You're assuming a new standpoint of subjectivity and looking. But when you don't find, you know, when you don't find that self, when you try to look and do that like that, part of what you're discovering is the sense in which, the sense of subjectivity is being presented to you without you having to do that. So that again is a kind of step toward the nature of mind practice, or the recognition of the nature of mind, right? Which Eric has been leading you through somewhat. Not, you know, we don't presume to give, you know, pointing out what's called pointing out instructions. So when we said that, Eric and I were talking, the uh, when the um, you can say through meditation you find the view, that's where you basically come to a nature of mind experience just on your own through meditation practice. Most of the time, as I said, except for extraordinary cases, it's you have a view, really a conceptual view, and then you come to the experience of the nature of mind. And that conceptual view can be philosophy, but it doesn't have to be that. It can be also like the interaction with a master who's using words, symbols, and so on. But there's going to be some key like issues that even there that we should, that we will talk about probably tomorrow. And part of this also then is, what you can see in a way is that, um, you know, the act, even just the act of like choosing what to conceptualize, whether it's subject or object, is in a sense creating a reality.
And so which framework we use to conceptualize also is really relevant.
And I think also what that tells you is that the framework, under certain conditions, you start to recognize how the framework is contingent. And I think the double slit experiment is a very good case of that. So we're going to, Philippe's going to present that to us tomorrow. I think maybe though we shouldn't start at 9:30 because it's two and a half hours is too long. So let's just start at 10 tomorrow. And maybe we'll start with that just for fun.
Uh, so, uh...
when, so one of the questions is, how do we really like, part of the nature of the mind is definitely going to be that is this like sheer luminosity, this reflexive awareness, that is the mind itself, that is characterizing every moment of consciousness, and also that it's empty, it's empty of the subject-object duality. Now, and this is both like theoretically, like you could say, or analytically the case, because those using Mādhyamika analysis, it is um, the subject and the object can't be essentially real because they would not be relational then, right? So we know that if something is relational, it's necessarily empty of a fixed identity. Consciousness is relational and dynamic in this way. So it has to be empty, not just of subject-object duality, but of any fixed identity. So it's luminous, but empty of any fixed identity. Right? But there's another way in which you could say the nature of consciousness or the nature of mind is not dualistic. Remember, the nature of something is what the thing has in every permutation. Water is H2O, whether it's liquid, gas or solid, right? So if there's something about the particular instance of water you're dealing with, like it's muddy, then that, and that doesn't occur in some other permutation, that means that muddiness is not essential to the water. Right? Okay? Or maybe some water has salt in it. You can take the salt out and it's still water, so that means salt is just accidental. So what this is also saying, which is important, and this is also then becomes a technique, is you can also say if you want to really kind of demonstrate to someone that the nature of mind is empty of duality and luminous, you could induce a state in which that happens, meaning there is no content. There's just sheer luminosity. Okay? So you could put somebody in a state like that, just putting, just inducing that state and the way you would do that is through certain tantric techniques. But the way you would do that, right, just doing that is not enough. And this is also why, like, you know, people think, well, I take certain psychedelics. That's not enough. Just inducing the state is not it. Because you then, like the fourth initiation, as Rinpoche, you know, was explaining, is really in a sense telling you what it means when you're in there, not even what it means, like pointing out what is the nature of that state, what you need to, in a sense, learn from that experience. Okay? And one thing you're learning is that this dualistic structure, and one way you get rid of dualistic structure is you just, you know, wipe out content, and then there's just sheer luminosity, right? But you don't have to do that. You can also, in a sense, the content can remain without this, without the dualistic structure seeming real, without the reality habit of the dualistic structure. So that means that there are other ways of getting there. And even philosophy can do that. And so this is what's called sūtra Mahāmudrā, where you use philosophy, and on the figure on the right is a depiction of a very important Indian scholar practitioner. He's very important for the Mahāmudrā tradition. Uh, his, this is Advayavajra, the non-dual vajra, also known as Maitrīpa. He wrote some very important texts in Mahāmudrā tradition. And so philosophy is one way of doing this. Tantric practice is another way of doing this. So this is the sūtra level, so-called sūtra, non-tantric level, this then there's the tantric level. And then there's also a kind of another level in a way, which is the devotional level. And we'll talk maybe tomorrow more about why devotion might be so important uh, for this kind of practice. Again, you know, talking about things does have the slight danger of, you know, making us too conceptualizing them too much. But since most of us Westerners are so over-educated, it's better for us to like work through our crazy ideas about this stuff
and get clear about it.
Okay, so we'll do some of that tomorrow. Look at the double split, slit. We'll uh, um... talk a little bit more about how this, what kinds of practices are involved and maybe deal with your questions about, um, about this kind of reflexive awareness If you have any, so think about it. Let me know any other questions from the week that you may have. Uh, so please uh, have a good evening of contemplation.
Let's dedicate.

sönam diyi thamché sikpa nyi thopné nyepai dranam phamjé né
kyega nachi balap trukpa yi sipai tsolé drowa drölwar shok jangchup semchok rinpoché ma kyepa nam kyé gyurchik kyepa nyampa mepa yang gongné gongdu phelwar shok
Okay, thank you.

Session 17 — Reflexive Awareness and the Background of Practice

Teacher: 
Location: 
  • Gomde Germany-Austria
Description >>

In this session, John D. Dunne explains how the philosophical models explored during the course relate directly to Mahāmudrā-style practice, while also cautioning that they remain conceptual maps rather than the practice itself. He focuses on reflexive awareness and meta-awareness, showing how every moment of experience includes not only objects of attention but also an immediate, non-objective awareness of subjectivity, emotions, and the quality of awareness itself. This helps clarify how mindfulness and meditation can train practitioners to notice not only what they are experiencing, but also how they are experiencing it, without turning awareness into another object. Dunne connects this to objectless samatha and to practices that gradually reveal the non-dual, luminous, and empty nature of mind already present within ordinary awareness. The session also shows how philosophical inquiry, tantric methods, and devotion can each serve as different gateways into recognizing the nature of mind.

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